Toronto International Film Festival 2018: Koreeda, Lee Chang-dong, Jia Zhangke in packed East Asian Programme

Aasako 1 & IIThe Toronto International Film Festival (TIFF) returns from 6th to 16th September and, as usual, brings with it an impressive selection of highly anticipated cinema from East Asia including Koreeda’s Shoplifters, the latest from Zhang Yimou and Jia Zhangke, and a long awaited return from Lee Chang-dong.

Cambodia

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  • Graves Without a Name – Rithy Panh’s documentary followup to The Missing Picture explores the continuing effects of the Cambodian genocide.

China

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  • An Elephant Sitting Still – four troubled people make their way to Manzhouli where an elephant is said to be sitting still, free of worldly troubles in the first, and sadly last, film from Hu Bo who took his own life shortly after the film’s completion.
  • Ash Is Purest White – Zhao Tao stars in Jia Zhangke’s latest attempt to chart the course of modern China through crime thriller as a gangster’s moll takes the fall for her man only to be released and discover the world has changed and he has someone new.
  • Baby – Yang Mi stars as a woman who was abandoned at birth because of a genetic defect and tries to stop the same thing happening to another baby in Liu Jie’s latest social drama.
  • Hidden Man – Eddie Peng stars in Jiang Wen’s ’30s epic as a spy who comes back to China with revenge on his mind but finds himself in the middle of something much bigger.
  • Legend of the Demon Cat – Director’s Cut – Chen Kaige directs Shota Sometani as a monk who comes to China to study and ends up investigating a mysterious cat entity with the help of an eccentric poet (Huang Xuan)
  • Long Day’s Journey Into Night – a man returns to his home village after many years for his father’s funeral and to look for lost love in Bi Gan’s Kaili Blues followup.
  • Shadow – Zhang Yimou returns to the world of period epics with a tale of proxy war as a great general (Deng Chao) makes use of a double to combat palace intrigue.
  • The Crossing – a schoolgirl turns smuggler to keep up with a wealthy friend in Bai Xue’s coming of age drama.

Japan

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  • Asako I & II – Ryusuke Hamaguchi adapts Tomoka Shibasaki’s novel in which a young woman spots a man who looks exactly like her long absent lover in cafe, only he has a completely different personality.
  • Complicity – first time director Kei Chikaura charts a course of cross cultural interaction through the tale of an undocumented man from China trying to survive in Japan who is unexpectedly offered the chance to become an apprentice to a soba chef.
  • Killing – Shinya Tsukamoto takes on the samurai drama as a ronin (Sosuke Ikematsu) falls for a farmer’s daughter (Yu Aoi) while the winds of change blow all around them.
  • Shoplifters – Hirokazu Koreeda’s Palme d’Or winning drama follows a family of shoplifters who take in an abused little girl.
  • Vision – Juliette Binoche goes rare herb hunting in Japan in the latest from Naomi Kawase.

Korea

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  • Burning – Lee Chang-dong makes a long awaited return with an adaptation of a Haruki Murakami short story in which a lonely author’s burgeoning crush on a childhood friend is threatened by a wealthy playboy.
  • Hotel by the River – Hong Sang-soo’s latest follows a poet, his sons, and two women to a gloomy hotel.
  • Our Body – a disaffected middle-aged woman becomes obsessed with a graceful female runner in Han Ka-ram’s pressing social drama.

Singapore

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Taiwan

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  • Cities of Last Things – Ho Wi Ding works backwards from the suicide of a depressed policeman to find out what prompted him to take his own life.

Thailand

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  • Manta Ray – a fisherman takes in a Rohingya refugee in the debut film from Phuttiphong Aroonpheng.

Tibet

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  • Jinpa – delivery driver Jinpa knocks over a sheep and then finds himself picking up a hitchhiker also called Jinpa who is on a journey to avenge the death of his father.

Vietnam

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  • The Third Wife – a 14-year-old girl becomes the third wife of a wealthy landowner in 19th century Vietnam.

The Toronto International Film Festival runs from 6 – 16th September, 2018.

The complete festival programme as well as full information on all the films can be found on the festival’s official website, and you can keep up with all the latest details through the official Facebook pageTwitter account, Instagram and YouTube channels.

Asian Pop-Up Cinema Returns for Season Seven

DearEx

Chicago’s Asian Pop-Up Cinema returns for its seventh season from 12th September to 14th November with eight film screenings to take place at AMC River East 21 plus an additional nine films screening for free at various venues around the city.

Sept. 12, 7pm: Adulthood

Introduction and Q&A with Director Kim In-seon and Actress Lee Jae-in.

Adulthood

14-year-old Kyung-un meets her uncle Jae-min for the first time at her father’s funeral. Jae-min is, as it turns out, a conman and even cons his bereaved niece out of her inheritance. To get her money back, Kyung-un agrees to pose as Jae-min’s daughter so he can woo his next mark lonely pharmacist Jum-hee, but not everything goes to plan…

Sept. 19, 7pm: Smaller and Smaller Circles

Introduction and Q&A with Director Raya Martin

SmallerAndSmallerCirclesRaya Martin adapts the novel by F.H. Batacan in which two priests investigate a series of killings targeting young boys in the slums of Manila.

Sept. 25, 6.30pm: Namiya

Free screening at Claudia Cassidy Theater at the Chicago Cultural Center

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Three orphans hole up in a disused shop which used to belong to an agony uncle (played by Jacki Chan!) in Han Jie’s adaptation of the Keigo Higashino novel. Review.

Sept. 26, 7pm: Sad Beauty

Introduction and Q&A with Director Bongkod Bencharongkul

Sad Beauty

Actress Bongkod Bencharongkul steps behind the camera for her second directorial outing in which the friendship of two women is tested by the need to dispose of a body.

Sept.28: Singing with Angry Bird

Free screening at Illinois Institute of Technology. Time TBC.

