So, once again Goro Goes Straight is sadly not the title of this fourth film in the tale of the noble hearted gangster “Goro the Assassin” (無頼 人斬り五郎, Burai Hitokiri Goro). After getting his friend out of a jam, the pair end up in prison. Goro is released three years later but his friend, Masa, is poor health and eventually dies a prisoner’s death with no one to collect his body meaning he’ll be buried in a lonely prison grave alongside the rest of society’s unwanted rubbish. On their final meeting, Masa asks Goro to find his sister for him and tell her that he’s doing alright. This message now well out of date, Goro decides to try finding Masa’s sister anyway if only to find out why she never came to see him even as he lay dying.
However, Goro once again runs up against another gang and some old enemies whilst trying to complete his quest and start an honest life at the same time. After taking a job working on the boiler at a hotel, he strikes up a friendship with the receptionist, Yuki (Chieko Matsubara again), whom he also bumped into a few times on his way there. She has some problems with the yakuza herself going back to the traffic “accident” which killed her father.
Family is once again the big key here. Goro is originally angry with Masa’s sister for abandoning her yakuza brother but the truth is more complicated. Having only each other in the world, Masa’s sister has been reduced to working in the red light district – in part to get some money together to help Masa. She never got the messages about his ill health because of moving around so much and was also ashamed to let him know where she’d been working. Now that Masa is dead, her sacrifice is meaningless.
It’s also family which gets Yuki into trouble, in an indirect way, after she accepts some money from the yakuza who killed her father. Perhaps intended to salve his conscience, the money brings Yuki to the attention of the other gangsters and their various extortion scams which eventually leads to her giving up her job at the hotel. Of course, by this point, she’s fallen in love with the noble and brooding Goro which also puts her in the line of fire as things heat up for him with the local tough guys.
Again it isn’t really clear how this film links in with the others in the series but this time around Goro is a much more playful character, bright and cheerful and only occasionally brooding. He’s cracking jokes all over the place and Yuki even refers to him as the “amusing guy from the bus” when he comes to ask about the boiler job. This only adds to his “cool” appeal as he appears somehow far above everything, looking down on the yakuza world with a sort of ironic eye that implies all of this is quite ridiculous but nevertheless inevitable.
Goro still dreams of going straight and leading a more normal life but once again it eludes him. Yuki again utters the phrase that he’s a yakuza in name only and doesn’t have a killer’s heart but Goro disagrees. Throwing down his short sword he declares he longs to live a life without it but it seems surgically attached to him now, he’ll never be free of it. Again, at the end of the movie he sends his chance of a way out of the gangster life off on a ferry to ensure her own safety at the cost of his personal happiness.
Directed again by Keiichi Ozawa who handled the second film in the series, Goro the Assassin has more outdoor scenes only sticking to the studio for the red light district sequences. It doesn’t quite have the visual style of the other instalments with fewer set pieces which tend to be centred around the fight scenes themselves rather than anything going on around the same time. By the time the ending rolls around there’s a kind of progress in standing still as, after taking care of the bad guys, Goro sees a vision of Yuki standing far off on the horizon. Rather than staggering off lonely and alone as in the other films, he stands and stares which, though not exactly a happy ending, is a little more hopeful than the doom laden conclusions the films have each featured so far.
Outlaw: Goro the Assassin is the fourth of six films included in Arrow films’ Outlaw: Gangster VIP The Complete Collection box set (which is region free on DVD and blu-ray and available from both US and UK).
English subtitled original theatrical trailer: