Based on the novel by Keigo Higashino (The Devotion of Suspect X), Wings of the Kirin is the latest big screen outing for Higashino’s famous detective Kaga. Previously played on TV by Hiroshi Abe who reprises his role as the much loved sleuth here, this latest instalment sees Kaga’s particular expertise put to use in the case of a salary man who appears to have staggered some distance from the subway tunnel where he was stabbed only to die right under the famous Kirin statue on Nihonbashi Bridge. Around the same time, a younger man calls his girlfriend to tell her he’s in ‘big trouble’ before being chased out into the road by police, whereupon he’s suddenly mown down by an oncoming truck. As this man had the salaryman’s briefcase the case seems open and shut – a mugging gone tragically wrong leading to the death of both perpetrator and victim. Kaga though feels differently and as always, the case is not quite as straightforward as the authorities would like to believe.
As with many of Higashino’s stories, the mystery itself is almost a macguffin as Higashino is more interested in investigating human behaviour and psychology with half an eye on traditional morality. Wings of the Kirin is no different in this respect as it has a heavy interest in the relationship between fathers and sons and the importance of taking personal responsibility for your own transgressions. However, that isn’t to downplay the mystery element as Higashino once again proves himself a master at wrong footing the audience. Many viewers may feel they have a pretty solid idea of who did it and why fairly early on the film only for it takes off in an entirely different direction in the final third. That said, although it is heavily pushing your intuition in one direction, there are perhaps an over abundance of subplots including illegal work practices and unfeeling employers, the difficulties faced by young people coming out of the foster system, complicated teenage friendships and misunderstandings brought about by people’s own sense of guilt. Consequently the film does run quite long as it manages to pack in just about as many wrong turns and red herrings as possible, however it largely earns its right to run as each of the characters and sub-plots manages to be compelling in its own right.
Though Wings of the Kirin is technically the big screen spin off of the Detective Kaga TV drama, no previous knowledge of Kaga and co is strictly necessary though familiarity with some of the peripheral characters may help. Hiroshi Abe excels once again as the slightly distant if all seeing detective who alone is capable to putting all the pieces together in the right order. Perhaps due to its TV roots, the film has a rather strange and quirky soundtrack which is frequently at odds with the serious nature of the drama yet it never quite tips over into being distracting enough to derail the film. Occasionally it does feel like more like a big budget TV special than a major feature but again perhaps that’s in keeping with the previous instalments in the series. Like all good mysteries, the solution involves a great deal of improbable coincidences yet watching Kaga shuffling them all into place to reveal the overall solution is quite masterful.
However, Higashino’s moralising does take over at times and there was at least one instance where it seemed Kaga had gone too far, or at least the actions of one character did seem reasonable. After all, if you can ‘save’ one person when there’s nothing to be done for another, is it really so wrong to try and help the people who are left behind? The actions in that case did seem altruistic, not born of any desire to ‘cover-up’ wrong doing but only to try and prevent more lives being ruined. Yes, Kaga’s assertion that you’ve effectively taught someone that it’s OK not to admit you’ve done wrong or that it’s OK to let others take the blame for your own mistakes is obviously true, but the consequences here are perhaps too extreme and dramatically neat to bear it out. Occasionally the film does feel preachy and its message is anything but subtle, however, thankfully it never manages to disrupt the pleasure of its finely constructed mystery. A little bit long and necessarily meandering, The Wings of the Kirin is another impressive crime thriller from the pen of Higashino that manages to entertain with a finely crafted central narrative but is also unexpectedly moving in its curiously small scale climax.