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Korean Kim Jae-chang runs a children’s choir in Pune, India and has earned the nickname “Angry Bird” thanks to his fiery temper. Though the choir has had a positive effect on the children’s lives, some of the parents have yet to see the value and so Angry Bird has decided to train the parents alongside the children for a joint concert.

Oct. 2, 7pm: Concerto of the Bully

Introduction and Q&A with Director Fung Chih-chiang and Art Director Chet Chan 

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Chow, a singersongwriter popular on the internet, has been captured and is being held against her will on a raft while waiting for her pop-star boyfriend to pay the ransom. Gifted with extremely good aural memory, she decides to offer “musical therapy” to the kidnapper in order to facilitate her escape…

Oct. 3, 7pm: When the Sun Meets the Moon

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Astrology fans Sun and Moon meet during a power cut following a freak rainstorm in 1992. They fall in love but Sun is sent away to boarding school and eventually leaves the country. Their love, however, endures…

Oct. 6: Any Way the Wind Blows

Free screening. Time/location TBC

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A civil servant accidentally invites the Tokyo Wind Orchestra to Yakushima by mistake having intended to invite a more prestigious organisation. Realising they weren’t wanted, the musicians attempt to leave the island but find themselves trapped by the civil servant who is desperate to cover up her error…

Oct. 24, 7pm: Walking Past the Future

Introduction and Q&A with director Lee Rui-jin and producer Zhang Min

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Yang Yao-ting’s parents have been forced to return to their home village in Gansu after losing their jobs in Shenzhen but after 25 years pretty much everything has changed. Hoping to get her family a home in the city, Yang Yao-ting finds herself returning to Gansu as a volunteer in a series of high risk medical tests…

Oct. 26, 2pm: Ritoma

Free screening at Flashpoint Chicago

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Ruby Yang’s documentary focuses on the unlikely popularity of basketball among nomadic tribes in Tibet.

Oct. 27, 2pm: Made in Vietnam

Free Screening at Chinese-American Museum of Chicago

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Thi Vo left Vietnam for Hong Kong as a child after the war, later emigrating to Canada when he was four years old. Thirty years later he attempts to find his father and discover the secrets of his past.

Nov. 8, 7pm: Dear Ex

Introduction and Q&A with Director Hsu Chih-yen.

Dear Ex still 1Chengxi’s dad has just died. He’d left the family sometime before and despite the best efforts of Chengxi’s mum, Chengxi knew perfectly well that it was to be with another man. The problem now is Chengxi’s dad has left everything to his new partner Jay and Chengxi’s mum is not at all happy about it…  Review.

Nov. 3: Asian Three-Fold Mirror 2016: Reflections

Free Screening at Illinois Institute of Technology. Time TBC.

A co-production between the Tokyo International Film Festival and Japan Foundation Asia Center, Asian Three Fold Mirror: Reflections features three short films – one from Japan, one from the Philippines and another from Cambodia.

Shiniuma – Filipino director Brillante Ma Mendoza tells the story of Marcial who is forced to return to the Philippines after years living in Japan.

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Pigeon – Isao Yukisada follows a Japanese man living in Penang who raises pigeons on his roof.

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Beyond the Bridge – a Japanese man building a bridge in Phnom Penh falls in love with a local girl and vows to marry her, but…

Beyond The Bridge

Nov. 11, 1pm: Happy Hour

Free Screening at The Screening Room at the Ambassador Hotel

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Ryusuke Hamaguchi’s five hour exploration of the everyday lives of a group of middle-aged women living in Kobe.

Nov. 14, 7pm: One Cut of the Dead

Introduction and Q&A with Actor Takayuki Hamatsu

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A horror shoot is invaded by real zombies in Shinichiro Ueda’s anarchic comedy! Review.

Full details for all the films are available via Asian Pop-Up Cinema’s official website. You can also keep up with all the latest news by following Asian Pop-up Cinema on Facebook, Twitter, and Instagram.

London Korean Film Festival 2018: Documentary Fortnight

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The London Korean Film Festival has always made a space for documentary in its packed out programme but for this year’s edition they’ve decided to go a little further and give it a spotlight of its own with two weekends dedicated to the art. On August 11/12, and 18/19, six short and feature lengths films will be screened with directors Kim Dong-won and Song Yun-hyeok making an appearance to present their work.

11th August – Birkbeck Cinema

11.30am: A Slice Room

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Song Yun-hyeok examines the social reality behind the prosperous facade of contemporary Korean society through the lives of those living in “slice rooms”. Director Song Yun-hyeok will also be in conversation with Nam In Young following the screening.

2.30pm: The Sanggyedong Olympics / The 6 Day Struggle at the Myeongdong

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Kim Dong-won’s 1988 documentary Sanggyedong Olympics follows the resistance movement towards urban regeneration amongst a community north of Seoul who had been unfairly evicted from their homes without proper compensation or adequate time to find new accommodation. Kim planned to stay only one day but ended up living amongst the community for three years.

The 6 Day Struggle at the Myeongdong Cathedral, completed during 1996-7, looks back at the pivotal 1987 sit-in which became a catalyst for the June democracy movement.

Following the two short docs, Kim Dong-won will also be in conversation with Nam In Young.

12th August – Birkbeck Cinema 

1.30pm: Repatriation 

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In what many consider his masterpiece, Kim Dong-won examines the lives of the “unconverted” – North Korean “spies” who refuse to renounce their communist beliefs despite longterm imprisonment in the South. Refused the possibility of returning to the North on release, most were left without support in South Korea facing economic hardship and social stigma, dependent on solidarity networks to help them integrate into society. Kim follows two such men over a decade as they try to rebuild their lives in the fluctuating political climate of the ’90s.

The film will be followed by a conversation with Kim Dong-won chaired by Chris Berry.

