Each year the Nippon Connection film festival runs a retrospective programme alongside its collection of recent indie and mainstream hits. The subject for this year’s strand is Nikkatsu’s Roman Porno. Heading into the 1970s, Japanese cinema was in crisis mode as TV poached cinema audiences who largely stayed away from the successful genres of the 1960s including the previously popular youth, action, and yakuza movies which had been entertaining them for close to 20 years. Daiei, one of the larger studios known for glossy, big budget prestige fare alongside some lower budget genre offerings went bust in 1971, Shochiku kept up its steady stream of melodramas, but Nikkatsu found another solution. Taking inspiration from the “pink film” – a brand of soft core, mainstream pornography shown in specialised cinemas and made to exacting production standards, they created “Roman Porno” which made sex its selling point, but put big studio resources behind it, bringing in better actors and innovative directors to lend an air of legitimacy to its purely populist ethos.
Over 40 years later, Nikkatsu Roman Porno has been rebooted for the modern era and two of these more recent films – Kazuya Shiraishi’s Dawn of the Felines, and Akihito Shiota’s Wet Woman in the Wind will also be screening in the festival’s Nippon Cinema strand. The retrospective offers the opportunity to see some of the original 1970s offerings curated by pink film expert Jasper Sharp who will also be in attendance to present some of the films as well as a lecture on the history of Roman Porno and Japanese erotic cinema.
All the films on offer are directed by one of two directors each of whom is closely associated with the Roman Porno movement:
Tatsumi Kumashiro
Tatsumi Kumashiro’s career took a while to get going – in fact he made his feature debut at 41 with A Thirsty Life (AKA Front Row Life) – the story of a stripper and her daughter who also wants to strut her stuff on the stage. Sadly, although the film attained some critical success, it flopped at the box office. Kumashiro retreated into television before making a return to the cinema when Nikkatsu launched its Roman Porno line. In contrast with Tanaka, Kumashiro leant towards gritty realism and stylistic experimentation which brought him critical acclaim even from overseas, mainstream critics.
Ecstacy of the Black Rose is a more comedic effort than most of Kumashiro’s output and takes an ironic look at the genre as a put upon director gets fed up when his leading actress falls pregnant and becomes obsessed with finding a woman whose moans he overheard at the dentist’s.
Following Desire received a Kinema Junpo award for best screenplay as well as the best actress prize for Hiroko Isayama who plays a stripper intent on taking down her rival for the top spot!
Kumashiro’s Tamanoi Street of Joy takes place on the last day of legal prostitution in 1958 and follows the girls as they mark the occasion in their own particular ways.
Further proving Kumashiro’s critical stature, Twisted Path of Love was among Kinema Junpo’s 1999 list of the greatest Japanese films of the 20th century. The story of a young man who returns to his hometown but attempts to shed his identity, burning a hole in the conventional village life through sex and violence, Twisted Path of Love also displays Kumashiro’s interesting use of common censorship techniques for artistic effect.
Often regarded as Kumashiro’s masterpiece, The Woman with the Red Hair picked up a Kinema Junpo best actress award for Junko Miyashita, as well as ranking fourth in their annual best of the year list. The story centres on construction worker Kozo who, along with friend Takao, rapes his boss’ daughter who subsequently becomes pregnant. While she asks Takao to marry her, Kozo embarks on an affair with the mysterious red-haired woman.
Another of Kumashiro’s most well-regarded Roman Porno, The World of the Geisha takes place in a geisha house in 1918 and examines the various tensions which exist between the women themselves and their customers who have come to the house to escape external political concerns. The film again demonstrates Kumashiro’s tendency to ironic commentary as he tampers with intertitles to make a point about censorship.
Noboru Tanaka
Though Tanaka was often overshadowed by Kumashiro and another director, Chusei Sone, he is now regarded by some as the finest of Roman Porno filmmakers. Interestingly enough, Tanaka studied French literature at university but later developed in interest in poetry which eventually led him into filmmaking as a way of expressing his rich visual world. After working as a production assistant on Kurosawa’s Yojimbo, Tanaka applied to Nikkatsu and was accepted onto the directing track where he worked with such legendary figures as Seijun Suzuki and Shohei Imamura. Where Kumashiro’s films lean towards realism, Tanaka’s are often surreal and known for their poetic qualities and unusual use of colour.
Night of the Felines provides the inspiration for Kazuya Shirashi’s reboot Dawn of the Felines and follows the comical adventures of three prostitutes.
