Okinawa Blue Note (오키나와 블루노트, Cho Sung-kyu, 2024)

If you run into someone who has the same name, same birthday, and was on the same flight as you to a random destination wouldn’t you call that fate? The protagonists of Cho Sung-kyu’s Okinawa Blue Note (오키나와 블루노트) prefer to think of it as mere coincidence, at least to begin with. They each have different reasons for coming to Okinawa, but then again perhaps fate sent them here to get a new lease on their lives if not to fall in love.

Love does however seem a little unlikely for the mismatched pair each named Kim Jungmin who are about as different from each other as it’s possible to be. Yet the male Jungmin’s (Kim Dong-wan) animosity is somewhat understandable given that his arrival in Okinawa has become chaotic thanks to the female Jungmin’s (Hwang Seung-eon) presence given that she mistakenly ended up with both his pre-booked car and room reservation because the staff members only checked the name and not the booking number. Jungmin isn’t the sort of person who copes well with complications, nor does he cope well with noisy, more extroverted people like the female Jungmin who is also annoyed by the whole thing but on the other hand doesn’t think it’s really her problem having merely assumed she’d been lucky enough to receive a free upgrade rather than actively nabbing someone’s more expensive package. Nevertheless, he’s forced to get along with her because he needs to borrow her rental car to get around which also means accompanying her on her touristic adventures and getting swept up in her enthusiastic exploration of the island.

The female Jungmin has a tendency to drink too much, say things she shouldn’t, and forget about them by the next morning. The male Jungmin, by contrast doesn’t drink because he is living with rheumatoid arthritis though he says he intends to drink again if his condition improves. He writes romance novels and doesn’t use the internet all that much. She writes webtoons and posts stories to instagram. They really have very little in common aside with a sense of dissatisfaction about their lives, their names, birthdays, and travel itinerary but you can’t deny that their meeting is like one of the male Jungmin’s novels as even he finds himself musing on a new story about someone who comes to Okinawa to patch things up with an old lover only to fall in love with a whale shark they met along the way.

Gradually it becomes apparent that the female Jung-min is here to confess her feelings to a boy from Korea who, it turns out, may have come to Okinawa in search of greater freedom rather than needing to be liberated from his tank which ironically may be more the case for the male Jungmin. Though it’s obvious from their second meeting with Taemin’s colleague Hiro that the two men are a couple, the female Jungmin can’t seem to see or accept it nor does he actually tell her outright that he’s gay only that all he wants from her is friendship as he’s explained several times before only she was too drunk at the time to remember she’s already declared her feelings and been rejected. What the female Jungmin saw as “fate” really was just coincidence and personal myth making as Taemin too had his own fate to follow that led him to Okinawa where he was freer to pursue his romantic desires, if only slightly, than in the still conservative Korea. When the male Jungmin floats an idea for a book inspired by his time in Okinawa the two men give their consent to be included but also ask their relationship remain a same sex one rather than the heterosexual casting Jungmin had given it possibly out of an attempt to disguise their identity but also an underlying squeamishness towards the inclusion of LGBTQ+ issues.

Nevertheless, the male Jungmin is able to re-envision the situation by turning his life into fiction and exploring a relationship between himself and the female Jungmin with the roles somewhat reversed in which he is a stereotypically hard drinking, chain-smoking writer and the female Jungmin a put upon woman with rheumatoid arthritis helping someone else achieve their romantic desires. Is this life imitating art, or art imitating life? Whatever it is, it seems the trip to Okinawa with its tranquil streets, picturesque environment, friendly and laid-back people has offered each of them opportunities both romantic and creative in a moment of unexpected serendipity, or perhaps this time it really was fate after all.


Okinawa Blue Note had its World Premiere as part of this year’s Cinema at Sea.

Miss Granny (수상한 그녀, Hwang Dong-hyeok, 2014)

131212-001_1401140436597Review of Hwang Dong-hyeok’s age swap comedy Miss Granny (수상한 그녀, Soosanghan Geunyeo) up at UK Anime Network.


Miss Granny is something of a departure for Korean director Hwang Dong-hyeok whose previous two films have both explored fairly weighty subjects firstly in The Father which, based on a true story, features an American adoptee looking for his father only to find him languishing on death row, and more recently in Silenced (also known as The Crucible) which depicted the harrowing, and again true, events that occurred at the Gwangju Inhwa School for the Deaf in which pupils were routinely abused by teachers and staff. So far as we know, Miss Granny is not based on a true story and is a more mainstream comedy in which a “difficult” old lady suddenly finds herself transformed into her 20 year old self.

At the beginning of the film, Oh Mal-soon is a bad tempered 74 year old woman who terrorises everyone around her into submission including her middle aged daughter-in-law who eventually lands up in the hospital with a heart condition that may in part have been brought on by Mal-soon’s constant criticism. Mal-soon’s son faces an impossible choice, ship his mother off to a home and give his wife some peace or risk losing either his marriage or his wife by keeping his mother around. Heartbroken at the thought her son maybe about to abandon her, Mal-soon wanders around the city before deciding to enter a mysterious portrait photographers and dolling herself up for a “funeral photo”. However, when she emerges she’s mysteriously transformed into a lithe and pretty 20 year old! Suddenly young again with potentially a whole life in front of her, what sort of choices will Mal-soon make this time around?

Much of the comedy of Miss Granny centres around the young Mal-soon, renamed Oh Doo-ri after her favourite actress, Audrey Hepburn, speaking and acting as if she really really were a 74 year old woman with all of the freedoms (and the invisibilities) that age grants you. Snapping away in her thick rural dialect and handing out unsolicited advice in the way only a nosy old woman can, Doo-ri is a very strange, and perhaps a slightly frightening, young woman. Undoubtedly, as we find out, Mal-soon has had a difficult life – starting out as an upperclass woman before becoming a young, penniless single mother dependent on the kindness of others and doing everything in her power to ensure that her son will grow up a fine man. Life has made her hard and in turn she makes things hard for all around her.

As a young woman she’s initially much the same yet comes to understand something of who she was and who she is. In her younger days she dreamed of being a singer and even as an old woman was well known for her fine voice. After unexpectedly jumping up to sing at a senior’s event in order to best another old lady rival, she’s “discovered” by a producer who’s tired of all the soulless idol stars who walk across his stage. Doo-ri is exactly what he’s been looking for, a young and pretty face with a voice that’s full of a lifetime’s heartbreak. Here is the real coup of the film – the younger actress, Shim Eun-kyung, reinterprets these classic pop songs from 40 years ago beautifully with exactly the right levels of pain and regret perfectly matching the montage flashbacks to Mal-soon’s youth. Becoming young again, experiencing everything again as if for the first time – opportunity, romance, friendship, Mal-soon finally begins to soften as if some of the harsh years of her original young life had been smoothed away.

Of course, nothing lasts forever and Mal-soon eventually has to make a choice between her newly returned youth and something else precious to her. She comes to understand that however hard it was she’d do it the same all over again because the same things would always have been the most important to her. Though it’s far from original and drags a little in the middle, Miss Granny still proves a warm and funny tale that walks the difficult line between serious and funny with ease and throws in a pretty catchy soundtrack to boot.


Reviewed at the London Korean Film Festival 2015.

Also here is one of the musical sequences in the film – I think this is a famous song from the ’70s (?) called White Butterfly. ‘Tis quite beautiful (mild spoilers for the film as it includes a montage of Mal-soon’s youth in the ’60s).