Goodbye, Don Glees! (グッバイ、ドン・グリーズ!, Atsuko Ishizuka, 2021) [Fantasia 2022]

A diffident high schooler finds a new sense of confidence after a poignant summer adventure in Atsuko Ishizuka’s heartfelt coming-of-age anime, Goodbye, Don Glees! (グッバイ、ドン・グリーズ!). In many ways about finding direction in life, learning to live with grief, and making the moment count, the film is also a paean to male friendship as the trio at its centre develop new senses of security through mutual support while beginning to figure out what treasure it is they’re seeking in the further course of their lives. 

For Roma (Natsuki Hanae), a farm boy largely rejected by the other kids in the village, this summer is a little different. Not only is it his first as a high schooler, it’s also the first since his best and only friend Toto (Yuki Kaji) moved to Tokyo for high school and despite their previously close relationship it’s clear there’s a minor awkwardness in the distance that’s arisen between them since they’ve been apart while Roma has also added a third boy, Drop (Ayumu Murase), to their secret Don Glees friendship group. Now that he’s been living in the city, Toto finds the whole Don Glees thing childish and decidedly uncool while Roma is obviously keen to hang on to their shared history and childhood friendship. 

Their dilemmas may seem opposed but are in actuality very similar. Toto resents Roma for not having the courage to come with him to study in Tokyo where there are more academic high schools, choosing instead the safe option of attending a vocational school with a focus on agricultural education implying that he plans to stay in his hometown and take over the family farm. It isn’t immediately clear if it’s because this is what he wants to do with his life or if he is simply too afraid to strike out and try something different. Roma does indeed seem to lack confidence often remarking that he feels he’s not enough in some way or doesn’t have the right to chase after the things he wants. Unable to face his inability to tell his middle school crush Tivoli, who has since travelled to Ireland to study abroad, how he feels he ends up deleting his Instagram account to avoid being confronted with pictures of her exciting international life. Toto meanwhile is stressed out by his cram school lifestyle and newly uncertain in his decision making realising that he’s just been following the path his parents set out for him and wondering if he really wants to become a doctor after all. 

The mysterious Drop makes constant suggestions that he can’t really afford to think about the future and is living intensely in the moment. He is insistent on finding some kind of treasure, afraid of ending his life without resolving this one mystery and keen to ask both boys what it is they’d regret if the world were to end tomorrow. The quest takes on literal dimensions when the boys are accused (falsely) of starting a forest fire and set out in search of a drone they were using, technically illegally, to capture a local fireworks display hoping it will contain footage to verify their innocence but getting lost along the way and eventually sharing their fears and anxieties alone together under the night sky. It seems this new friendship is destined to end in unexpected tragedy, but as Drop is fond of saying sometimes all it takes is a little courage to make a jump and see things from a different perspective allowing Roma to gain the confidence in himself he’d been lacking to chase the things he really wants. 

A teen summer adventure movie, Goodbye, Don Glees! features lush animation of the Japanese countryside along with some enhanced CGI of nature in bloom captured forever via photograph which as Tivoli points out is like a freeze-frame in time trapping both the image and its accompanying emotions. That is perhaps what Roma learns, to make memories he can treasure when the moment ends while saying goodbye to something doesn’t mean it’s gone forever, it just exists in a different form. A warm and heartfelt tale of teenage male friendship and summer’s end, Goodbye, Don Glees! discovers a sense of the serene in the face of life’s futility through connections both momentary and eternal. 


Goodbye, Don Glees! screened as part of this year’s Fantasia International Film Festival and is in US cinemas from Sept. 14 courtesy of GKIDS.

US release trailer (Japanese with English subtitles)

Empire of Corpses (屍者の帝国, Ryoutarou Makihara, 2015)

empire of corpses posterEmpire of Corpses (屍者の帝国, Shisha no Teikoku) is what would happen if someone’s vast library of Victorian literature was destroyed in a fire and then someone tried to put all the not too singed pages back together based on their knowledge of international pop culture. Inspired by Project Itoh’s novel of the same name and the first of three planned adaptations of his works, Empire of Corpses is a very specific kind of absurd, boys own action adventure based around the idea of empire supported by a zombified proletariat.

Beginning in London in 1878, this is steampunk paradise only steam power is quickly becoming old hat as the greatest discovery of the age turns out to be the city’s largest untapped resource – its dead. Reanimated corpses can be trained to fight wars, wait tables, or work as servants but they’re tools now – not people, they may be able to follow an order but they have no mind to act with. Corpse Engineer John Watson has unwisely reanimated his friend Friday, but is distressed not to be able to restore his friend’s soul along with his body.

Watson ends up being dispatched on a secret mission by Her Majesty’s government to reclaim the notes made by the famous Dr. Frankenstein who has succeeded in creating a sentient creature known as The One. The notes are apparently in the possession of Russian scientist Karamazov. Watson travels to India with Burnaby, a mercenary bodyguard, and Friday where he also teams up with a mysterious flame thrower wielding busty blonde, Hadaly.

Empire of Corpses touches on some interesting philosophical questions such as the nature of the soul, the border lines between death and life, and the repurposing of a body as a fleshy tool. Though it stops short of delving into what the British Empire was really based on, the idea is very much that using reanimated corpses to fight your wars remotely is an absurd solution to an unnecessary problem.

That said, these “zombies” are a well trained and docile bunch. Until of course, they aren’t. Certain forces have planned to harness the zombie hordes for their own ends to create mass panic and wholesale destruction across the world. This might be the first mission the later famous John Watson will tackle, but he’s about to realise that there’s a lot more going on here than a set of secret documents no one wants to fall into the “wrong” hands.

Empire of Corpses remained unfinished when Project Itoh unfortunately died at a relatively young age. The concept is filled with extremely interesting ideas which are only ever dealt with in a superficial sense, though one wonders if the novel he might eventually have completed would have progressed so far down the ridiculous fantasy historical epic route. Very clearly channelling ‘30s style, post-penny dreadful tales of derring do starring familiar names, Empire of Corpses steals a host of famous literary characters from across the international canon as well as a number of historical personages, though only really borrows their names or perhaps a few other minor details. After raising such interesting ideas, the film quickly reverts to riduclous B-movie genre tropes as the gang get caught up in a zombie apocalypse with flashing mystical lights and the transmigration of souls thrown in for good measure.

No, it doesn’t make any sense though it isn’t really supposed to. Patient viewers will be rewarded with a post credits sequence shining a little more light but just as much bafflement onto the characters and their possible futures, though the intention is clearly just to raise a knowing wink from the well read members of the audience. By the time it all turns into The Wizard of Oz, some will undoubtedly have followed the yellow brick road out of the cinema but it is worth sticking around to see the final coda.

What Empire of Corpses has going for it is the extremely impressive visuals. Backgrounds in particular are gorgeously drawn making for an always interesting spectacle even if other aspects of direction can seem a little uninspired. Clumsily plotted and often incoherent, Empire of Corpses has its fair share of problems even aside from the inherent absurdity of its original premise, yet it isn’t completely unsalvageable and those who come expecting a B-movie style slice of incomprehensible hokum might well find much to enjoy.


Reviewed as part of the “biennial” Anime Weekend at BFI Southbank. Empire of Corpses has also been licensed for UK distribution by All the Anime (and Funimation in the US).

Unsubtitled trailer: