If Only I Could Hibernate (Баавгай болохсон, Zoljargal Purevdash, 2023)

A teenage boy finds himself torn between his dreams for the future and the responsibility he bears towards his family in Zoljargal Purevdash’s gentle coming of age drama, If Only I could Hibernate (Баавгай болохсон). Spoken by the hero’s younger brother, the title lays bare the children’s sense of despair as they gaze up at the giant hole around the chimney in their yurt longing for an escape from the cold while Ulzii (Battsooj Uurtsaikh) longs for an escape from this life by winning himself a place to study overseas. 

After his father’s death two year’s previously, Ulzii and his family moved to the city but still live in a yurt on its outskirts. Ulzii’s mother is recovering from a period of alcohol abuse and struggles to hold down a job while Ulzii has become responsible for his younger siblings. A new teacher (Batzorig Sukhbaatar) at his school notices that he is bright and has an aptitude for science, advising him to take special classes and enter local competitions with the aim of winning the national one which comes with a scholarship to an elite private school.

The sense of possibility begins to bring new light and focus into Ulzii’s life, but his hopes are quickly shot down by his mother who has decided to move back to the country. He wins the right to stay behind with two of his siblings but soon finds himself alone and desperate, unable to buy coal or food while his mother fails to send money. Earlier his mother had berated him for buying an expensive pair of trainers only for him to counter that he saved up for ages and bought them with his money from a part time job the rest of which he’d given to her. Ulzii spends anything he gets on coal for the family, taking very little for himself while trying to protect his siblings.

Some might find his dream naive, that his conviction that he can study his way out of poverty is unrealistic while his resentment also has a degree of of pettiness in his refusal to become what he describes as a “weak beggar”. In the yurt district people are always keen to help each other, but Ulzii is proud and finds help difficult to accept while he also feels belittled by his wealthy, apartment-dwelling aunt who soon turns nasty when he refuses to surrender a keepsake from his father. He is also at times cruel to his mother, insensitively revealing her illiteracy to his younger brother in an attempt to get him to stay in the city and go to school so he doesn’t end up like her. 

Ulzii’s mother is not someone suited to city life, though as it turns out the country doesn’t suit her so well either. Ulzii finds himself having to skip classes and take part in illegal logging to help support the family while his friends ask him to join them in committing a burglary on the home of rich friend of their father’s. Driving into the city to help an old man sell the last of his lamb, Ulzii is surrounded by protestors complaining about the air quality and suggesting perhaps that this kind of urbanity is literally wounding the land in contrast with the symbiotic lifestyles of the nomads like Ulzii and his family. Ulzii’s younger brother eventually becomes ill because of their inability to heat the yurt along with the poor air quality in the village while Ulzii cannot afford the money for his medicine. 

The kids just want an end to the winter and for their mother to come back so everything can go back to normal, but instead find themselves embracing a new family while trying to find signs of positivity for the future. Ulzii ends up rediscovering aspects of his culture in opening himself to the community and learning that it isn’t “weak” to accept help when you need it or to give it in return. There are no easy answers, and learning to forgive his mother for what he sees as her fecklessness may take a little longer but the siblings have at least begun to discover new ways to survive the winter that are filled with laugher and warmth rather than the coldness of resentment and futility.


If Only I Could Hibernate screened as part of this year’s BFI London Film Festival.

Original trailer (English subtitles)