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Cults, or “new religion” organisations as they’re euphemistically known, proliferated in Japan after the war. Though people may have joined them out of loneliness in search of new families or communities, the numbers only seemed to increase in the era of high prosperity as a sense of spiritual emptiness countered the age of consumerism. Coming in 1993 and based on Takeshi Kitano’s own novel, Many Happy Returns Toshihiro Tenma’s (教祖誕生, Kyoso Tanjo) approaches the issue with a genial humour that likely became impossible two years later with the involvement of Aum in the Tokyo subway attack.
Kazuo (Masato Hagiwara), a wandering young man, asks himself why people join join cults while insisting that all looks so fake but later becomes fascinated with them himself. He can tell that the elderly woman who can suddenly walk again after an encounter with the leader (Masami Shimojo) is probably a plant, but is intrigued rather than outraged. Shiba (Takeshi Kitano), the actual “leader” of the group, tells him that it doesn’t matter. The leader healed the lady before at some point in the past, and they’re just reenacting it to show the power of god, which doesn’t really make sense, but it seems to satisfy Kazuo for the moment.
Of course, Shiba and Go (Ittoku Kishibe) are just a pair of yakuza types running a religious cult as a business to fleece money out of vulnerable people in the countryside by making them think their leader can make all their problems better. The only thing is, Shiba and Go seem to be the only ones who know it’s all fake while current leader has started to believe that he actually has real healing powers despite using an electricity generator to create the sparks of energy flying from his hands during his healing sessions. Though the old lady in a wheelchair is a plant, the leader sometimes agrees to heal other people who request it, which could end up backfiring if Shiba can’t find a way to fake the miracle.
After becoming alarmed that the Leader is too into his religious speeches and has fallen victim to his own patter despite obviously knowing that it’s all made up, Shiba and Go pay him to leave the cult but are then left with a dilemma over how to appoint a successor. Komamura (Koji Tamaki), who’d tried to undermine Shiba’s leadership, is a religious zealot who joined the cult to be closer to god. He objects to Shiba’s godless ways, and while Shiba briefly considers making him the leader to keep him quiet, ends up appointing Kazuo who only recently started tagging along with the cult.
Though Kazuo was originally only interested in the cult precisely because it was fake, once he becomes the leader he starts to think it’s real too. He takes his responsibilities seriously, which means of course that he threatens Shiba’s position and is torn between the real nature of cult which he knows to be a cynical way of making money by exploiting vulnerable people, and the genuine religiosity of Komamura. To look the part and boost his confidence, he starts undertaking ascetic practices such as bathing in waterfalls and going on long, isolated retreats during which he also fasts. Shiba and Go, meanwhile, stuff their faces at a local Chinese restaurant in an orgy of consumerism.
Kazuo asks Shiba if the believes in god, but Shiba counters him by asking what his idea of “god” is. Kazuo believes that “god” heals the sick and helps those in trouble, but Shiba points out that that’s never actually happened, while at least their made-up religion helped some people, so in a way it’s more godlike than actual god. In any case, Shiba’s god is probably consumerism, but unlike Go it seems he has a degree of uncertainty and entertains the possibility that some kind of god really exists and will punish him for his wrongdoing and lack of faith. When he is attacked and ends up killing someone, Kazuo tells him that it’s his punishment for denying god and chasing after money which Shiba eventually concedes to be true. Nevertheless, the closing scenes find him starting again by reuniting with the previous leader, now dressed as a catholic priest, to offer the same patter about healing miracles while warning about false cults and fake religions. Kazuo, meanwhile, has fully accepted the role of an emissary of god by kicking out Go for not taking the religion seriously while preparing to meet his own apotheosis in a sold out show attended by people who, like he once was, are spiritually lost and ironically looking for something that means more than money in this increasingly empty society.
Trailer (no subtitles)
Windows on Worlds 