Secret Cinema, 4th November 2012 – The Shawshank Redemption

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First off, apologies for the lack of decent photographs (not that my previous efforts were even approaching ‘decent’). The specificities of this event meant I couldn’t figure out a way of taking my camera – though no one seemed to mind people snapping away on mobiles so I managed to sneak two or three of those in during lapses of security (the phone I did have to secrete about my person though).

To begin at the beginning – I had a harder time guessing this title than previous Secret Cinema events I’d been to. The clues leading up to the event were more general and didn’t really connect with the way I see the film, or at least I was expecting something more heavyweight. References to truth and justice seemed to point to a crime and punishment theme but the more philosophical offerings  seemed to place this on a grander scale, as if it were to be about the nature of such ideas possibly related to one person’s spiritual journey. The references to ‘hope’ and ‘storms’ should probably have been more of a clue but both were more literal when I’d been thinking metaphorical and I failed to connect them completely to Shawshank. I did consider the film a few times but each new clue seemed to rule it out. However, when the dress codes and identities came through – all male identities from different ethnicities, home towns and occupations – a prison theme presented itself and along with the folksy American tone one of the messages and time frame Shawshank was looking probable.

Donning the required long-johns and man’s suit, and with my valuables discretely about my person, I made my way to Bethnal Green Library. After waiting some time after the start time it transpired there’d been some kind of technical hitch – the doors to ‘the court’ were locked and we couldn’t get in. I’m not sure what exactly happened, I presume the people who’d been allocated the following time slot began to arrive and the queue got too long but at any rate those of us at the front of the queue were denied our due process and marched straight onto the prison bus without any kind of hearing at all. From other people’s reports I gather that we were meant to be sentenced by the judge and given our papers with the identities the online system had set up for us with our various crimes and sentences laid out. Therefore when we got to the prison we had no such papers.

Whilst on the ’50s style minibus we were briefed about our new lives – in short, that we were damned and condemned to hell and it was all our own fault for having committed such terrible crimes against the State of Oak Hampton. As the bus approached the prison we were heckled by inmates already lurking in wait for fresh bait. We then were made to run through them and up steps to a higher floor where we assembled in three groups according to height/shape. Being distinctly on the smaller side I was a few places back in the leftmost queue. The leading guard then barked at as that we had 15 seconds to grab a bag and get back in line or there’d be trouble. After we’d verified that the numbers on the clothes matched the bag and the suit was complete we were ordered to remove our shoes and socks. After this we inevitably had to strip down to the undergarments we’d been instructed to wear as part of our outfit. Some poor people had neglected this instruction and therefore had less to guard their modesty. More running again, with the suit, bag of old clothes and our shoes we had to run down through the yard again (yes, it was cold, the ground was wet under our bare feet and I almost slipped a few times) heckled by inmates and eventually passing through the showers and a man unconscious and bleeding on their floor.

Having handed in my old clothes I was ushered into a cell, alone, except for the crazed psychopath who already occupied it. He made various lewd remarks and assured me that everyone would treat me nicely once they knew I was his guy. Yes, he wanted to make me his bitch – I ignored him and pretended not to know what he meant. All those hours watching OZ finally paid off obviously*. Once I’d gotten into my new attire there seemed to be some commotion outside. Due to the position of my cell I couldn’t see anything but I could hear a guard shouting, someone screaming and the sound of something being hit very hard. The occupant of the opposite cell informed his charges that that’s what happens if you don’t shut up when they tell you.

Next was the canteen where we were treated to a delightful meal of a tiny portion of cold baked beans. Two inmates then came rushing in shouting about a terrible incident which caused our guard to go off and investigate while the two enterprising gentlemen took the opportunity to sell us all sorts of contraband like beer and whiskey. When the guard finally came back we were on laundry detail and had to haul up the fresh bags of outfits for the next batch unfortunates. After that we began to explore.

