Little Sayuri has had it pretty tough up to now growing up in an orphanage run by Catholic nuns, but her long lost father has finally managed to track her down and she’s going to able to live with her birth family at last! However, on the car ride to her new home her father explains a few things to her to the effect that her mother was involved in some kind of accident and isn’t quite right in the head. Things get weirder when they arrive at the house only to be greated by the guys from the morgue who’ve just arrived to take charge of a maid who’s apparently dropped dead!
If that weren’t enough her “mother” calls her by the wrong name and then dad gets a sudden telegram about needing to go to Africa for “several weeks” to study a new kind of snake! On her tour of the house, Sayuri finds a room full of snakes, reptiles and insects (and also for some reason a large vat of acid?!) as well as a room with a buddhist altar where the food seems to disappear just as if Buddha himself were really eating it. Eventually, Sayuri is introduced to her secret sister, Tamami, who has slight facial disfigurement and a wicked disposition which has seen her locked away from view for quite some time…..
Based on the manga by Kazuo Umezu, Snake Girl and the Silver-Haired Witch (蛇娘と白髪魔, Hebi Musume to Hakuhatsuma) is, apparently, aimed at a younger audience which explains its child’s eye view of events but the film makes no concessions to the supposed softness of little minds. With a host of surreal imagery including dream sequences full of creepy, hypnotic spirals, and moments of shocking violence such as a large frog being suddenly ripped in half right in front of Sayuri’s eyes the film certainly doesn’t stint on blood, horror and general freakiness.
Sayuri herself seems largely unperturbed by these strange goings on outside of her nightmarish serpentine visions. She seems to have been well cared for at the orphanage and is happy to have found her family rather than just to be escaping the institution. On getting “home” she does her best to fit in right away, acting politely and trying to bond with her mother even in her confused state. She even tries to get on well with her mysterious sister despite the ominous warning to keep her very existence a secret from her father. Tamami, however, is a nightmare child with homicidal tendencies who isn’t interested in playing happy families with the girl who’s come to usurp her place in the household.
There’s a little more to the set up than just snake based horror (the clue being the Silver-Haired Witch of the title) but the secondary message seems to be one of remembering that the true beauty of a person lies not in their external appearance but in the goodness of their soul. The previously deformed Tamami is later said to be looking sweeter after having “redeemed” herself and Sayuri pledges to honour Tamami’s sisterly sacrifice by always remembering to hold fast and true to the beautiful things in her own soul without being swayed by worldly charms.
Snake Girl and the Silver-Haired Witch is more of a psychological horror tale than some of the effects laden efforts of the period. However, there are a fair few practical effects on show most notably during the dream sequences – one of which sees Sayuri actually fighting a giant snake with a sword, as well as the creepy spirals and the appearance of weird vampire-like snake women, dancing oni masks and the Silver-Haired Witch herself.
A children’s film that no one in their right mind would actually show to a child, Snake Girl and the Silver-Haired Witch is a freakishly psychological horror show seen through the eyes of a little girl. Part dreamscape and part terrifying reality, the film mixes the real and the imagined with a fiendish intensity and it just goes to show that sometimes you really do need to pay attention to the strange fancies of intrepid young ladies.
This trailer doesn’t have any subtitles but it is actually quite scary…..