Together, but separate, could serve as a thematic guide to the work of Hong Sang-soo for whom time is malleable and place even more so. The Power of Kangwon Province (강원도의 힘, Gangwon-do ui him), his second feature, is as playful as one might expect, employing the dual structure familiar from Hong’s later work to set a pair of lovers against each other as they endure the same holiday without ever crossing paths in an attempt to forget their doomed romance.
Jisook (Oh Yun-hong) takes a train to the titular Kangwon province – a popular holiday destination just far enough from the city to make it an attractive place to bury one’s sorrows. Together (but sort of separate) with two university friends she wanders around doing all the regular tourist stuff. For some reason the girls attract the attention of a local policeman (Kim Yu-seok) who starts hanging out with them. Over a tense dinner, Ji-sook argues with her friend over her failed affair with a married man, after which she ends up in an odd encounter with the policeman who is also married.
Meanwhile, married professor Sangkwon (Baek Jong-hak) is in a state of lovelorn depression over the end of an affair with a much younger woman who he claims is the only one he’s ever truly loved. Underappreciated at his current place of work, he spends some time sucking up to his sumo-loving boss but eventually comes to the conclusion it’s all been pointless and he’s never going to get tenure from this rigid old man. Still, despite his wife’s encouragement, he drags his feet applying to another university and continues to mope. Relief comes when his friend (Chun Jae-hyun) invites to him Kangwon for a few days to forget his troubles, but time away only seems to reinforce his sense of emptiness and inability to let go of a lost love.
In truth, we have little implication that the stories of Jisook and Sangkwon are connected at all until they finally intersect save that their movements mirror each other as they each attempt to erase the memory of their failed romance through a sad vacation. Jisook and Sangkwon are on the same train, going to the same place, where they do very similar things but their paths do not cross again – they are out of step with one another, unable to repair the rhythm of their romance but bound by an awkward togetherness just the same.
Meanwhile, a dark spectre haunts them in the form of a mysterious woman and her “fall” from a cliff. Jisook’s disappointing relationship with the married policeman is at least a natural connection, however ill advised it may turn out to be, whereas Sangkwon spends his time irritatedly chasing a lonely woman who got fed up of waiting for him and later walked into the path of another jealous and impatient man. Though in no particular hurry, both Jisook and Sangkwon are constantly annoyed by being forced to waste time hanging around. Jisook’s ballistic attack on the policeman who arrived late to collect her on a return visit to Kangwon is probably misdirected anger at Sangkwon and the illicit nature of her visit, but Sangkwon’s is a kind of arrogance – as if he believes the world exists at his leisure and that he is free to put it down and pick it back up again at his own choosing. Jisook wouldn’t wait for him any longer, but Sangkwon can’t quite accept the relationship is over. He never truly considers abandoning his wife and family to pursue a supposedly “true” love, but won’t give up on the romantic ideal.
Hong positions both lovers as lost, chasing distant ghosts of each other through the spooky environs of the picturesque holiday town, attempting to bury their loneliness in other bodies but emerging with only sadness and resentment. Connection is fleeting, and perhaps unsatisfying in itself. The power of Kangwon province may lie in making a grave for the impossible dream of enduring of love. Jisook buries the smoking embers of her romance even whilst still alight, leaving Sangkwon sadly gazing into a goldfish bowl made for two but now home to only one. Destined never to understand each other, we are all trapped in our own fishbowls sadly gazing out at an incomprehensible world where the only reward of longing is existential sadness. Sound familiar?
The Power of Kangwon Province was screened as part of the 2018 London Korean Film Festival.
Home video release trailer (no subtitles)