Fullmetal Alchemist posterEvery so often a film comes along which makes you question everything you thought you knew. Fullmetal Alchemist (鋼の錬金術師, Hagane no Renkinjutsushi) is just such as film but less for the philosophical questions fans of the source manga may have been expecting, than for the frankly incomprehensible fact that it exists at all. Produced not by a major studio but by Square Enix – best known as a video game studio but also the publisher of manga magazine Monthly Shonen Gangan in which the series was originally serialised, and effects studio Oxybot Inc., Fullmetal Alchemist is not the big budget extravaganza a franchise of this size might be expected to generate but a cut price blockbuster attempting to pack a much loved, long running saga into just over two hours.

For the uninitiated, the movie begins with the little Elric Brothers – Ed and Al, who live in the countryside with their doting mother while their father is away. When their mother is struck down by a sudden illness and dies, the boys raid their dad’s Alchemy library for clues as to how to bring her back. There is, however, a taboo surrounding human transmutation and when the brothers cast their spell they pay a heavy price – Al loses his entire body though Ed manages to save his soul and bind it to a suit of armour by sacrificing his own right arm.

Many years later, Ed (Ryosuke Yamada) and Al (Atomu Mizuishi) are still looking for the mythical “Philosopher’s Stone” which they believe will allow them to cast another spell and get their fleshy bodies fully restored. This takes them to a small town where they encounter a dodgy priest and their old commander, Captain Roy Mustang (Dean Fujioka), who wants to bring them back into the State Alchemist fold. The priest’s stone turns out to be a fake though his connections to the film’s shady antagonists are all too real, and the brothers are soon faced with another dilemma in their quest to restore all they’ve lost.

Sori shifts away from the frozen Northern European atmosphere of the manga for something sunnier and less austere, shooting in Italy’s Volterra with its narrow medieval streets and iconic Tuscan red roofs. He is, however, working on a budget and it shows as his cast are costumed at cosplay level with awkward blond wigs attempting to recreate the manga’s European aesthetics. Al, rendered entirely (and expensively) in CGI, is deliberately kept off screen while the quality of the effects often leaves much to be desired.

Al’s frequent absence is a major problem seeing as the series’ major theme is brotherhood and Ed’s tremendous sense of guilt over his brother’s condition coupled with his recklessness in his need to put things right is only explained in a piece of bald exposition following a fight between the pair after Al’s mind has been corrupted by a mad scientist who implied that he may not really be “real” after all. While Al’s false memory paranoia may be among the more interesting issues the film attempts to raise, it’s quickly pushed into the background, eclipsed by the ongoing conspiracy narrative which places the Elric Brothers in a difficult position regarding their need to get their body parts back. 

A symptom of the attempt to condense such a much loved and well known manga into a two hour movie, there is rather a lot of plot going on and numerous side characters on hand to enact it. Though fans of the original manga may be pleased to see their favourite characters have made it into the movie, they maybe less pleased about how one note they often are or the various ways their personalities have needed to shift in order to fit into the new narrative arcs the film employs. Aside from the young and pretty cast, Fullmetal Alchemist also finds room for a host of veteran talent from the ubiquitous Jun Kunimura in a small role to Yo Oizumi turning villainous and Fumiyo Kohinata at his most Machiavellian.

Extremely silly, poorly put together and burdened with some very unfortunate wigs, the Fullmetal Alchemist live action adaptation is as much of a misfire as it’s possible to be but viewers hoping for a continuation to the tale would do well to stay tuned for a post-credits sting strongly hinting at a part two.


Streaming worldwide on Netflix.

Original trailer (English subtitles)

3 comments

  1. Despite its major flaws I enjoyed this more than you it would appear. :/

    I can’t dissent about the hamfisted contraction of the story but the physical and aesthetic replication of the anime/manga was arguably the most convincing one I’ve seen yet in a live action adaptation. 🙂

    1. I really didn’t buy any of the design elements at all, not that I was expecting naturalism but it all seemed far too constructed. Or perhaps I don’t want it to be a reconstruction of an anime and manga world but one which works on screen and on its own terms which I didn’t feel this did.

      1. I think it had to stay true to the original designs as that is very much part of the show’s legacy as the characters and storyline. If they had strayed too far from them it wouldn’t be FMA, just something masquerading under the name, unlike say Parastye or something where you can take some liberties.

        I will concede that Ed’s wig did look unnatural and I didn’t like what they did with Winry’s character (as I said in my review) but Al’s armour and the army’s uniforms looked great in my opinion and made the experience much more palatable for me. 🙂

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