4.45pm: Roundtable 

A roundtable panel discussion chaired by Professor Chris Berry discussing the Korean independent documentary scene from the late ’80s to the present. Nam In Young of Dongseo University will provide an overview of filmmaking collectives within the sociopolitical history of South Korea while directors Kim Dong-won and Song Yun-hyeok will be on hand to offer their personal experiences.

18th August – Korean Cultural Centre

3pm: Soseongri 

SKOREA-FILM-DIPLOMACY-DEFENCEPark Bae-il’s Soseongri follows a community of elderly farmers facing rural depopulation problems who find themselves in conflict with the police when the decision is taken to place the THAAD anti-aircraft system in their village.

19th August – Korean Cultural Centre

3pm: Jung Il-woo, My Friend 

Jung Il-woo, My Friend 

Kim Dong-won’s most recent film pays tribute to North American Jesuit priest, Jung Il-woo, who dedicated his life to improving the lives of the poor in South Korea.

All the events are free to attend but tickets must be booked in advance via the links above. Full details for all the films are available via the official website, and you can keep up with all the latest news via the festival’s  TwitterFacebookFlickrInstagram and YouTube channels

Summer Explorers! 2018 – Japan Foundation London Free Screening Series Returns Aug. 12&18

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Following their announcement of a “Pre-Summer Explorers” series of free film screenings, The Japan Foundation London has now announced the main event which will take place on 12th and 18th of August at the Courthouse Hotel and Regent Street Cinemas.

Sunday 12th August, Courthouse Hotel Cinema

2pm / 6.40pm – His Master’s Voice

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A lowly rakugoka forced to give up his dreams returns home only to discover a new purpose through teaching rakugo to a sad little boy.

4.15pm – Giovanni’s Island

Giovanni's Island still 1Heart rending animation inspired by Kenji Miyazawa’s classic Night on the Galactic Railroad. Brothers Junpei and Kanta face the loss of their home when the northern island of Shikotan is reclaimed by Russian troops in the aftermath of the second world war.

Saturday 18th August, Regent Street Cinema

2.30pm – Chieri and Cherry

Chieri and Cherry still 1Charming puppet animation in which Chieri, who has recently lost her father, develops an intense bond with her stuffed toy, Cherry. Travelling to her grandmother’s house for her father’s funeral, Chieri experiences a fantastic adventure which helps her to cope with grief and fear of the future.

3.50pm – Cat Samurai

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A mercenary ronin accepts a commission from dog loving yakuza to wipe out the chief pet of a cat loving clan but on being faced with the adorable creature cannot go through with it!

5.50pm – Oshin

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Retelling of the classic ’80s TV drama covering Oshin’s difficult childhood. 7-year-old Oshin is sold away from her poor family and sent to work in a lumber shop where she experiences cruel injustices, finally being falsely accused of stealing. Running away, Oshin ends up in the mountains living with a kind old man and a deserter from the army who begins to teach her how to read and write.

All the screenings are free to attend but must be booked in advance. You can find more information about the screening series on the Japan Foundation’s official website and eflyer and you can keep up with all the latest news via their Twitter Account and Facebook page.

Korean Film Nights 2018: Rebels With a Cause

barefooted Youth posterFollowing on from the Novels on Screen season, the Korean Cultural Centre London is back with another series of free film screenings this time themed around those who have dared to defy the social norms of their times.

19th July – Bungee Jumping of Their Own

1024full-bungee-jumping-of-their-own-posterLee Byung-hun stars as a conflicted high school teacher who begins to see echoes of a woman he loved and lost years ago in a male student.

26th July – The Sea Knows

EWBtY1xr1lnEpnQOKim Ki-young recasts the folly of war as a romantic melodrama in which a Korean conscript to the Japanese army receives harsh treatment from his sadistic superior but later falls in love with a Japanese woman.

2nd August – A Woman Judge

71d8383407a3d1bec2d8eed51ce3a6eeMoon Jeong-suk stars as a determined young woman hellbent on becoming a judge in defiance of social convention which views marriage and motherhood as the only paths to female success. Encouraged by her father but forced to dodge her mother’s constant attempts to marry her off, she pursues her dream in spite of intense disapproval.

9th August – The Barefooted Young

barefooted Youth stillKim Ki-duk (the old one!) draws inspiration from Ko Nakahira’s Dorodarake no Junjo for a tragic tale of love across the class divide as poor boy Du-su (Shin Seong-il) and Ambassador’s daughter Johanna (Um Aeng-ran) meet by chance and fall in love. Faced with the impossibility of their “pure” love in an “impure world” the pair find themselves an impasse, unable to reconcile their true feelings with the demands of the society in which they live. Review.

16th August – Mandala 

Mandala posterIm Kwon-taek’s “artistic breakthrough” stars Ahn Sung-ki as a young man who has abandoned his girlfriend and university studies to become a Buddhist monk but later meets an older man who indulges all of life’s Earthly pleasures such as wine and women.

23rd August – Black Republic

Black Republic still 1Park Kwang-su revisits the democratisation movement in its immediate aftermath as a student who hides from the authorities in a small mining village finds himself at odds with his environment while haunted by the possibility that his longed for revolution will not come to pass.

The Rebels With a Cause season runs throughout July and August. All screenings are free but must be booked in advance and take place at the Korean Cultural Centre in central London. Reservations are currently open for all the films via the links above. You can keep up to date with all the latest screening news via the Korean Cultural Centre and London Korean Film Festival websites and be sure to follow the festival on TwitterFacebookFlickrInstagram and YouTube channels for the most up to date information.

Tickets are also currently on sale for the latest teaser screening for London Korean Film Festival – Claire’s Camera, at Regent Street Cinema on 23rd July, 7pm. The next teaser in the series has not yet been announced but will take place on 30th August.

Fantasia International Film Festival Confirms Complete 2018 Programme

Fantasia 2018 banner imageMontreal’s Fantasia International Film Festival is back for its 22nd edition with an another unbelievably packed programme of recent hits. Once again Fantasia proves itself as a place to go for East Asian cinema with a wide ranging collection of indie and mainstream efforts from China, Hong Kong, Indonesia, Japan, Korea, the Philippines, and Vietnam.

China

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Hong Kong

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  • Big Brother – Donnie Yen stars as an inspirational teacher ready to fight (literally) for his students’ future.
  • The Blonde Fury – 1989 kung fu classic starring Cynthia Rothrock as an American FBI agent investigating Hong Kong currency fraud
  • The Brink – mythical crime drama with intense visual flair. Review.
  • Five Fingers of Death (aka King Boxer) – rival schools face off in this HK kung fu classic from 1972.
  • The Oily Maniac – a mild-mannered man gets superpowers when he dips himself in oil in this HK classic.

Indonesia

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  • Buffalo Boys – Indonesian Western in which two brothers come back from California to avenge the death of their father.
  • Satan’s Slaves – an ordinary family is torn apart by earthly woes manifesting as supernatural anxieties. Review.

Japan

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  • Ajin: Demi-Human – manga adaptation starring Takeru Satoh and Go Ayano in which a young man is reincarnated as an immortal demi-human.
  • Amiko – indie drama in which a young girl chases after her only friend when he abandons her to go to Tokyo with another girl.
  • Aragne: Sign of Vermillion – anime in which a shy young university student uncovers a dark conspiracy.
  • Being Natural – rural comedy in which a couple from Tokyo insist on opening a coffee shop in the middle of nowhere.
  • Bleach – hotly anticipated adaptation of the hugely popular manga directed by blockbuster master Shinsuke Sato.
  • Destiny: The Tale of Kamakura – a newlywed writer goes on a strange quest after his wife is tricked by a yokai and ends up in the afterworld. Review.
  • Fireworks – Shunji Iwai-inspired anime in which a troupe of youngsters battle adolescent romance.
  • Hanagatami – Nobuhiko Obayashi’s adaptation of the Kazuo Dan novel in which youth finds itself teetering on the pre-war abyss. Review.
  • I am a Hero – Shinsuke Sato’s adaptation of the zombie-themed manga. Review.
  • Inuyashiki – a pure hearted old man and an angry teen are mysteriously given super powers on the same day in Shinsuke Sato’s adaptation of the popular manga. Review.
  • Kasane – an aspiring actress with a facial disfigurement inherits a magic lipstick which allows her to steal the appearance of anyone she kisses.
  • Laplace’s Witch – Takashi Miike adapts the Keigo Higashino mystery.
  • Laughing under the Clouds – Meiji era fantasy starring Sota Fukushi.
  • LOUDER! Can’t Hear What You’re Singin’, Wimp! – surreal comedy from Satoshi Miki in which a veteran musician losing his voice teams up with a young girl struggling to find hers.
  • Maquia: When the Promised Flower Blooms – moving anime from scriptwriter Mariko Okada in which an immortal woman struggles with the idea of motherhood. Review.
  • One Cut of the Dead – hilarious zombie comedy! Review.
  • Penguin Highway – random penguins disrupt an ordinary high school boy’s life.
  • Punk Samurai Slash Down – anarchic samurai action from Gakuryu Ishii!
  • River’s Edge – adaptation of the classic ’90s manga from Isao Yukisada in which bored teens get their kicks gazing at dead bodies. Review.
  • Rokuroku: The Promise of the Witch – supernatural thrills from Yudai Yamaguchi.
  • Room Laundering – a young girl saves money by apartment hopping between homes where untimely deaths have occurred but finds her lifestyle threatened when she develops the ability to see ghosts.
  • Tokyo Vampire Hotel – cut down feature length version of Sion Sono’s anarchic vampire-themed TV series.
  • Tornado Girl – Romantic comedy from Moteki’s Hitoshi One starring Satoshi Tsumabuki and Kiko Mizuhara.
  • The Travelling Cat Chronicles – sentimental cat-themed comedy drama starring Sota Fukushi.
  • Tremble All You Want – heartbreakingly surreal comedy in which a shy woman learns to break free of her self imposed fantasy bubble. Review.
  • Violence Voyager – experimental animation in which an American boy and his Japanese best friend stumble on a mysterious abandoned theme park.
  • Wilderness – Yoshiyuki Kishi’s Double Life follow up is a five hour epic set in the near future but inspired by a classic Shuji Terayama novel in which two lost young men search for freedom and connection in the boxing ring. Review.

Korea

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  • 1987: When the Day Comes – timely examination of the 1987 democracy movement retold as a tense political thriller. Review.
  • Believer – Korean remake of Johnnie To’s Drug War.
  • Champion – Ma Dong-seok stars as a Korean American returning to South Korea to pursue his sporting dreams.
  • The Fortress – historical drama starring Lee Byung-hun in which two trusted advisors try to guide the King towards an acceptable policy regarding the Qing invasion.
  • Gonjiam: Haunted Asylum – found footage horror in which a film crew seeking social media fame decide to film in a disused mental hospital.
  • I Have a Date with Spring – existential comedy in which a blocked screenwriter is interrogated by four mysterious “fans”.
  • Last Child – moving drama in which a bereaved family takes in the boy their son died saving only to discover all is not as it seems. Review.
  • Microhabitat – wistful drama in which a young woman decides to save money by staying with friends so she can afford life’s little pleasures. Review.
  • The Outlaws – crime drama starring Ma Dong-seok as a maverick cop trying to save his community from Chinese gang violence. Review.
  • True Fiction – political drama in which a shady politician gets himself into trouble after running over the wrong person’s dog.
  • V.I.P. – serial killer drama with political dimensions as the South Korean security forces consider helping a vicious killer from the North defect in return for sensitive information. Review.
  • The Vanished – thriller inspired by Spanish film The Body in which a successful career woman is murdered leaving her philandering husband the prime suspect while bumbling police do their “best” to investigate.
  • What a Man Wants – a womanising brother-in-law and faithful husband end up ensnared by the same beautiful woman.
  • The Witch: Part 1. The Subversion – A young woman who escaped from a top secret facility accidentally outs herself as a superhero and becomes a target for bad guys.

