“Our family is not merely living for the love of wealth, but for love of a family” according to the late matriarch of the family at the centre of Areel Abu Bakar’s spiritually imbued martial arts film, Geran. Showcasing the Malaysian art of silat, Geran finds the family at the mercy of an increasingly corrupt and selfish society, stoically maintaining their “heritage and dignity” in the face of constant encroachment by the destabilising forces of evil in the form of violent and greedy gangsters.

All the trouble starts early one morning when sister Fatimah (Feiyna Tajudin) discovers that the deed to the family home is missing and concludes that her delinquent younger brother Mat Arip (Fad Anuar) who has not yet returned has most likely taken it as collateral for his gambling debts. Patriarch Pak Nayan (Namron) is not too worried, after all there’s nothing they can do with a deed that’s in his name and would need his permission to transfer, but soon enough the goons turn up only to get a rude awakening, quite literally kicked out by Fatimah who is more than capable of defending herself. They won’t stay away for long, however, because Mat Arip has played right into the hands of arch gangster Haji Daud who has unfinished business with Pak Nayan and an insatiable need to acquire all the land in town. 

The family’s prowess with silat is in many ways presented as an extension of their Islamic faith, a deeply spiritual act which connects them to their land and their culture. There’s not a little irony involved in the juxtaposition of older brother Ali (Khoharullah Majid) training with his mentor and Mat Arip gurning frantically on the fringes of a street fight, a sordid bastardisation of their noble art further sullied by the fact Mat Arip has placed a bet on the match’s outcome (which as we later discover is also rigged). Ali meanwhile remains pure hearted, sure that justice will triumph in the end while determined to defend himself and his family from the corrupting forces which surround them. 

As we discover, Haji Daud’s venality is a direct mirror of Pak Nayan’s goodness, a revenge quest born of his own dark heart and insecurity. Yet he remains a shadowy figure, hiding in back rooms while sending his minions to fight on his behalf. Mat Arip is reminded that debts must be paid, something his spiritually minded family probably agree with even as they continue to forgive him while hoping he’ll be able to free himself of his appetite for self-destruction though it does not appear there is much else out there for him other than his life of vicarious thrills. Unfortunately for him, he’s mired in a macho posing contest with Haji Daud’s equally bored, though presumably better resourced, nephew following a drag racing altercation that eventually gives him pause for thought in robbing him of his car. 

“God’s law is inescapable” Ali echoes, assured that Haji Daud’s crimes cannot go unpunished in a cosmic if not an earthly sense and he will someday pay for his deliberate exploitation of the miseries of the poor. Targeted by goons, the siblings get ample opportunity to show off their silat skills, Fatimah chased through a marketplace, eventually assisted by friendly stall owners shocked at her near lapse in taking a cleaver to one of the gangsters, while Ali goes on-on-one with Daud’s chief minion before going on all out assault to rescue Mat Arip realising that he too has probably fallen victim to attack.

The voice of Ali’s mother eventually reminds him that his successes come not only through his own action but through the prayers of those who love him, reinforcing the importance of familial solidarity as the siblings commit themselves to rescuing Mat Arip while forcing the gangsters into retreat. A worthy showcase for the art of silat with its high impact, innovatively choreographed action scenes, Geran is also a potent spiritual drama in which the family does its best to save itself as a means of saving others, holding the line against the Haji Daud’s of the world with little more than bare fists and incorruptible integrity. 

Geran streams in Poland until 6th December as part of the 14th Five Flavours Film Festival.

Original trailer (English subtitles)

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