Stroller in the Attic is among the best known in the Roman Porno canon and adapts an Edogawa Rampo short story about a ’20s boarding house filled with eccentric guests.
Inspired by the same real life case as In the Realm of the Senses, Noburu Tanaka’s Sada and Kichi takes a more lurid look at the strange case of Abe Sada who strangled her lover after a brief affair and then cut off his genitals to wear as a kind of talisman.
You can get more information on all the films via Nippon Connection’s official website, but tickets for this strand are only available directly from the Deutsches Filmmuseum. Behind the Pink Curtain author and pink film/Roman Porno expert Jasper Sharp will also be giving a lecture on the genre on Friday 26th May at 3pm at Mousonturm Studio 1 (admission free!).
Nippon Connection 2017 takes place from May 23 – 28, 2017 in Frankfurt, Germany. You can find the full details for all the films, screening times and ticket links on the festival’s official website and you can also keep up with all the latest news via the Nippon Connection Facebook Page, Twitter account, Instagram channel and blog.
Nippon Connection returns for 2017 in just under a week’s time and to whet your appetite for all the amazing films about to shown in Frankfurt from May 23 – 28, the festival has re-launched its very own 
Japan Cuts returns for 2017 with even more of the best in recent Japanese cinema. Ahead of the full programme reveal the festival has announced a few early teasers for what promises to be another year of fantastic films from Japan.
Fan favourite director Nobuhiro Yamashita will once again feature in the festival with his installment in the trilogy of movies inspired by author Yasushi Sato, 
Another festival favourite Sion Sono returns with his contribution to the Roman Porno Reboot Project, Anti-Porno.
Kiyoshi Kurosawa’s first international production, Daguerrotype, also makes its way into the festival. Taking the director back to his psychological horror roots, this gothic European ghost story stars one of France’s best young actors, Tahar Rahim, as a photographer’s assistant caught up in both odinary and supernatural conspiracies.
The one you’ve all been waiting for – Neko Atsume House! An adaptation of the popular smartphone game, Masatoshi Kurakata’s film stars Atsushi Ito as a novelist with writer’s block who moves house to stimulate himself only to be overrun with cute cats instead.
The only documentary announced so far, Konrad Aderer’s Resistance at Tule Lake examines the case of 12,000 Japanese-Americans labeled “disloyal” for attempting to resist the government’s internment order.
So, 
Japanese-American director Kimi Takesue’s 95 and 6 to Go was filmed over six years during which she travelled to Hawaii following the death of her grandmother to learn more about the history of her family. Talking to her grandfather about his life and her own stalled film project, Takesue neatly weaves the personal and the universal for a meditation on life, love, loss and endurance.
Produced by Ian Thomas Ash (A2-B-C, -1287) Boys for Sale is the debut feature from Itako and focuses on the world of male prostitution in Tokyo’s Shinjuku 2-chome.
Come on Home to Sato is the debut feature from Yoshiki Shigee. Filmed over three years, the film follows the social workers and professionals involved with Kodomo no Sato – a safehaven for children of all ages and backgrounds in Osaka’s Nishinari district.
The intriguingly titled Gui Aiueo:S A Stone From Another Mountain To Polish Your Own Stone is a strange road movie/documentary/performance piece from Go Shibata featuring UFOs, hermits, and sustainable toilets.
A selection of three short NHK documentaries :
Gilles Laurent’s La Terre Abandonée follows the residents of Tomioka who refused to obey the evacuation order after the meltdown of the Fukushima Daiichi nuclear plant.
Steven Okazaki’s Mifune: The Last Samurai is an attempt to chart the legendary actor’s career as it intersects with the history of samurai cinema.
Atsushi Funahashi’s Raise Your Arms and Twist! Documentary of NMB48 follows the aspiring idol stars as they go about their tightly controlled lives in one of the most controversial sectors of the Japanese entertainment industry.
Start Line charts deaf filmmaker Ayako Imamura’s bicycle journey through Japan.
Masked wrestling provides a ray of hope for a directionless little boy in Kohei Taniguchi’s Dynamite Wolf. Sponsored by the Dotonbori Pro Wrestling League.
Ayako Fujimura’s charming family drama Eriko, Pretended follows its aspiring actress protagonist as she travels home for the funeral of her older sister. Having pretended to be much more successful than she really was, Eriko makes the abrupt decision to stay behind in her hometown, look after her sister’s orphaned son and take over her job as a professional mourner.
Boxing trainer Asahi plans to marry his long-term girlfriend Kaori and has found a job for his close childhood friend, Hiroto, to bring him to Tokyo. Everything seems fine but Hiroto has fallen victim to a scammer and needs Asahi’s help. His first instinct is to postpone the wedding and help his friend whom he regards as a “brother” as they grew up in the same orphanage but Kaori wants her elderly grandmother to come so it needs to be as soon as possible. Going the Distance is the debut feature from director Masahiro Umeda who is expected to attend the festival in person to present his film.
Tamaki and Kaori just can’t say Good/Bye in Izumi Matsuno’s nuanced drama. Despite having “broken up” the pair continue to share their apartment, marking their individual territories with coloured tape but new romantic possibilities force them to re-examine their peculiar relationship.
Hirokazu Kai’s hard-hitting coming of age drama 
Another technically broken up but still living together drama, Shingo Matsumura’s Love and Goodbye and Hawaii presents its heroine Rinko with a problem when she realises her ex Isamu might have found someone else.
Set in Inokashira Park, Natsuki Seta’s Parks stars Ai Hashimoto as a college student who teams up with Shota Sometani and Mei Nagano to recreate the missing portions of a mysterious love song.
The latest film from Hirobumi Watanabe, Poolsideman won the Japanese Cinema Splash Award at the Tokyo International Film Festival 2016 and focuses on the dull and lonely life of a lifeguard whose existence changes when he’s sent to a different pool.
Yusuke Takeuchi won the best director award at the Thessaloniki International Film Festival for The Sower. Dealing with guilt and atonement, this sombre film follows Mitsuo as he returns from three years in a mental institution and bonds with his two nieces only for his fragile happiness to be disrupted by unexpected tragedy.
The latest film from Yuya Ishii, The Tokyo Night Sky Is Always the Densest Shade of Blue stars Shizuka Ishibashi and Sosuke Ikematsu in an exploration of youthful alienation.
Daisuke Miyazaki’s Yamato California explores themes of cross cultural pollination through the story of teenager Sakura who lives near the biggest American military base in Japan and dreams of becoming a rapper. When she meets the Japanese-American daughter of her mother’s boyfriend, she finally finds an ally in an otherwise alienating place.
Skip City Shorts includes four of the short films created for the Skip City International D-Cinema Festival in Saitama.
Six young filmmakers show different sides of Tokyo in the TKY2015 Short Film Series.
Two shorts made by students of the Graduate School for Film and New Media at Tokyo University of the Arts.
Following the 
Kenji Yamauchi adapts his own play 
Katsuya Tomita makes a welcome return following his critically acclaimed 
Shunji Iwai is another director making a welcome return with the equally epic 
Dawn of the Felines is one of the films created for Nikkatsu’s Roman Porno reboot project which is also being celebrated with a Roman Porno retrospective (more on this later on). Directed by Devil’s Path director Kazuya Shiraishi, this melancholy tale of three girls working in Tokyo’s red light district takes its name from Noboru Tanaka’s classic pink film Night of the Felines.
Directed by one of Japan’s foremost blockbuster helmers Shinsuke Sato (whose 
If Death Note wasn’t nihilistic enough for you, the festival will also feature Tetsuya Mariko’s 
The debut film from Kei Ishikawa, Gukoroku: Traces of Sin stars Satoshi Tsumabuki as an ambitious reporter trying to find the truth behind the brutal, unsolved murder of an ordinary Tokyo family.
In the first of two films presented at the festival, SABU goes on an existential journey in Happiness as a mysterious man appears in town with a strange helmet which allows the wearer to re-experience the happiest moment of their lives. Stars veteran actor Masatoshi Nagase.
Koji Fukada returns to the themes of family and disruptive interlopers but skews darker than ever before in 
Her Love Boils Bathwater officially opens the festival and stars Rie Miyazawa as a single mother diagnosed with a terminal illness who is determined to bring her disparate family back together and save the family bathhouse in the process. Rie Miyazawa picked up the best actress award at this year’s Japan Academy Prize ceremony for her role in film which is far funnier than its synopsis sounds.
From one hero to another, the second movie helmed by director Shinsuke Sato to feature in the festival stars comedian Yo Oizumi as a mildmannered, unsuccessful mangaka who finds hidden reserves inside himself when faced with the zombie apocalypse. 