Philippines

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  • BuyBust – a rookie female police woman is forced to fight her way out of a drug den after a bust goes wrong in Erik Matti’s high octane thriller.
  • Neomanila – neo noir in which a young man becomes an apprentice to an older woman taking out drug dealers for the government.

Vietnam

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  • Lôi Báo – superhero inflected drama in which an aspiring comic book artist with a terminal illness is encouraged to swap bodies with a gangster!

The Fantasia International Film Festival takes place in Montreal, Canada from 12th July to 2nd August. You can find full details for all the films as well as screening times and ticketing information on the official website, and you can also keep up with all the latest news via the festival’s official Facebook page, Twitter account, Instagram, and Vimeo channels.

Neuchâtel International Fantastic Film Festival (NIFFF) Confirms 2018 Lineup

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The Neuchâtel International Fantastic Film Festival (NIFFF) has long been a champion of East Asian cinema and returns for 2018 with another exciting selection of recent hits from China, Indonesia, Japan, Korea, and Thailand.

China

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  • Operation Red Sea – a team of elite special forces soldiers handles the extraction of Chinese diplomatic staff caught up in a Middle Eastern coup in Lam’s Operation Mekong followup. Review.
  • Monster Hunt 2 – Wuba returns! When the Monster village is raided, the little radish guy finds himself on the run and is taken in by a cynical gambler and his Monster partner while he looks for his human mum and dad. Review.

Indonesia

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  • Satan’s Slaves – Joko Anwar revisits an Indonesian classic in which a family is torn apart by vengeful spirits. Review.

Japan

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  • Kasane – adaptation of the manga in which a young woman with a facial scar dreams of becoming an actress and inherits a magical lipstick that allows her to take on the appearance of anyone she kisses.
  • Woman of the Dunes – Hiroshi Teshigahara’s classic adaptation of the Kobo Abe novel in which a bug enthusiast finds himself trapped in a hole in the beach with a mysterious woman.
  • Hanagatami – Nobuhiko Obayashi realises a longtime ambition of filming Kazuo Dan’s 1937 tale of youth on the brink of war. Review.
  • Inuyashiki – Shinsuke Sato adapts the popular manga in which a mildmannered middle-aged salaryman unexpectedly gets superpowers. Review.
  • Laplace’s Witch – Takashi Miike adapts Keigo Higashino’s “scientific mystery” in which a series of mysterious deaths occur at a hot springs resort.
  • Mutafukaz – French/Japanese anime co-production in which a pizza delivery boy becomes embroiled in a conspiracy.
  • Liverleaf – a bullied student gets her revenge!
  • One Cut of the Dead – hilarious zombie action from Shinichiro Ueda.  Review.

Korea

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  • Gonjiam: Haunted Asylum – a team of social media stars venture into a haunted asylum in search of additional views and find more than they bargained for…

Thailand

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  • Bad Genius – brainy teens plan a heist to scam the exams system. Review.
  • Premika – a vengeful karaoke obsessed ghost terrorises a group of guests at hotel!

The Neuchâtel International Fantastic Film Festival runs from 6th – 14th July 2018 in Neuchâtel, Switzerland. You can find the complete programme as well as screening times and ticketing information on the official website, and you can also keep up with all the latest news via the official Facebook page, Twitter account, Instagram, and YouTube channels.

 

New York Asian Film Festival Confirms Complete 2018 Lineup

NYAFF 2018 posterThe New York Asian Film Festival returns for its 17th edition with a packed programme of recent hits from East Asia. This year’s festival will open with Masanori Tominaga’s Dynamite Graffiti and close with the World Premiere of Erik Matti’s BuyBust. Hong Kong’s Dante Lam will receive the Daniel A. Craft Award for Excellence in Action Cinema, while the Star Asia Lifetime Achievement Award goes to Japan’s Masato Harada and the Star Asia Awards will honour actors Kim Yun-seok and Jiang Wu.

The programme in full:

China 

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  • Dude’s Manual (Kevin Ko, 2018) – the first Mainland film from Taiwanese director Kevin Ko is a ribald sex comedy in which one student attempts to teach another a lesson in love. Q&A with director Kevin Ko
  • End of Summer (Zhou Quan, 2017) – coming of age football drama in which a little boy’s obsession with the world cup irritates his headmaster dad.
  • The Ex-Files 3: The Return of the Exes (Tian Yusheng, 2017) – final film the Ex-Files series.
  • Looking for Lucky (Jiang Jiachen, 2018) – a graduate student loses his professor’s dog and ropes in his dad to help him find it.  Director Jiang Jiachen in attendance.
  • The Looming Storm (Dong Yue, 2017) – a factory worker tries to solve a serial killing case in 1997. Q&A with director Dong Yue
  • Old Beast (Zhou Ziyang, 2017) – an old man spends his final years gambling and womanising.
  • Wrath of Silence (Xin Yukun, 2017) – a mute minor searches for his missing son. ReviewQ&A with director Xin Yukun and actor Jiang Wu

