Enokida Trading Post (榎田貿易堂, Ken Iizuka, 2018)

NC18_cinema_Enokida Trading Post_flyer_preview.jpegJapanese cinema is filled with tales of those who become disillusioned with city life and decide to go home to the country to start all over again. Almost always they start with failure and build to success as the hero or heroine gradually figures out what they want out of life and then how to make it happen. Enokida Trading Post (榎田貿易堂, Enokida Boekido), however, does things a little differently. Mr. Enokida (Kiyohiko Shibukawa) has been back in his home town for four years and has already built up a successful, if scrappy, business selling second hand goods. When the right hand side of the first character in Mr. Enokida’s name suddenly falls off the store’s sign one day without warning, Mr. Enokida knows something big, good or bad, is definitely on its way.

Both director Ken Iizuka and star Kiyohiko Shibukawa hail from the small country town, not coincidentally also called Shibukawa, in which the film is set. A tribute to rural life, Enokida Trading Post adopts the calming, laidback feel of many a Japanese tale of life in the village but that’s not to say it’s the sort of place where nothing much happens – quite the reverse in fact. When we first meet Mr. Enokida, he’s wandering into the local hair salon but he’s got more than just a quick trim on his mind. Aside from indulging in a little how’s your father with the middle-aged proprietress (Reiko Kataoka), he’s also picking up a few extra pennies from the curious little boy he’s allowed to watch from outside. The affair with hairdresser will eventually get him into a lot more trouble, but Mr. Enokida is the sort that finds trouble worth the prize so it’s mostly the people around him who will end up paying the price.

Enokida Trading Post has two other employees – Chiaki (Sairi Ito), a married woman experiencing some kind of problems at home, and Kiyohiko (Ryu Morioka) who seems to have an extreme aversion to answering the telephone. The gang are also joined by a hippyish older lady, Yoko (Kimiko Yo), who stops by to chat every now and then, and an old friend, Hagiwara (Kenichi Takito), also recently returned from Tokyo but apparently only for a few weeks while he finishes a screenplay.

Sex and gossip become the two main pastimes for the Enokida gang as Kiyohiko catches sight of Yoko in a compromising position with the old man who runs the local laundrette while Mr. Enokida has begun to worry that Chiaki may have become a victim of domestic violence. As it turns out Chiaki’s worries are of a quite different order which might explain why she keeps renting “racy” mainstream movies like Betty Blue and Eyes Wide Shut from the local DVD store and apparently watching them all alone.

In an attempt to solve some of their problems, the gang find themselves making a visit to “Chinpokan” which effectively means “willy museum” and is indeed filled with pieces of erotic art from classic shunga to a room full of wooden penises in various sizes. A visit to Chinpokan can it seems work wonders, but as soon as you solve one problem another arises and a surprising discovery is made regarding another local love story before a third suddenly spirals into violence, revenge, and murder! Even in peaceful Gunma, such things do indeed still happen – something which prompts Mr. Enokida into a another reassessment of his life choices as he ponders his role in events so far and tries to decide what his next move ought to be.

Mr. Enokida’s motto had always been that anything except for actual rubbish he could handle. Sadly, quite a lot of rubbish has just happened to him and he doesn’t know what to do about it. The revelations do however prompt each of his friends into opening up about their individual worries and finally finding the strength to face them head on to make some decisions of their own. Making the best use of the beautiful scenery and filled with the charms of small town life, Enokida Trading Post is another in the long line of relaxed rural adventures, effortlessly finding the strangeness of the everyday in the country while grounding its sense of absurd fun in the unique philosophy of Mr. Enokida and his variously troubled friends.


Screened at Nippon Connection 2018.

Original trailer (no subtitles)

https://youtu.be/m1W59S_PTQU

Ambiguous Places (うろんなところ, Akira Ikeda, 2017)

Ambiguous places poster

The world is quite a strange place at the best of times, but for a small collection of people living in between some Ambiguous Places (うろんなところ, Uronna Tokoro) everything seems pretty much normal. Akira Ikeda whose Anatomy of a Paperclip won a Tiger Award at International Film Festival Rotterdam, returns with another surreal tale inspired by the land of dreams. 

Konoko (lit. “this girl”) washes up on a beach trapped in a net and tries to sing but the other people on the beach tell her to stop, because she’s rubbish. Konoko’s other problem is that she’s got a bug stuck in her hair and will need to find a barber to take it out. Travelling with a man whom a strange lady looking for “nuts” on a beach assures her is her dad, Konoko wanders off to look for a hairdresser only to sell her “dad” to a couple of near silent dango makers and then discover that the only barber’s in town is actually a soba shop (which serves udon) and she needs to go the pharmacy only the pharmacist is out at the moment because he had to get some gloves made in celebration of his wife’s pregnancy…

Ambiguous Places is actually a cyclical collection of three stories running more or less concurrently in which the same collection of strange people reappear in different stages of their own adventures. Konoko’s “Meeting Nyoraga” segues into the pharmacist’s odyssey of glove making and forced marriage “Celebrate with Gloves”, and that in turn leads into “Get My Hair Washed” which pops out of the pharmacist’s dream about a girl with foamy hair and features a quest to rid one’s home of scary blue ghosts only to end with everyone sitting down and having dinner together instead.

To begin with everything seems very strange but like the best of dreams it eventually starts to make sense and though there is more than a little violence and hostility, broadly everyone seems to accept things just the way they are. Still, from our point of view this is all terribly surreal. At one point the pharmacist, who has just spent ages having gloves knitted around his hands in a bizarre ritual encounters the man who will later own the dango shop just as he’s carting his wife around covered by a sheet and sitting in a wheel barrow filled with vegetables. The man explains that this is his people’s way of celebrating. The pharmacist looks him dead in the eye and remarks “strange custom”. Well, quite. Mozart’s The Magic Flute also plays a large role in the proceedings in somewhat mangled German with bits of Japanese creeping in until a young lady is forced to have a go after criticising Konoko’s singing and finds she is able to sing the Queen of the Night aria complete with coloratura almost faultlessly.

The atmosphere is indeed dreamlike as the various tales weave in and out of each other with a kind of surreal logic that has its own internal consistency even if it’s quite hard to pin down. Absurd in the extreme, Ikeda opts for deadpan delivery that adds to the bizarre humour and ethereal quality of the strange “ambiguous places” which seem to exist in this odd little seaside town. Yet also like dreams the deeper meaning (if there is any) is hard to discern. Nevertheless, even if it is all random and essentially meaningless, Ambiguous Places is unexpectedly warm and filled with enough zany humour to keep things ticking along even when wondering if one needs to be afraid of the postman or if Nyoraga is really as dangerous as they say…


Streamed via Festival Scope as part of their International Film Festival Rotterdam tie-up.

Original trailer (English subtitles)