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Apparently inspired by a real life viral blog, the latest from the prolific Michihito Fujii, 18×2 Beyond Youthful Days (青春18×2 君へと続く道, Seishun 18×2 Kimi e to Tsudzuku Michi) is in many ways in dialogue with Shunji Iwai’s Lover Letter which itself makes an appearance in the film in a allusion to a love that as the hero says never quite even began. Even so, the he, as the heroine had, undertakes a journey not so much to find himself as to recover the young man he once was before romantic heartbreak and professional strife left him emotionally numb and filled with despair.
Jimmy (Greg Hsu Kuang-han) says he’s on a journey with no destination, and perhaps, he is though it’s clear there is an end point in sight only one he’s reluctant to go to. It’s never quite clear to what extent the film intends its big reveal to be quite so obvious, though it seems clear enough that this is a tale of lost love and a circular journey towards a new beginning. After being kicked off the board at the games company he started, Jimmy catches sight of an old postcard soaked in the perfume of a girl he once new perhaps ironically called the flow of time. It does indeed call him back to the past, sending him on a trip to Japan where he too encounters various people who help him to reaffirm himself during a solo trip towards the nexus of his emotional pain.
Back in Tainan 18 years previously, he developed a crush on a young Japanese woman, Ami (Kaya Kiyohara), who rocked up at the karaoke bar he was working at the summer before uni and asked for a job having lost her wallet. Ami is four years older than him and perhaps sees his clumsy attempts at courtship as childish even as he earnestly brushes up his Japanese to be able to converse with her but otherwise treats him warmly if keeping him at arms length. In his own recollections, Jimmy was a clueless teenager who never really picked up on the pregnant hints Ami was leaving him in her sometimes cryptic comments and confusing behaviour but nevertheless went into a massive sulk on hearing she planned to return to Japan wasting precious time with her and almost ruining the memories of their tentative relationship by allowing it to end on a sour note.
The 36-year-old Jimmy is only a little wiser, a lonely, melancholy man who appeared to have little aside from the work that been taken away from him. This apparent mid-point of his life, a double 18 split in the middle, affords him the opportunity for self-reflection as many of those he meets along his way remind him. What he’s doing in a way is travelling on the flow of time, heading back into the past in order to travel through it and out the other side as he later says leaving this moment of youth behind to move into a more settled adulthood and an end to his frustrated inertia.
As in Love Letter, he ends up deep in frosty snow country reflecting the emotional coolness of his adult self in contrast with the tropical temperatures of Tainan and sunniness of his memories of the summer with Ami. What he discovers is also a kind of love letter as yet undelivered but waiting for him at the destination he was afraid to approach as a kind of closure that will allow him to begin moving forward while carrying his memories with him rather than remaining trapped inside them. Reflecting that the people we meet along the way each leave something of themselves behind in our hearts, Jimmy is finally able to recognise himself and discover a way forward in reaccepting the memories of his summer that never quite blossomed into love as warm and comforting rather than the chilly sadness of the pure white vistas of snow country on Ami’s postcard. Travel doesn’t as much broaden his horizons as remove them, leaving him with an endless, meandering journey open to the possibilities of life and a spirit of adventure born of a lost but not forgotten love.
18×2 Beyond Youthful Days screened as part of this year’s Nippon Connection
Trailer (English subtitles)
Windows on Worlds 