There are two very distinct sides to the career of Tatsushi Omori. Brother of the well known actor, Nao, Omori may be best known to certain audiences for his hard hitting, often gloomy and pessimistic dramas of human misery such as festival favourite Ravine of Goodbye or the little seen The Whispering of the Gods which proved so controversial that his only option of screening the film involved erecting a tent where he could show it himself. However, a closer look at his filmography discovers a steady strain of laid-back comedy such as the Tada’s Do It All House series in which two brothers played by Eita and Ryuhei Matsuda act as bumbling handymen-cum-detectives-cum-whatever-you-need-them-to-be. It might be less surprising therefore that his latest effort is an adaptation of Kazuya Konomoto’s comedy manga Seto and Utsumi (セトウツミ, Setoutsumi) which revels in the everyday absurdity of teenage life in Southern Japan.
Seto (Masaki Suda) and Utsumi (Sosuke Ikematsu) are ordinary high school boys heading into their final year with the exam season and the end of their youthful, carefree days looming. Utsumi is a quiet, serious sort who generally doesn’t like a lot of company. Seto, by contrast, is a real live wire and not exactly a top student. Nevertheless, they found each other by a river one day and have been more or less inseparable ever since. Every day after school they meet and hang out in the same spot over looking the water where they shoot the breeze about various ordinary things from a non-argument over a girl to venus fly traps, Buddhist terminology, and ghosts.
Like many teenagers, Seto and Utsumi kill time doing nothing in particular and their conversations are generally inconsequential. Yet for all of their inherent randomness and absurdity, there’s a layer of poignancy underpinning each of them as the boys let slip various aspects of their private, interior lives. Seto’s big life drama involves the possible separation of his parents following the illness of the family cat which everyone in the family decided to indulge seeing as the poor thing didn’t have long left, but against expectation it’s two years later, the cat is still alive and Seto’s father is growing ever more resentful at spending so much money on luxury cat food. Seto’s family are a rowdy bunch, just as prone to drama as he is yet for all their complaining they seem fairly close – close enough for Seto to complain about the constant random text updates from his mother (a trait which Seto seems to have inherited himself).
Utsumi, by contrast, is much more aloof and keeps himself to himself. When Seto complains after his mother spots the boys at the river with bags full of shopping in her hands he remarks sadly that he rarely eats at home, implying it must be nice to have someone cook you a meal everyday. His approach to life is cerebral, calculating odds and planning angles, as he reveals to Seto in a piece of possibly not very helpful dating advice. Utsumi’s unseen parents are, presumably, just as aloof as he is, austere and religious. Nevertheless, in Seto he’s found a true sparring partner and someone he can waste time with amiably.
Utsumi’s parents are useful for one thing, they belong to the temple in which Seto’s crush, Kashimura (Ayami Nakajo), lives. Seto has been secretly trying to brush up on Buddhist terminology to impress her, but predictably she prefers the cool indifference of Utsumi to his friend’s energetic banter. Utsumi isn’t interested in Kashimura in any case, but not even this possible subject of conflict is big enough to seriously risk damaging the two boys’ friendship. As one character remarks towards the end of the film, it really is a once in a lifetime connection.
Omori keeps things simple, mostly sticking to static shots of the boys sitting on the steps near the river but he makes the stillness add to the sense of the absurd running through the quiet backwater town. After beginning with accordion music and ride through the canals, Seto and Utsumi’s first conversation takes place in front of an unintentional audience of a perfectly motionless older man, staring vacantly out at the river. The man turns out to have a valid (if sad) reason for being where he is, but the presence of the balloon animal vending clown from Eastern Europe (called Mr. Balloon) is a little harder to explain given that other than Seto, Utsumi, the aforementioned man, a high school bully, Seto’s mum, and a senile grandpa, no one else comes anywhere near this tranquil spot for the entire film. Using occasional dissolves and superimpositions to create a fleeting, dreamlike atmosphere with a handful of cutaways and flashbacks for comedic context, Seto and Utsumi is a truly charming ode to teenage friendship in all its pleasantly ridiculous absurdity.
Reviewed at Raindance 2016.
Original trailer (English subtitles)
There are also a few bonus web episodes of Seto and Utsumi enjoying even more pointless conversations:
No. 1 – Kendama (a kind of Japanese cup and ball game) (English subtitles)
No. 2: Timing (English subtitles)
3. Standing Ovation (no subtitles but you don’t really need them)