This is kind of another link post, but bear with me! First up Ang Lee’s first three films finally became available on DVD in the UK. Cunningly titled The Ang Lee Trilogy, you can now feast your eyes on Pushing Hands, The Wedding Banquet and Eat Drink Man Woman for the first time. Feast is the right word too as all the movies feature food in a very prominent way so make sure you have the proper supplies arranged before you sit down to watch them. You can read my review of the trilogy over at UK Anime Network. They’re all great, but I particularly like The Wedding Banquet because it’s just so funny!
Here’s an awful old school trailer for The Wedding Banquet (the film is better than this, I promise).
OK, moving on you can also pick up the award winning debut from Chienn Hsiang EXIT on DVD and VOD courtesy of Facet Films. I reviewed the film when it played at the Glasgow Film Festival and you can read that at UK Anime Network too. I also had the opportunity to interview the film’s star Chen Shiang-Chyi while she’s over here shooting The Receptionist. Contrary to expectations, Chen Shiang-Chyi was actually very chatty and super nice so the only reason the interview seems a little short is because she gave very long and detailed answers! You can checkout the interview over at UK Anime Network.
Which brings me on to the upcoming Hou Hsiao-Hsien season at the BFI which begins tomorrow. Pretty much everyone is expecting his new movie The Assassin starring his regular muse Shu Qi to appear in the film festival (it would be really strange if it didn’t right?) and I for one am really looking forward to seeing it.
Hou Hsiao-Hsien will be appearing in conversation at the BFI on 14th September (tickets apparently still available) ahead of a screening of one of his greatest films, The Time to Live and the Time to Die. I was lucky enough to see this one during the BFI’s extended season of Chinese films last year and though it’s not always an easy watch, Hou’s biographical tale of mainland refugees and their Taiwanese offspring is nevertheless a moving and fairly universal coming of age tale.
I’d also recommend Dust in the Wind
but I just have to post this scene from Three Times again because I love it so much
They’re also showing Hou’s Ozu tribute and Japanese set Café Lumière starring Tadanobu Asano if that’s more your speed.
That’s a lot of Taiwanese cinema all of a sudden right? It’s a good thing though! If you still want more I’ll direct you to the films of Edward Yang as mentioned in Chen Shiang-Chyi’s interview:
Yi Yi: A One and a Two
No trailers for a Confucian Confusion or A Brighter Summer Day though – both are a little more difficult to get hold of but worth the effort. A Confucian Confusion has a great Rom-Com style ending (though not as good as Comrades: Almost a Love a Story which has the best ending of any film, ever, but I digress) and A Brighter Summer Day which is an epic at four hours long but a total heartbreaker.