In the library we could listen to records and write letters to political prisoners (for real, this seemed to be part of the PEN scheme to write to foreign embassies on behalf of those incarcerated on political grounds). There was a choral group singing in the chapel and later Brooks’ letter was read out. I was roped in to do some embroidery at one point which was apparently going to be sold for charity. After that I ended up making Potpourri in a shed outside. Re-entering the main building I found myself up for parole where despite vowing never to commit my heinous crimes again and avowing my acceptance of Jesus Christ in my heart (but slightly embarrassingly having sworn to reading my bible every night I had to answer ‘no’ to the question can you quote me something from the bible – perhaps I should have had a go? Would he have known if I made it up?) my parole was shockingly rejected! Oh well. I then ended up in the nurses office, which was secretly a bar, where I had to have my picture taken (why?) and then an examination room where I was evidently used as some kind of test subject without my knowledge or consent!  Honestly this prison malarky’s not all it’s cracked up to be!

A while later there seemed to be some commotion; I couldn’t get very close because some people were blocking the way but then someone ran past shouting ‘Tommy, they got Tommy’ and the whole place went into lockdown. ushered back up to the cells where I’d originally been we waited until an announcement was made that Tommy had been killed due his own poor behaviour. There was much rattling of the railings and for a minute it seemed like a riot might break out. However a man then stepped forward and began to sing a hymn which everyone then joined in. Things didn’t completely calm down however as sounds of a storm could be heard and a guard rushed up and pinned my erstwhile cellmate to the wall demanding to know where Andy was. The prisoners then began to exclaim ‘Andy got out?’ and we were ordered to proceed to the assembly point for counting with hands on our heads. Once sitting in the screening room we were told we were about to see footage of everything that had happened so far in order to jog our memories and aid the officers in their investigation of the escape! The film was, of course, Shawshank Redemption but our surprises weren’t over yet as we were each handed a free beer during the film’s rooftop scene!

After the film there was a bit of a queue to get our belongings back and the process seemed quite chaotic. After we’d re-dressed we had to get our parole documents before exiting, however, I now had no idea where I was! Fortunately there was a small map on the back of my parole book but it really was very small and difficult to read in the dark. I was in Hackney and the thing to do seemed to be to find the bus stop that would take me to Mile End tube – something which I failed spectacularly to do! Luckily I managed to spot a taxi and I was free at last!

Battle of Algiers is still my favourite Secret Cinema event for its sheer power and audacity and although I enjoyed Shawshank Redemption it didn’t quite live up to the other events I’ve attended. It might be partly that we skipped the opening procedures or that I part missed the beginning of the climactic events but I feel both as if I didn’t find as much to do but also that I missed too much! Perhaps I was just unlucky and in the wrong places at the wrong times but this one didn’t feel quite as exciting somehow. Still it was another stellar effort from SC and I can’t wait to start the guessing games all over again (no costume changes though please, and let me bring my bag!)

*oh how I loved OZ, best show HBO ever made. Except that last series though, it went downhill there, should have ended a series earlier.

Secret Cinema – 3rd June 2012. Prometheus

This Secret Cinema seemed a bit different, in that it seemed fairly obvious all along what the film was going to be. Secret Cinema evidently had quite a big budget with this one – full page ads in The Guardian, multiple websites and promo videos so there was less in the way of clues and intrigue but perhaps more in terms of content. After I had signed up to their website and bought ‘shares’ in Brave New Ventures – apparently some sort of R&D company – I was instructed to choose my career path from the website. I chose to be a ‘Data Scientist’ as it seemed to fit me best (I guess in the end it was more along the lines of a social archaeologist  or anthropologist). Uniforms could be obtained from BNV Stores and I would need a blue jump suit. Dutifully I went down to the store but being on the shorter side my new employers were unable to accommodate me; I bought a badge and found alternative arrangements for the coveralls.