Hong Kong Panorama

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  • Beast Stalker (Dante Lam, 2008) – Dante Lam’s 2008 thriller starring Nicholas Tse and Nick Cheung. Director Dante Lam will be in attendance
  • The Big Call (Oxide Pang, 2017) – noble policeman Ding goes in hard chasing villainous phone scammers in Oxide Pang’s high octane thriller.
  • The Brink (Jonathan Li, 2017) – Jonathan Li makes his feature debut with a metaphorical police procedural in the form of a salty sea shanty. Review.
  • The Empty Hands (Chapman To, 2018) – a young woman thinks she’s finally free of her father’s legacy only to realise he’s left half his dojo to a former pupil who says she can only have his share if she wins a fight. Q&A with actress Stephy Tang
  • House of the Rising Sons (Antony Chan, 2018) – musical biopic of ’70s Hong Kong band The Wynners directed by the band’s drummer Antony Chan. Preceded by a live performance. Q&A with director Antony Chan.
  • Men on the Dragon (Sunny Chan, 2018) – Francis Ng stars as the leader of a team of salarymen forced to join the company dragon boat team. Q&A with director Sunny Chan and actress Jennifer Yu
  • Operation Red Sea (Dante Lam, 2018) – a team of elite special forces soldiers handles the extraction of Chinese diplomatic staff caught up in a Middle Eastern coup in Lam’s Operation Mekong followup. ReviewQ&A with director Dante Lam and producer Candy Leung
  • Paradox (Wilson Yip, 2017) – Louis Koo becomes embroiled in a conspiracy when his daughter goes missing in Thailand. Review.
  • Unbeatable (Dante Lam, 2003) – Nick Cheung stars as a down on his luck boxer starting over in Macau. Director Dante Lam will be in attendance

Indonesia

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  • Buffalo Boys (Mike Wiluan, 2018) – Indonesian Western in which two brothers come back from California to avenge the death of their father. Q&A with director Mike Wiluan 

Japan

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  • Blood of Wolves ( Kazuya Shiraishi, 2018) – Kazuya Shiraishi takes jitsuroku into the ’80s as Koji Yakusho’s rogue cop tries to keep the lid on a gang war. Review.
  • Dynamite Graffiti (Masanori Tominaga, 2018) – biopic of porn-mag mogul Akira Suei. Q&A with director Masanori Tominaga and actor Tasuku Emoto
  • The Hungry Lion (Takaomi Ogata, 2017) – a teenage girl is harassed when she is rumoured to be the girl in a sex tape featuring a high school teacher. Q&A with director Takaomi Ogata
  • Inuyashiki (Shinsuke Sato, 2018) – a mild mannered middle-aged man and an angry teen are given mysterious super powers and decide to use them in very different ways. Review.
  • Kakekomi (Masato Harada, 2015) – a small temple becomes an Edo era women’s refuge for those seeking escape from abusive marriages in Masato Harada’s light hearted drama. ReviewDirector Masato Harada will be in attendance
  • Kamikaze Taxi (Masato Harada, 1995) – Koji Yakusho plays a taxi driver taken hostage by a rage fuelled yakuza out for revenge on the politician who killed his girlfriend. Q&A with director Masato Harada
  • Liverleaf ( Eisuke Naito, 2018) – manga adaptation in which a teenage girl takes revenge on her bullies. Q&A with director Eisuke Naito
  • Midnight Bus (Masao Takeshita, 2017) – a bus driver’s second chance at life is ruined when his estranged ex-wife, salaryman son, and engaged daughter all come home. Director Masao Takeshita will be in attendance
  • One Cut of the Dead (Shinichiro Ueda, 2018) – real zombies suddenly invade a film set in Shinichiro Ueda’s hilarious madcap horror comedy. Review.
  • River’s Edge (Isao Yukisada, 2018) – disaffected teens fight ennui with a studied appreciation of death in Yukisada’s adaptation of the classic ’90s manga. Review.
  • The Scythian Lamb (Daihachi Yoshida, 2017) – a rural town opens itself up to a government backed scheme to repopulate through employing ex-cons in Daihachi Yoshida’s thoughtful drama. Review.
  • Sekigahara (Masato Harada, 2017) – historical epic starring Junichi Okada and Koji Yakusho dramatising events leading up to the famous battle. ReviewQ&A with director Masato Harada
  • Smokin’ on the Moon (Kanata Wolf, 2017) – indie slacker drama about two guys who work at a midnight bar and also deal marijuana. Q&A with director Kanata Wolf
  • The Third Murder (Hirokazu Koreeda, 2017) – Hirokazu Koreeda puts the law on trial. Review.

Malaysia 

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  • Crossroads: One Two Jaga (Nam Ron, 2018) – corruption drama in which a straight-laced rookie turns out to be the most dangerous destabilising element in a fracturing society. Review. Q&A with director Nam Ron and actor Ario Bayu.
  • Dukun (Dain Said, 2018) – shelved for over a decade, Dukun is the controversial tale of a nightclub singer suspected of murdering a politician seeking immortality through ritual sacrifice!

Philippines 

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  • BuyBust (Erik Matti, 2018) – high octane action thriller from Erik Matti in which a young rookie police officer gets caught up in a bust gone wrong. Q&A with director Erik Matti and actors Anne Curtis & Brandon Vera
  • Neomanila (Mikhail Red, 2017) – neo noir in which a young man becomes an apprentice to an older woman taking out drug dealers for the government.
  • On the Job (Erik Matti, 2013) – a conspiracy is uncovered when a drug dealer is murdered. Director Erik Matti will be in attendance
  • Respeto (Treb Monteras, 2017) – intergenerational hip hop drama in which a young rapper comes into conflict with a Marcos-era poet. ReviewDirector Treb Monteras, actor Abra, and producer Monster Jimenez will be in attendance
  • Sid & Aya: Not a Love Story (Irene Villamor, 2018) – rom-com in which an insomniac stock broker pays a waitress to talk through his troubles. Q&A with actress Anne Curtis
  • We Will Not Die Tonight (Richard Somes, 2018) – genre thrills as a former stuntwoman is forced to defend herself against hordes of bad guys.

