Taiwanese Cinema About to Hit the UK in a Big Way

exit 1This is kind of another link post, but bear with me! First up Ang Lee’s first three films finally became available on DVD in the UK. Cunningly titled The Ang Lee Trilogy, you can now feast your eyes on Pushing Hands, The Wedding Banquet and Eat Drink Man Woman for the first time. Feast is the right word too as all the movies feature food in a very prominent way so make sure you have the proper supplies arranged before you sit down to watch them. You can read my review of the trilogy over at UK Anime Network. They’re all great, but I particularly like The Wedding Banquet because it’s just so funny!

Here’s an awful old school trailer for The Wedding Banquet (the film is better than this, I promise).

OK, moving on you can also pick up the award winning debut from Chienn Hsiang EXIT on DVD and VOD courtesy of Facet Films. I reviewed the film when it played at the Glasgow Film Festival and you can read that at UK Anime Network too. I also had the opportunity to interview the film’s star Chen Shiang-Chyi while she’s over here shooting The Receptionist. Contrary to expectations, Chen Shiang-Chyi was actually very chatty and super nice so the only reason the interview seems a little short is because she gave very long and detailed answers! You can checkout the interview over at UK Anime Network.

Which brings me on to the upcoming Hou Hsiao-Hsien season at the BFI which begins tomorrow. Pretty much everyone is expecting his new movie The Assassin starring his regular muse Shu Qi to appear in the film festival (it would be really strange if it didn’t right?) and I for one am really looking forward to seeing it.

Hou Hsiao-Hsien will be appearing in conversation at the BFI on 14th September (tickets apparently still available) ahead of a screening of one of his greatest films, The Time to Live and the Time to Die. I was lucky enough to see this one during the BFI’s extended season of Chinese films last year and though it’s not always an easy watch, Hou’s biographical tale of mainland refugees and their Taiwanese offspring is nevertheless a moving and fairly universal coming of age tale.

I’d also recommend Dust in the Wind 

and A City of Sadness

but I just have to post this scene from Three Times again because I love it so much

They’re also showing Hou’s Ozu tribute and Japanese set Café Lumière starring Tadanobu Asano if that’s more your speed.

That’s a lot of Taiwanese cinema all of a sudden right? It’s a good thing though! If you still want more I’ll direct you to the films of Edward Yang as mentioned in Chen Shiang-Chyi’s interview:

Yi Yi: A One and a Two

No trailers for a Confucian Confusion or A Brighter Summer Day though – both are a little more difficult to get hold of but worth the effort. A Confucian Confusion has a great Rom-Com style ending (though not as good as Comrades: Almost a Love a Story which has the best ending of any film, ever, but I digress) and A Brighter Summer Day which is an epic at four hours long but a total heartbreaker.

 

Yee Chih-Yen Interview (UK Anime Network)

Director-YEE-Chih-Yen-300dpiI had the opportunity to interview Blue Gate Crossing director Yee Chih-Yen on behalf of UK Anime Network when he was over here promoting his latest film, Salute! Sun Yat-Sen which was featured as the closing night Gala of the Chinese Visual Festival 2015. You can also read my review of the film which I liked very much and be sure to catch Salute! Sun Yat-Sen when it receives a UK DVD and VOD release courtesy of Facet Film Distribution on 27th July 2015.

Trailer and a few more images from the film below.

articlesubpic1597

 

Salute! Sun Yat-Sen (UK Anime Network Review)

articlesubpic1597Reviewed the latest film from Blue Gate Crossing director Yee Chih-Yen Salute! Sun Yat-Sen for UK Anime Network. Also interviewed the director when he was here for the film’s screening as the closing night gala of the 2015 Chinese Visual Festival (under the old title of Meeting Dr Sun). This will also be getting a DVD/VOD release from Facet Film Distribution on 27th July if you didn’t manage to make it to the festival. Good movie, kind of cute but with bite too.


Salute! Sun Yat-Sen is the long awaited new film from Taiwanese director Yee Chih-Yen which arrives a massive 13 years after the award winning Blue Gate Crossing. Like Blue Gate Crossing, Salute! Sun Yat-Sen centres around the everyday life of teenagers with a subtle level of social commentary though this time it swaps sexuality for social inequality and complicated male friendships.

Lefty is a typical high school boy, at once giddy and lackadaisical. His major problem in life is that he’s behind on his school fees and despite his attempts to dodge the issue, it’s become an embarrassment for him around the school. Lefty lives with his grandmother who’s on a low income and he simply does not have the money to pay. That’s when he catches sight of an abandoned metal statue in a school storeroom and hatches on a plan to steal it and sell it for scrap. However, just when it looks like the plan is complete, Lefty and his friends discover another group of boys has hatched on the same idea! It’s then up to Lefty & co to figure out a way of getting to the statue before the other gang.

Salute! Sun Yat-Sen mixes comedy caper tropes with high school drama as the boys try to beat each other to this overly symbolic statue that they intend to sell for scrap. The plan is, of course, a little bit ridiculous – first of all the business of sneaking an extremely heavy and cumbersome metal statue out of the school with no one noticing and then simply taking it to a scrap metal merchant and selling it, all without anyone asking how exactly they came by this distinctive statue, is quite a childishly naive plan but one which makes for quite a lot of comedy. One of the best moments being the boys trying to buy masks to hide their faces from the security cameras and having to go for the cheapest one which happens to be a horrible anime style face which is so cheaply priced because it’s made from an awful plastic which gives you a rash and makes your face itch if you wear it too long.

Sun Yat-Sen is obviously a hugely important, inspirational and well known historical figure particularly in Taiwan but also across mainland China. However, it has to be said that he is not such a well known figure in the UK and, especially as his name is not even mentioned until a news report close to the end, UK viewers may find that the symbolism his name carries is largely lost on them as is the film’s subtle social commentary. Briefly put, Sun Yat-Sen was the “father of the Chinese Republic” who sought to steer China towards a democratic and more egalitarian society after the collapse of the Qing dynasty and the Chinese revolution in 1911. Sadly, his utopian vision for the new China was not to be but his idealism and humanitarian thinking are still widely praised in Chinese culture. He also still appears on Taiwanese bank notes and so may be primarily linked with money in the minds of these young boys, but there is a central irony that it’s a statue of the left leaning Sun Yat-Sen that these money strapped young men have chosen to steal and melt down to get the money they so desperately need to get by.

However, even without grasping all of the complex political allusions to Taiwanese cultural issues both historical and contemporary, Salute! Sun Yat-Sen still succeeds as a warm and amusing coming of age tale in which a group of teenage boys on the cusp of adulthood come to realise a few things about themselves and the culture they live in. Though the central two boys are in someways very different, in other ways they have a lot in common and it’s a fun ride seeing how their conflicting personalities rub up against each other until a tentative friendship eventually develops. The second boy (who repeatedly avoids telling Lefty his name throughout the film) is, in many ways, in a far worse position than Lefty which has made him bitter and devoid of hope for the future but thanks to Lefty’s optimism perhaps begins to think it’s not all as gloomy as he once thought.

Like Blue Gate Crossing, Salute! Sun Yat-Sen is a quiet sort of film where plot takes second place to character (although all the heist shenanigans are undeniably entertaining – especially one horror movie inspired episode). The film feels authentically youthful, manages to imbue its young cast with an unusual degree of realism and it’s very hard not to be charmed by Lefty’s giant smile and happy go lucky attitude. Simply put, Salute! Sun Yat-Sen is unlikely to spark a revolution but its quietly encouraging messages are certainly a good start.