As the day approached there wasn’t as much input from SC as there had been previously but nevertheless it was very exciting. I arrived at the meeting point at Euston Station a bit before my appointed time of 12pm and waited for other people in jumpsuits to arrive. While I was waiting I met Professor Edwards, who didn’t seem know anything about our mission either. Eventually there were quite a few of us there and we were marched up the road to the right and into where the BNV stores had previously been. After an ID check (read: ticket check) and currency exchange (I guess I effectively bought a tiny bit of orange perspex for £10 but it is quite cool), we had to queue up for decontamination (being sprayed with something in the car wash) before lining up at out appointed embarkation gate by order of profession.

Once the gate finally opened I, and the other data scientists, were led off to our section HQ by our leader (Holloway!) where we were briefed about out mission – finding out the origins of man etc. Looking round the room afterwards I was very excited to find a picture marked ‘The Ripley Scroll’.  After that there was some free roaming, I tried going up one set of steps but an alarm went off so I stopped. Going down some other steps I ended up in the cargo bay and got a mission to take a box to the infirmary, which I did so I roamed round there and eventually into the mess hall, crew areas etc. After a while there was a countdown to external shutdown and I was shuffled back to my original gate. I was told to hold onto the flowers while we launched. After that it was into the hypersleep pods! We lay there for about a minute listening to Radiohead’s Everything In Its Right Place.

After waking we were told to go to the mess hall but on my way David gave me a flower to take for analysis which I did, it was analysed by Dr Boden but she didn’t find anything and gave me a curt note for Holloway. On my way to find him however I was given ANOTHER FLOWER so I had to do the whole thing over again but Doctor Boden said she’d take me to the infirmary to make sure I was OK after the hypersleep.

However when we got to the cargo bay there was a mission just about to go down to the surface so I joined that. I had to put on green overall over my jumpsuit and a helmet (and eat some bread, which was very nice). The planet surface was pitch black so I mostly kept close to the people in front of me and followed the guides, we saw some of those geyser type things, alien markings and some kind of miraculous projection.

I wasn’t really sure what to do after that but just then people started getting ‘sick’, I tried wandering around but more and more areas were closed off because of ‘contamination’ and eventually I found myself herded back into a lift and  back at the cargo bay. Some people were on the floor convulsing and others were tying to help them. I stood on the side as more and more people became ‘sick’ and the BNV staff were obviously upset. Many of them were shouting things like ‘someone tell me what’s going on’ and ‘what’s happening’, ‘we need a containment officer over here’. After awhile of total chaos someone just started shouting to come this way so we followed and were led to the ‘escape pod’ (or screening room) to watch the film – Prometheus!

As a huge fan of Alien(s) this was absolutely fantastic to me, really loved being in the world and and interacting with Weyland-Yutani.The whole experience was just amazing, could not fault it!

Secret Cinema: The Third Man (11th December 2011)

My second visit to Secret Cinema (proper that is, excluding last summer’s The Lost Boys) was every bit as impressive as the first. This time I was in on the ground floor so to speak so I felt much more involved the run up to the event itself. So what were the clues – a pan European Post-War setting, smuggling, spy drama, involvement of The British Consulate?! I was pretty sure I’d figured it out but then they kept throwing the occasional curve ball like the simultaneous screening in Afghanistan that made me doubt myself. In the end though what else could it have been other than Carol Reed’s seminal film The Third Man.

Upon receiving my instructions from ‘The Provost’ it seemed I’d been put into the British military police group (Guardians) and was to be attending a funeral so I needed to wear a black armband or scarf and bring a single flower to lay at the grave. After traveling somewhat nervously to what turned out to be a disused warehouse near The Barbican I identified my meeting point and began to wait there despite being quite early. However, I was soon approached by The Provost who greeted me warmly but warned me that I might be in for a bit of a surprise.

