How long should you wait for love? Released during the prime romance season over the Christmas holidays and adapted from her own novel, Phoebe Jan Fu-hua’s Waiting for My Cup of Tea (一杯熱奶茶的等待, yī bēi rè nǎichá de děngdài) wonders if love is something you can defer or something to which you should submit as a collection of youngsters attempt to deal with various kinds of baggage from unresolved attachments to chronic illness, career worries, and the burden of responsibility for one’s own feelings and those of others.
Xiao-hua (Ellen Wu), for example, is a shy young art student who seems to stand at a distance from her friends while intensely irritated by a classmate/neighbour who has a sideline as a model and seems to have everything passed to her on a plate simply for being pretty. It’s Yi-chun’s love life, however, which is beginning to annoy her partly because each of her suitors, which Xiao-hua suspects may extend to at least three, constantly rings her bell mistakenly believing Yi-Chun’s is broken. After being jokingly threatened by Yi-chun’s overbearing secret boyfriend, she later runs into another young man, Zi-jie (Simon Lien Chen-hsiang), ringing her bell in vain advising him to come back later fearful of a scene should he enter and find another guy in Yi-Chun’s flat, while she’s also touched by the sight of a third man, A-wen, sitting quietly on a bench opposite her window next to a bouquet of flowers assuming he too is probably waiting for Yi-Chun.
Feeling sorry for A-wen sitting out in the cold waiting for a girlfriend who’s probably off with someone else, Xiao-hua buys him a hot milk tea from a vending machine which will become something of a motif throughout the film, but it’s Zi-jie she eventually falls for after a series of meet cutes during which he declares himself uninterested in committed romantic relationships and indifferent to Xiao-hua’s revelation that Yi-Chun may have as many as three guys on the go at the same time. Even so, he appears much more interested in her than he ever was in the model next-door, later ending his association with Yi-Chun rather abruptly much to her surprise in order to better romance Xiao-hua if mainly through an air of mystery.
Though all of these people are very young, in the main college students about to graduate, they each have their own barriers to romance which they’re wary to overcome, Xiao-hua’s being her previous relationship with fellow student Shao-Ping who broke up with her to take care of a childhood friend living with mental illness while selfishly asking Xiao-hua to wait for him. At one point or another, everyone asks someone else to wait or else to give them time, Xiao-hua eventually that of asking Zi-jie on figuring out why he seems to be keeping a distance from her echoing the words of the radio host she’s fond of listening to that he should give her time and learn to let her in, while he later asks the same of her, and of course A-wen is always “waiting” in one sense or another. There is something a little uncomfortable in Shao-ping’s broodiness, opposed to Xiao-hua’s new relationship not only because he unfairly believes he still has a right to a say in her romantic future but uncomfortably suggesting that he sees an ironic degree of symmetry fearing that Xiao-hua will discover that Zi-jie is a “burden” she will become responsible for an idea tacitly affirmed in the otherwise positive conclusion in suggesting that Zi-jie must wait until he’s physically fit for love before committing himself fully.
Meanwhile Xiao-hua’s romantic naivety is challenged by relationships between her friends witnessing a couple she thought were made for each other suddenly break up while each of them prepare for their lives after college, getting jobs and moving on often in different directions. She comes to realise that it’s unfinished business that holds people back and that in the end it’s better to have an uncomfortable conversation than leave a door open that would be better closed because there’s no sense waiting for a moment that’s already passed, but then paradoxically commits herself to waiting as an act of faith in a surer love. A gentle meditation on loneliness, grief, and the internalised barriers to romance Jan’s melancholy drama is less an advocation for moving on than for taking the time to find the right direction or at least one that is your particular cup of tea.
Original trailer (English subtitles)