Detective Conan: The Million-Dollar Pentagram (名探偵コナン 100万ドルの五稜星, Chika Nagaoka, 2024)

Now a sprawling multi-media franchise, Detective Conan began with Gosho Aoyama’s manga which published its first instalment in 1994 and is still going strong 30 years later. The series was released in the US in the 2000s under the name Case Closed and in a decision which was perhaps more common then than today anglicised all of the character’s names and settings (the Japanese publisher then began releasing its own English language translation of the manga maintaining all the original Japanese names and plot details). Meanwhile Detective Conan remains hugely popular across Asia and regularly tops the Japanese box office with the annual release of a feature film revolving around a major case for Conan in addition to the ongoing anime and manga.

Which is all to say it has a very well developed universe and vast cast of characters which weave in and out of Conan’s various adventures. The main thing to note about Conan himself, which is explained very briefly in a short introductory sequence to the movie, is that he’s actually a 17-year-old high school detective but his body was shrunk to the size of a small child when he was drugged by the mysterious Black Organisation after witnessing to of their agents getting up to something shady in a park. Only a handful of people know his true identity while he often works with the police solving crimes, and is common with Japanese crime fiction more often than not locked room mysteries.

The Million-Dollar Pentagram (名探偵コナン 100万ドルの五稜星, Meitantei Conan 100-man Dollar Michishirube), the 27th Conan movie, is somewhat different in this regard as it’s more of a treasure hunt in which Conan (voiced by Minami Takayama) and his associate Heiji (Ryo Horikawa) must attempt to figure out the mystery of some missing treasure which might have something to do with a pair of swords stolen by one of Conan’s arch nemeses, Kid the Phantom Thief (Kappei Yamaguchi). Like many of these kinds of stories, the mystery turns on historical detail in this case stemming back to the Meiji Restoration and legendary Shinsengumi boss Hijikata Toshizo, if by way of a long-dead industrialist who got rich quick during the pre-war goldrush in Hokkaido. Some of his estate apparently went missing after his death and now his grandson, who’s messed up the family business, wants to find it and so does Conan but for slightly different reasons. In any case, no one even knows what the treasure is and they may be disappointed when they find out especially as it might not show grandpa Onoe in a particularly good light. 

There is undoubtedly quite a lot going on with a prominent subplot focusing on Heiji’s crush on love interest Kazuha (Yuko Miyamura) and his rivalry with Kid the Phantom Thief with his big plan to finally confess his feelings aligning with the climax of the mystery taking place on Mount Hakodate. A port town in Hokkaido, Hakodate has not often been well served by cinema often appearing in indie films such as And Your Bird Can Sing, Sketches of Kaitan City, and Over the Fence as a moribund post-industrial centre the protagonists can’t escape, but here seems pleasant and relaxed as a kind of Northern Kyoto rich in period history. The film’s success has apparently spiked a mini tourist boom in the area.  

The filmmakers apparently did not want to destroy any of the town’s architecture even in animation, hoping to make the most of the city’s famous night scenes and beautiful scenery. Nevertheless, there are the usual series of impressive action sequences including one of Conan riding a jet-powered skateboard not to mention taking out a suspect with a football while Heiji fights another on the wings of a biplane. As for the mystery itself, it’s not the kind where the audience will be able to work it out seeing as it depends on very specific cultural knowledge that even Conan needs a hint to key into but eventually broadens into something more international involving arms dealers and corrupt businessmen. Long-standing fans of the franchise will want to stay put for a very interesting post-credits sequence and even newcomers will get a kick out of an unexpected punchline to the film’s closing moments. All in all another classic case for the Conan team peppering its key mystery with the humour and warmth the franchise is known for.


Detective Conan: The Million-Dollar Pentagram opens in UK cinemas 27th September courtesy of CineAsia.

Original trailer (Traditional Chinese & English subtitles)

Gold Kingdom and Water Kingdom (金の国 水の国, Kotono Watanabe, 2022)

After centuries of conflict, two feuding countries finally begin to put the past behind them to work for a common future in Kotono Watanabe’s animated fantasy romance, Gold Kingdom and Water Kingdom (金の国 水の国, Kin no Kuni Mizu no Kuni). Adapted from the manga by Nao Iwamoto, this is very much a story of coming together to create a better future for all in which it’s always better to follow the most difficult path if it leads to longterm peace rather than opting for a quick fix like a dynastic marriage that won’t take place for another fifty years. 

In this case, the dynastic marriage actually works out but only because romantic heroes Sara (Minami Hamabe) and Naranbayar (Kento Kaku) end up meeting by chance and falling in love organically despite the class disparity and cultural differences between them. The kingdoms of Alhamit and Balkari had been feuding in part for the petty reasons of a dog and cat respectively doing their business on the wrong side of the border wall erected after previous war. Neither nation being very much interested in the dynastic marriage proposed by the previous generation in which Alhamit would give its most beautiful woman as a wife to Balkari’s cleverest man, Alhamit sent a cat instead while Balkari sent a dog. Poor Balkari engineer Naranbayar simply laughed off his new “bride” while Princess Sara of Alhamit decided to go along with the ruse knowing that to kick up a fuss would likely send both nations back to war. 

They happen to meet when Sara transgressively ventures beyond the wall in search of her dog, Lukman, who has fallen in a hole in the forest. With her pretty sisters needling her, Sara asks Naranbayar to pretend to be her new husband, little realising that he is the man she is intended to marry. The youngest of four sisters, Sara has always felt inferior and fears that she cannot live up to the title of Alhamit’s most beautiful woman but begins to fall for Naranbayar who is in fact very clever but also kind in the way most of her family aren’t. Naranbayar genuinely cares about the people of Alhamit and quickly works out that in this incredibly wealthy, “golden” desert city they will run out of water within 50 years while water is something the poor nation of Balkari has in abundance. 

An alliance will save the lives of people in Alhamit, but also also benefit those of Balkari in boosting its economy but not everyone is motivated towards a diplomatic solution with many in the court clearly agitating for war in which they would simply conquer Balkari to capture its resources. The King is under pressure in thinking of his historical legacy, not wanting to be seen as a weak monarch as his namesake earlier was in having restored with relations with Balkari rather than seeking to dominate it militarily. Under the sway of potentially corrupt shaman Piripappa (Chafurin) he rules with an authoritarian fist, while his haughty daughter Leopoldine (Keiko Toda) has appointed a handsome actor as an advisor to signal her opposition. 

Only through the genuine love which emerges between Sara and Naranbayar can the country be saved in turning away from pointless acrimony towards a more open future marked by mutual cooperation and friendship between two equal nations. Through falling in love with Naranbayar, Sara grows in confidence and learns to see herself as beautiful no longer inferior to her sisters but playing a full part in the life of the court as they work together to solve the water issue and return life to their arid land. Beautifully designed with its Middle-Eastern aesthetics and strong contrast between the desert kingdom of Alhamit and the beautiful forests of Balkari, the film also features charming paper art bookends and a watercolour credits sequence depicting a happier future for both nations as they forge a new society together. Heartfelt in its central romance, Watanabe’s charming love story positions cross cultural connection as the best means of overcoming centuries of pointless conflict along with allowing each of its heroes to become more of themselves as they work together to create a new world of love and peace in which all can prosper and live in happy harmony. 


Gold Kingdom and Water Kingdom screened as part of this year’s Nippon Connection.

International trailer (English subtitles)