He was not misleading me, though I had been assigned as a guardian I was ordered into a different alleyway by a Russian soldier along with people from all the various groups. We were then led a bit further down where we were passed on to the criminal element who informed us that we were now all part of his gang – we were smugglers and bootleggers and were to avoid the police and particularly the Russians at all costs. He then led us a further on again and we witnessed the funeral of ‘a very important man in Vienna’ (Harry Lime of course) from the public side of the railings outside the churchyard. We then heard some strange noises and were instructed to run the next part of the journey to evade capture by the police! Our ‘boss’ (who himself had a heavy limp) then deposited us at the entrance gate which was staffed by some very scary Russians!

Once we’d gotten through the check point we were lined up the courtyard and escorted into a ‘secret’ entrance which involved some very difficult terrain. Bypassing the main entrance we were lead across some planking and into a narrow corridor leading to a basement which was almost pitch black – it was incredibly difficult just to see the person in front of me so I could follow them and I nearly tripped a few times because I couldn’t see if there were steps. We climbed over beams and squeezed through dark and narrow passageways into what was the brewing/distilling area for the bootlegged alcohol until we eventually found the stairway into the main area.

Once inside were free to roam around and engage whichever tasks took our fancy. I wandered around exploring and taking photos looking for where the action was and it wasn’t long before I tracked down ‘Holly’ and ‘Lena’.  After that I tried to keep following them but I lost them a few times. Some highlights: The French police raiding the old lady’s apartment, meeting Dr Winkel and his ‘friend’, the children’s hospital (some lucky man was getting some attention from a nurse one time when I went by), the ‘lab’ right at the top of building which I later helped the British/Russian military police raid (this was very exciting!), being pushed into a room and taught drill and right at the very end I ended up stood right in front of ‘Lena’ as they brought ‘Harry’s body’ out of the sewers and had to tell her who it was! I didn’t know what to say at first, whether I was supposed to play along or not but I just answered honestly and it was a bit sad, I felt quite bad about it. After the big showdown we were all led into the various areas for the screening. I ended up in Cecil’s seminar room so he introduced the film which was preceded by a really funny noiresque short about a trio of people who were really bad at trying to murder each other.

I think I probably enjoyed Battle of Algiers a bit more because it felt like such a big experience, I was quite moved/overwhelmed as I left that screening streaming past the actors in posed in white gowns and attitudes of peace. The Third Man, despite being one of my favourites, obviously doesn’t quite have that sort of resonance so even though I really enjoyed it perhaps it didn’t quite impact me in the same way. As always though it was extremely well done and the only thing I really hope for next time is some more comfortable chairs for watching the film (and for it not to be freezing cold!).

Secret Cinema, 23rd April 2011 (matinee)

For the longest time I’ve been reading about and following secret cinema, but due to a slight problem with cowardice, coupled with the logistical one of not knowing where one will be expected to go I hadn’t yet been able to attend one of their performances. I think I first became really aware of them when they did Wings of Desire, which is one of my favourite films, and then later there was a news segment on their screening of Blade Runner (another of my favourites) two events I’d really have loved to attend! The conceit behind Secret Cinema is that generally speaking, you won’t know the name of the film, or even it’s location when you book the tickets. The location will be transmitted to you at a suitable time before your visit, and the identity of the film when the projection starts. However, there are of course various hints given out by the organisers, including a suggested (but optional) dress code which assist in trying to work out what sort of film is likely to be shown. Unusually on this occasion, the location was known ahead of time which is most useful for people of a nervous disposition, such as myself, who like to know what sort of dodgy alleyway they’ll be hanging around trying to find the way in/out whilst dressed, ahem, questionably. So luckily for me, I received an email from the Old Vic telling me that Secret Cinema would be co-opting their tunnels for three weeks.

Excitedly, but with more than a little trepidation, I booked my tickets for a Saturday matinee. I dutifully filled in the identity forms, as outlined in my ticket briefing, and discovered myself to be a ‘Group C’ (answers cbbcccc, if anyone’s interested) and checked the corresponding dress code. Luckily I could choose either of the first two and opted for the second, which I had more of a chance approximating at short notice from things in my wardrobe. Though I did have buy a white scarf, which luckily wasn’t too hard to find. Still, I think I ended up looking more like the female friend in 8 1/2 in aviator mode more than anything else, oh well at least I tried!

Knowing pretty much where I was going, but still paranoid about exactly how to get there, I set off with a little bit of time over for potentially getting lost. No fear, it was where I expected, pretty much opposite the London Eye, straight down the end of a *fairly* dodgy alleyway which looked more like something out of ’80s Berlin than the Algeria of the 1960s, but anyway I’m getting ahead of myself. I passed another couple of questionably dressed girls, and surmised I must be heading in the right direction. Being a little early they hadn’t quite set up so I hung around a bit watching some other early birds take photos, and the ’embassy staff’ set up the check point. Soon enough a couple of tables appeared in front of a doorway surrounded by barbed wires and barricades. A loud speaker could be heard reminding us to be vigilant, have our papers ready and that the army was there for our safety (this was in English by the way). While I was queuing to go in an actress pretending to be a child asked me if I wanted to play with her ball/cup thing (what are those called?) at least I think she did, she asked in French so I didn’t really understand, but adults dressed as children freak me out a bit so I think I just shook my head and hoped she’d go away. Which she did. Anyway I presented my completed census form to the lady at the table who checked me off the list and told me to go ahead. I also noticed that some people had really gone to town with their forms, sepia toning their photos and filling them in more officially and I really wished I’d done the same instead of filling it in in biro and attaching an old driving license photo. I proceeded and handed my ‘papers’ to the army officers at the barricades, who took ages reading it and looking over the top giving me filthy looks, eventually they had a quick look in my bag and let me though.

The walk along the path blocked off by barricades and barbed wire was quite short, but we were stopped at the next door for a couple of minutes until the soldier opened it and let us into the main area, that is ‘the casbah’. As we walked in we entered another passage way, dimly lit with white washing hanging about halfway down and a very impressive lighting design. At the end of this passageway was a central square which led off in several different directions. One end contained some food stands which weren’t operational and led through to a cushioned bar area, and at the opposite end a colonnade containing some stairs and an Air France travel booth, at which one could book flights! Leading off left and right were traditional North African style buildings with various peoples occupying them, there was the Milk Bar/disco, a room for chess playing, a little hut which seemed to contain the HQ of some kind of movement (the liberation movement as I would later find out), I saw several people talk to the man here and present their papers, they were either asked to leave, rudely, given a mission/message or nothing really at all. Another entrance off the central square led into the main bar area where food/drink was available, and next to this a screening room showing documentaries. A passage off here led into the prison where a suspect was being detained and ‘questioned’, rather vigorously. I also saw several people fall foul of the guards and get marched into this area, I’m not really sure what happened to them then but I’m sure it all worked out for them in the end. The prison area also lead out into the police station, complete with briefing room and period telephone.

We were free to roam around the area for about ninety minutes or so, interacting with the various actors inhabiting the ‘set’. I’m quite a shy person and didn’t volunteer myself all that much but was approached by a few of the actors and asked questions/yelled at in French, I think I though one of them was asking me the time, but even that much school girl French had deserted me, so I just held up my arm (with a watch obviously). I hope they were asking the time, or I’ll feel even more stupid! Various things occurred, a band turned up for a bit in the square, people were taken in and out of prison etc. Then at one point everyone started shouting ‘Vite! Vite!’ which I DID get the gist of and we all ended up in a courtyard area next to the little hut with the alleged HQ, where a square of white material had been lowered. One of the military drummers from the band was beating out a super fast rhythm and three women were taking off their white muslim clothes and changing into stylish 1960s Parisian fashion, complete with stockings and make up. When they’d nearly finished this the men came out of the hut with suitcases, into which they put the women’s normal clothes and out of which they took something that resembled bombs, each of the women put one of these into the stylish handbag. The men said something to the women in arabic, then they quickly left the area. To my surprise, and mild horror, one of the women grabbed me and wouldn’t let go! she removed the white scarf from around my neck and led me through the central square, past the checkpoint in the middle being careful not to alert the soldiers and into the cafe area. We stood next to the popcorn stand for a bit, in quite  suspicious manner, then she very unsubtly threw the stylish bag behind the popcorn stand and led me off again into the cushioned area at the back, where she got me to help her take off her necklace (which was a bit weird, didn’t really get that bit). Then the man with her told me to go back to the central square and join the crowd there.