South Korea

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  • 1987: When the Day Comes (Jang Joon-hwan, 2017) – powerful democracy movement drama. ReviewQ&A with director Jang Joon-hwan and actor Kim Yoon-seok
  • After My Death (Kim Ui-seok, 2017) – a high school girl’s disappearance raises fears of suicide and also puts her best friend in the firing line.
  • The Age of Blood (Kim Hong-sun, 2017) – period drama in which a top swordsman is demoted to prison guard.
  • Counters (Lee Il-ha, 2017) – documentary centring on anti-racist protest in Japan.
  • Hit the Night (Jeong Ga-young, 2017) – Jeong Ga-young once again stars in her Bitch on the Beach followup as a young woman unafraid to ask “inappropriate” questions while researching a screenplay. Q&A with director/actress Jeong Ga-young
  • I Can Speak (Kim Hyeon-seok, 2017) – an old woman convinces a young man to teach her English and gives voice to a dark part of her nation’s history.
  • Little Forest (Yim Soon-rye, 2018) – gentle tale in which a wounded young woman retreats to her country home to figure things out. Review.
  • Microhabitat (Jeon Go-woon, 2017) – a young woman decides rent is an unnecessary expense and commits to couch surfing her way through life. Q&A with director Jeon Go-woon and actor Ahn Jae-hong
  • The Return (Malene Choi, 2018) – two Danish-Korean adoptees return to the country where they were born for the first time.
  • What a Man Wants (Lee Byeong-hun, 2018) – social satire in which an adulterous husband and his mild-mannered brother-in-law become involved with a sexy dance teacher.

Taiwan

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Thailand

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  • Premika (Siwakorn Jarupongpa, 2017) – horror comedy in which guests at a resort are terrorised by a karaoke obsessed ghost! Actress Gena Desouza will be in attendance
  • Sad Beauty (Bongkod Bencharongkul, 2018) – the friendship between two women is tested by a violent encounter. Q&A with director Bongkod Bencharongkul and producer Kongkiat Khomsiri
  • Tears of the Black Tiger (Wisit Sasanatieng, 2000) – cult classic Thai western!

The 17th New York Asian Film Festival runs from 29th June to 15th July. Full details for all the films are available via the official website where you can also find screening times and ticketing information. You can also keep up with all the latest festival news via the official Facebook Page and Twitter account.

Ramen Shop, Hanagatami Bookend Japan Cuts 2018

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Japan Cuts returns for its 12th instalment bringing some of the best recent mainstream and indie hits to Japan Society New York from 19th to 29th July. This year’s Japan Cuts Cut Above Award goes to much loved actress Kirin Kiki who will be on hand to present the North American premiere of Shuichi Okita’s Mori, The Artist’s Habitat.

The programme in full:

Ramen Shop

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Takumi Saitoh stars in Singaporean director Erik Khoo’s cross cultural family drama in which the son of a ramen shop owner discovers a suitcase full of old photos which belonged to his late Singaporean mother and decides to travel to the place of his mother’s birth to find out more about his family history. Opening Night Gala featuring intro and Q&A with director Eric Khoo and star Takumi Saitoh.

Of Love & Law

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Hikaru Toda reunites with Love Hotel’s Fumi and Kazu who run a small law firm in Osaka specialising in representing the LGBT community. ReviewIntro and Q&A with director Hikaru Toda.

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Actor Takumi Saitoh steps behind the camera for this atypical family drama in which a young man travels home for the funeral of his estranged father only to find himself charmed by the roguish stories of his fellow mourners. Intro and Q&A with director Takumi Saitoh.

Violence Voyager

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Experimental animation from The Burning Buddha Man director Ujicha in which an American boy called Bobby and his friend Akkun take off for the mountains but end up trapped in an abandoned theme park called Violence Voyager.

Born Bone Born

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Set once again in Okinawa, the second feature from comedian Toshiyuki Teruya follows a pregnant woman home to a remote island to mourn her late mother while her family continues to fall apart and neighbours gossip about the absent father of her unborn child.

Dream of Illumination

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High schooler Nana has been dragged around by her divorced father Ueda who works as an immoral real estate broker facilitating cheap land sales for foreign buyers but an extended stay in Rokujo forces the pair to reassess the past and their current way of life in Thunder Sawada’s rural drama. Intro and Q&A with director Thunder Sawada, star Yuya Takagawa and producer Kazuyuki Kitaki

Last Winter, We Parted

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Tomoyuki Takimoto adapts the award winning novel by Fuminori Nakamura in which an ambitious journalist decides to look into the mysterious case of a beautiful female model who died in a horrific fire on the set of a shoot by a famous fine arts photographer.

Passage of Life

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A small family from Myanmar attempts to get by undocumented only to face an uncertain future when their application for refugee status is rejected. The two children born in Japan struggle to identify with their Burmese heritage while their parents face more immediate concerns for the family’s safety and security. Intro and Q&A with director Akio Fujimoto.

The Night is Short, Walk On Girl

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Masaaki Yuasa adapts Tomihiko Morimi’s novel in which a university student undergoes a surreal odyssey through nighttime Kyoto in search of a beloved childhood book while her not so secret admirer has a few adventures of his own in the hope of winning her heart. Review.

We Make Antiques!

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Comedy from Masaharu Take in which a smoozy antiques dealer is unwittingly sold a fake tea cup claiming to have belonged to famous tea master Sen no Rikyu only to decide if you can’t beat ’em join ’em and plan a heist with the guys who just scammed him.

Toward a Common Tenderness

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Documentarian Kaori Oda weaves together unused footage from her time with Béla Tarr at his Film Factory in Sarajevo in 2013-2016 as well as her life in Japan to explore a path towards connection. Intro and Q&A with director Kaori Oda 

Side Job.

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Ryuichi Hiroki adapts his own novel in which a young woman living in temporary accommodation following the 2011 earthquake attempts to escape the crushing inertia of her uncertain life through undertaking casual sex work in Tokyo. Review.

