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A kidnapped woman’s only hope is a distant stranger in Benny Chan’s intense thriller, Connected (保持通話). Inspired by 2004’s Cellular, Chan shifts the action to contemporary Hong Kong with all of its global anxieties but eventually insists that we are all in a sense connected and have a responsibility to each other in the face of corrupt authorities and an increasingly selfish society. In contrast to other techno thrillers, technology is not threat but cure enabling unlikely alliances and facilitating justice both legal and emotional as the heroes work together yet apart to unscramble the shady threat that follows them.
Mainlander and top robotics engineer Grace Wong (Barbie Hsu) is having a fairly normal day dropping her daughter Tinker off at school before heading into work only to be blindsided by an oncoming truck and stolen away to a secret location. With no clue what’s going on she realises the landline in the shack where they’re keeping her is still connected but one of the goons smashes it before she can get through to anyone. Using her engineering skills she’s able to rewire the surviving bits but can only make random connections which is how she ends up getting through to conflicted debt collector Bob (Louis Koo) who has problems of his own as his son, raised by his sister after his wife’s death, is supposed to be emigrating to Australia this very day and will forever lose faith in his father for his constant disappointments if he doesn’t make it to the airport by 3pm.
Bob’s buried goodness is immediately signalled by his discomfort with his job as he watches the more violent members of crew harass and intimidate a lone woman and her crying children in an ironic mirror of his son and Grace’s daughter both also in tears while pulled into the orbit of vicious outside forces. Though originally reluctant, assuming he’s on the receiving hand of a prank call, Bob soon comes to realise that Grace and also her daughter are in real danger and after an early attempt to enlist the police fails he is the only one who can save her. Nevertheless, he is torn between conflicting responsibilities, this one to a stranger and the other to his son who has entirely lost faith in him because of his broken promises and internalised shame over the nature of his job. He finds himself doing quite extraordinary things to keep both promises which further mark him out as a “good person”, such as firing a gun at the floor to get the attention of a bored shop clerk who’d been trolling him but then insisting on paying the full amount for his phone charger and not even stopping for the change.
Even so, there’s further conflict on the horizon when it turns out the crooks, led by a spooky Mainlander, are carrying Interpol badges leaving a huge question mark about what’s really going on, who the good guys are in this situation and whose side everyone else is on. Unthinkable in the current cinematic climate, the spectre of police corruption raises its ugly head though despite having failed to respond when originally hailed wronged hero cop Fai (Nick Cheung) eventually jumps into action after noticing something suspicious enabling Bob to fulfil his heroic missions and followthrough on his promises.
Filled dry black humour, Chan’s worldview is tinged with an irony that also makes its way into the extremely elaborate action sequences including a car chase that later plows through an entire truck of Pepsi Max, and a flirtatious boyfriend who swears to protect his lady love for all eternity only to run off at the first sign of danger. Yet there’s also an idealistic faith in human goodness in Bob and Fai’s refusal to back down in the face of injustice, each of them somewhat revitalised in their quests to rescue Grace whose engineering skills made the whole thing possible in the first place along with her determination of save herself and protect her family. It really is all connected, the intricate, slow burn mystery gradually revealing itself thanks to the growing connection between the heroes, each of them strangers but stepping up when needed unable to abandon someone in danger while refusing to allow corrupt authority to treat their homeland with such contempt.
Original trailer (Traditional Chinese / English subtitles)
Windows on Worlds 