From one plucky underdog to another – Let’s Go Jets! From Small Town Girls to U.S. Champions?! stars a team of aspiring Japanese cheerleaders who want to strut their stuff all the way to the top spot in the US championships.
Miwa Nishikawa returns with The Long Excuse – an adaptation of her own novel starring Masahiro Motoki as a self centered author and minor celebrity who is unmoved when his wife dies in a bus accident but finds his humanity reawakening after bonding with the bereaved children of the best friend who died beside her.
SABU’s second film in the festival, Mr. Long, sees a hardened Taiwanese hitman taken in by a kindly little boy and his family after a job goes badly wrong.
Nobuhiro Yamashita is another director with not one but two films making it into the festival this year. The first of them, 
Rumour and speculation dominate a housing estate when one half of a recently arrived older couple abruptly disappears. Moonlight flit? Murder? Divorce, affairs, scandal? The truth is stranger than fiction in Junji Sakamoto’s absurd comedy The Projects.
Godzilla is back and bigger than ever! Directed by Evangelion’s Hideaki Anno along with live action Attack on Titan director Shinji Higuchi Shin Godzilla (Godzilla Resurgence) is equal parts classic monster movie and biting political satire.
Godzilla’s not the only existential threat posed to Japanese society as one ordinary family find out in Shinobu Yaguchi’s black out drama. 
Now for something completely different – Juzo Itami’s noodle western Tampopo will also screen as a Nippon Film Dinner during which bento boxes filled with delicious Japanese treats will be served.
After dinner comes breakfast! This one is screening with German subtitles only but if you can understand German or Japanese or don’t mind not understanding anything at all you can enjoy a delicious breakfast buffet whilst taking in Jun Ichikawa’s adaptation of the Haruki Murakami short story Tony Takitani in which a lonely man meets and falls in love with a beautiful woman only for her obsession with shopping to come between them.
Finally, Akihiko Shiota’s Wet Woman in the Wind is the second of the Roman Porno Reboot movies to be featured in the festival and follows the adventures of a playwright with writer’s block who tries to retreat to the country for some peace, quiet, and time to reflect. Then he hooks up with a nymphomaniac waitress instead!
Since its launch in 2000, the 
The 17th Neuchâtel International Fantastic Film Festival runs from 30th June to 8th July 2017 and will have a special focus on genre cinema. The festival will also host a series of outdoor cinema events as part of the 
The premier European showcase for East Asian cinema, 
Take a look at Andy in action in the official trailer (English subtitles)
Starring Fang Bingbing, this story of a small town woman taking on the Chinese legal system after her husband falsely accuses her of having an affair has been picking up awards all along the international festival trail.
A heartwarming tale of a little girl who takes refuge at the home of her uncle and his transgender girlfriend, Close-Knit marks a welcome return to the warm and quirky Ogigami world.
My Uncle (ぼくのおじさん, Boku no Ojisan) stars Ryuhei Matsuda as an eccentric philosophy lecturer who leeches off his nephew’s family until he unexpectedly meets a woman, falls in love, and follows her to Hawaii!
Among Yamashita’s more serious films, Over the Fence stars Joe Odagiri as a broken hearted young man who returns to his hometown after his wife leaves him.
Loosely based on a 1985 film by Masato Harada, Scoop! Stars Masaharu Fukuyama as an amoral paparazzo.
Ji Chang-wook plays a top gamer who suddenly finds himself trapped in a real world conspiracy when he is framed for a shocking crime.
This mystery/thriller stars Kim Yunjin as a former housewife released from prison 25 years after her husband and son disappeared leaving her accused of a crime.
There will also be a small strand of recent Chinese indie including Knife in the Clear Water (清水里的刀子) which we 
Festival season is well and truly underway and in the first of two big announcements of today Cannes has confirmed its full lineup. China, HK, and Taiwan are notably absent this year but it’s otherwise a good one for Asian film with five features from Korea (inlcuding two from prolific director Hong Sang-soo) and three from Japan. Scroll down for a checklist by country:
In the Competition section, Cannes favourite Naomi Kawase returns with her latest movie – Radiance (光, Hikari) which stars An’s Masatoshi Nagase as a photographer slowly losing his eyesight.
The story of a young girl’s struggle to save her mysterious animal friend from a giant multi-national company, Okja will be streamed worldwide on Netflix from June 28.
Windows on Worlds 