Sennan Asbestos Disaster

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Kazuo Hara follows the residents of Sennan, Osaka as they pursue legal compensation from the government for exposing them to pollution from asbestos factories. Intro and Q&A with director Kazuo Hara, producer Sachiko Kobayashi, and film participants 

Yocho (Foreboding)

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Kiyoshi Kurosawa revisits the world of Before We Vanish with a cut down of his TV companion piece in which a factory worker stumbles on the alien invasion thanks to her corrupted healthworker husband. Review.

Call Boy

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An apathetic student begins to find a sense of purpose when sucked into the world of the male escort in the latest from Daisuke Miura.

KUSHINA, what will you be

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Okinuma took off and founded an all female colony in the woods with her pregnant 14-year-old daughter, Kagu. Now that Kagu’s daughter Kushina is approaching the same age her mother was when they first left modern society behind she is beginning to ask questions about the outside world. When an anthropologist and her male assistant stumble onto the colony Okinuma will do whatever it takes to protect it. Intro and Q&A with director Moët Hayami and star Tomona Hirota

Radiance

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A young woman attempting to create audio description scripts for the visually impaired is tested by a former photographer trying to come to terms with losing his sight in Naomi Kawase’s romantic drama. Review.

Mori, The Artist’s Habitat

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Shuichi Okita chronicles the later life of artist Morikazu Kumagai who has barely left his garden in the last 30 years but must prepare to bid it goodbye as a modern apartment complex nears completion. ReviewIntro and Q&A with star Kirin Kiki plus Cut Above Award ceremony.

Still Walking

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Family divisions, secrets, and prejudices are brought to the surface as a family gathers for the memorial service for their eldest son who was killed trying to save a child from drowning in Koreeda’s classic family drama. Review.

Empty Orchestras and the Speed of Your Voice

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Five experimental short films including Yohei Suzuki’s YEAH! ReviewIntro and Q&A with dir. Nao Yoshigai, dir. Yohei Suzuki and actress Elisa Yanagi

Abnormal Family

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Masayuki Suo’s only pink film takes the form of an Ozu pastiche centring on one very unusual family.

Tremble All You Want

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Unfulfilled office lady Yoshika is still nursing a high school crush but when a colleague suddenly confesses his love for her, Yoshika’s cheerful fantasy world threatens to implode. Review.

Thicker than Water

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Print shop owner Yuria is desperate to attract the attentions of client Kazunari but he only has eyes for her assistant and younger sister Mako. Meanwhile, Kazunari is also contending with his rowdy brother just released from jail and crashing at his apartment. Intro and Q&A with director Keisuke Yoshida 

Outrage Coda

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Kitano returns with the third and final instalment in the Outrage trilogy which finds Otomo in exile in Korea.

BLEACH

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Tite Kubo’s hit manga gets a live action adaptation helmed by I am a Hero’s Shinsuke SatoSota Fukushi stars as Ichigo – an ordinary high school boy with orange hair and the ability to detect spirits, who comes to the rescue of imperilled Soul Reaper Rukia (Hana Sugisaki) and soon finds himself battling Hollows on her behalf. Intro and Q&A with director Shinsuke Sato.

Dear Etranger

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Divorced father Makoto has remarried and has two step-daughters but when his second wife discovers she is carrying their child, he begins to worry that the new baby may pull his blended family apart in this very modern family drama from Yukiko Mishima. Review.

Amiko

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Lonely 16-year-old Amiko finds a kindred spirit in footballer Aomi, but when he abruptly takes off for Tokyo with a former student Amiko cannot help but follow him hoping to make sense of his sudden betrayal. Intro and Q&A with director Yoko Yamanaka.

TOURISM

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Nina wins the lottery and takes her friend Su with her on a trip to Singapore where they quickly grow bored of tourist hotspots and retreat to the global anonymity of shopping malls. When Nina loses track of her friend and her phone, the trip sends her on a different kind of odyssey through the “real” Singapore in the latest from Daisuke Miyazaki.

Hanagatami

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Nobuhiko Obayashi realises a long held ambition of filming Kazuo Dan’s 1937 novella of youth living in the shadow of an oncoming tragedy. Review.

Japan Cuts runs from 19th to 29th July at Japan Society New York. Full details for all the films along with ticketing links are available via the official website and you can also keep up with all the latest details by following the festival’s official Facebook page and Twitter account.

Edinburgh International Film Festival 2018 to Screen An Elephant Sitting Still, Radiance

radianceThe Edinburgh International Film Festival returns for 2018 bringing with it an impressive selection of recent East Asian cinema:

China

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  • An Elephant Sitting Still – The first and only feature film from the late Hu Bo, An Elephant Sitting Still is a story of stagnation and the dream of escape.
  • Girls Always Happy – A mother and daughter lead frustratingly interdependent lives in Yang Mingming’s drama.

Hong Kong

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  • No. 1 Chung Ying Street – drama contrasting 1967 pro-China demonstrations against the British Government, and the Umbrella democratisation movement in present day Hong Kong.

Japan

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  • Party ‘Round the Globe – Hirobumi Watanabe returns with another deadpan classic in which he stars as a lonely man on a roadtrip with a neighbour.
  • Radiance – The latest from Naomi Kawase, Radiance stars Masatoshi Nagase as a photographer slowly losing his sight.

Taiwan

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  • The Great Buddha+ – an extension to director Huang Hsin-Yao’s 2014 short, The Great Buddha+ follows two security guards as they spy on their womanising boss for kicks but find out something they were not supposed to know.

The Edinburgh International Film Festival runs from 20th June to 1st July. You can find the complete details for all the films, as well as screening times and ticketing information on the official website and you can also keep up with all the latest festival news via the official Twitter account, Facebook page, Instagram, and YouTube channels.