Classic Korean cinema is making a long awaited return to the BFI this February with a fantastic season of rarely screened (and sadly just rare) films produced during the Japanese colonial period.
The oldest extant Korean film, Crossroads of Youth follows the adventures of a young man who travels to the city to find work after his arranged marriage falls through only to fall for a girl who is about to be sold to a money lender in payment for a debt.
The screening will be preceded by an illustrated lecture from the Korean Film Archive’s Chung Chong-hwa. As at the screening at the Barbican back in 2012, the silent film will be screened in the original fashion with live music and performances and narrated by a byeonsa.
The Korean Film Archive’s Chung Chong-hwa will introduce the films at the Friday 15th screening.
Acclaimed film editor Yang Ju-nam made his directorial debut with 1936’s Sweet Dream – a melodrama revolving around a vain housewife who abandons her daughter and moves in with a lover at a hotel after her husband throws her out.
Co-produced by Shochiku and supervised by Yasujiro Shimazu, Ahn Cheol-young’s Fisherman’s Fire follows the melancholy fate of fisherman’s daughter In-soon who is faced with being sold in payment of a debt but escapes to Seoul only to wind up being forced to become bar girl.
The only film directed by Suh Kwang-je, Military Train is also accounted as the first pro-Japanese government film, which is a fairly unfortunate legacy whichever way you look at it. Intended to boost recruitment, the film follows two best friends and roommates whose lives are disrupted when one is approached by resistance agents seeking info about the military train.
Another recruiting film, Anh Seok-young’s Volunteer follows a poor farm boy who is thrown off his land and resents his meagre prospects. He sees entry to the Japanese army, which has recently relaxed regulations to allow Korean men to join, as a path to making something of himself…
One of the many films inspired by a child’s essay Tuition is a mildly subversive propaganda melodrama about a little boy struggling to pay his school fees who goes on a perilous adventure when his grandma is taken ill. Full review.
The directorial debut of Lee Byung-il (The Love Marriage), Spring on the Korean Peninsula (adapted from Kim Seong-min’s award winning 1936 novel Artists of the Peninsula) follows a young film director struggling to film a new version of the Chun-hyang story. When he loses his lead actress, he hires his friend’s little sister but then makes a disastrous choice to facilitate his artistic dreams.
The screening will be followed by a panel discussion featuring Korean film scholars Baek Moonim (Yonsei University), Lee Hwa-jin (Inha University) and Chung Chong-hwa (Korean Film Archive), and chaired by season co-curator Kate Taylor-Jones.
Sadly incomplete and, ironically enough, a victim of censorship in the Park Chung-hee era, Hurrah! for Freedom (also known as Viva Freedom!) is the appropriately titled first film to have been released after the liberation and follows a betrayed resistance fighter who escapes from Japanese capture and hides out in a nurse’s apartment while covertly continuing his resistance activities.
Early Korean Cinema: Lost Films from the Japanese Colonial Period runs at the BFI Southbank from 7th February. Tickets are currently on sale to members with public sales beginning on 15th January.