A little while later a military parade started, there was the band playing, some ceremonial maneuvers, everyone sang La Marseillaise, then there was a speech in French I think in praise of the army and their defense of the people but I’m not sure and then…..there was a massive BANG as all these ‘bombs’ dropped by the women (as I would later find out in the film at the Cafe, Air France, and the Milk Bar) went off and everything went pitch black. Some lights appeared from somewhere and everyone was running, some ‘vite! vite’ing again and seeing as I was at the back of the crowd I was urged to run back the way I’d come, towards the courtyard again but up some stairs that led to an open air corridor above it. I was directed towards I presume a friendly house, through to a bedroom, over the bed, out the window! onto some more stairs down where upon I found myself in a screening room!

Being one of the first in I bagged myself an aisle seat, but then inevitably a giant bagged the one in front and had a left leaning bias, which kept blocking my view but it was mostly OK. Sadly I’d wound up in the screening room with hard wooden chairs, which wasn’t the most comfortable thing and I wished I brought something to sit on but you can’t have everything. We waited for the room to fill up, and I guess for them to bring in overflow people from the other rooms, then the chief man from the HQ gave a speech (in Arabic) which no one understood and the film finally started.

If you haven’t guessed by now, the film was Battle of Algiers, Pontecorvo (1966) about the liberation movement in Algeria from French Colonial rule in the late 1950s and ’60s. The action spans the movement from 1954 through to 1957, detailing the rise of the revolutionary cells in the casbah, the increasing acts of violence on both sides, the eventual ‘victory’ of the French forces eliminating the ‘terrorist’ element in Algiers but then eventually losing Algeria to public revolutionary fervour a few years later. We see policemen murdered, bombs placed in public places (as reconstructed in the pre show), but also public check points, the native North Africans repeatedly harassed and poorly treated, beaten, spat at, despised. Suspected activists taken and routinely tortured to reveal information on terrorist cells. Although Pontecorvo largely manages to avoid obvious bias, and condemns both sides equally it does seem to me that what results is an anticolonial film, which isn’t say that it approves terrorism or armed struggle anymore than institutionalised abuse and torture, but it does sympathise with a people’s desire to be free. There were quite a few walkouts during the screening, I can understand why this film wasn’t to everyone’s taste though I’m very glad I saw it as it’s not something I’d probably seek out on my own, and I can understand why some people felt it to tip over the line from topical to poor taste given the current events in North Africa and the Levant. However, I’m very glad Secret Cinema choose to present a film like this, at this time, and I certainly hope they continue to do more in this vein in the future. I highly recommend this film to anyone who’s interested in political cinema or French involvement in North Africa.

When the film eventually finished we left the screening room down a path strewn with nutshells, past a spectacularly lit praying muslim, whilst a powerful sounding Arabic song played in the background. We then turned and followed the way out past more white clad muslim’s some with their arms outstretched, some in prayer and the atmosphere was one of absolute peace. The overall effect was really quite stunning, the convergence of the atmosphere, the lighting and the music was really incredibly moving. On exiting the doorway we were then given a newspaper with further information about the film, the background and secret cinema itself. I really found this a wonderful and immersive experience and I’ve every intention of visiting their next presentation, whatever and wherever that may be!