The Japan Foundation Touring Film Programme is back for 2019 with another handpicked selection of recent (and not so recent) Japanese cinema. This year’s theme is “love” and there is certainly an array on offer from the familial to the romantic and everything in between.
Toma Ikuta stars as a failed journalist working in a small factory who befriends an introverted co-worker (Eita) only to begin to suspect that he may be connected to a series of child murders 17 years previously. One of two films released by Takahisa Zeze (The 8-Year Engagement) in 2018.
Charming fantasy adventure from Takashi Yamazaki adapting the popular 80s manga by Ryohei Saigan in which a newlywed eccentric author finds himself travelling to the underworld to retrieve his wife who has been taken there as a result of a bizarre clerical error (and a little yokai interference). Review.
Comedy drama from Hime-anole‘s Keisuke Yoshida in which two pairs of mismatched siblings go head to head. Masataka Kubota stars as a hard working salesman whose conventional existence is threatened by the return of his rowdy ex-con brother (Hirofumi Arai). Meanwhile, Yuria (Keiko Enoue) runs the family business and takes care of her bedridden grandfather while her younger, prettier sister (Miwako Kakei) is an out of work actress with a tendency to flirt with just about everyone she meets.
Tsuchida (Asami Usuda) has decided to financially support her singer-songwriter boyfriend Seiichi (Taiga) but he doesn’t know she’s supplementing her income with a part-time job at hostess bar to make ends meet. Meanwhile, her head is turned by an old flame (Joe Odagiri) in Masanori Tominaga’s adaptation of the popular manga by Kiriko Nananan. Review.
Intensely shy and socially awkward, 24-year-old Yoshika (Mayu Matsuoka) lives in a fantasy world and spends her free time engaging in her favourite hobby of looking up extinct animals on the internet. Harbouring a long standing crush on a middle-school classmate she nicknames “Ichi” (no. 1), her existence is shaken by the unexpected attention of a colleague she refers to as “Ni” (no. 2). An ultimately uplifting yet sometimes heartbreaking tale of learning to forget about anxiety and just live anyway from genre veteran Akiko Ohku. Review.
Tadanobu Asano stars as a man who’s taken the unusual decision to prioritise family life over career but finds himself conflicted when his second wife reveals she is pregnant with their first child in Yukiko Mishima’s empathic family drama. Review.
Ryosuke’s life is pretty great. He’s about to open his own restaurant and marry his beautiful fiancée Misako, but his happiness is soon ended when his father is diagnosed with late stage pancreatic cancer. Going through his belongings, Ryosuke finds a worrying entry in his father’s diary which implies he may have committed a murder. To make matters worse, Misako suddenly disappears without trace. Naoto Kumazawa adapts the bestselling novel by Mahokaru Numata.
Inspired by a viral news story, Masakazu Fukatsu’s cheerful drama stars former hip hop idol Toshimi Watanabe in a role somewhat echoing his own life seeing as he too published a best selling book filled with pictures of the bento he lovingly crafted for his teenage son. Here he plays a divorced dad doing his best to master the traditionally female art of homemade lunch boxes.
Capturing Dad’s Ryota Nakano turns his attention mum! Rie Miyazawa stars as a struggling recently single mother whose husband has run off with another woman that he supposedly got pregnant during a drunken one night stand. Diagnosed with terminal cancer, she sets herself to repairing her fractured family while also resurrecting the family bathhouse in the process. Review.
Kentaro, 30-something and single, lives a solitary and isolated life, showing little sign of finding a wife and settling down while his career continues to stagnate. Fearing he will be alone all his life, his parents decide to go to a support group for the similarly afflicted hoping to find a candidate for an arranged marriage. They find only one – Naoko, the daughter of a high ranking salaryman. Naoko’s parents do not disclose the fact that their daughter is blind and also disapprove of Kentaro whom they regard as socially inferior. Nevertheless the pair meet and fall in love but can they overcome the various obstacles to their romance?
A small town decides to join a scheme to rehome ex-cons in order to combat rural depopulation but fearing that the local community might not accept the new arrivals if they knew where they came from, the authorities decide to keep it a secret. Prejudice and pragmatism go head to head in Daihachi Yoshida’s adaptation of the manga by Yamagami Tatsuhiko and Igarashi Mikio. Review.
Unmarried pregnant daughter Yuko scandalises her community when she returns home to participate in the bone washing ritual in the second feature from Okinawan comedian Toshiyuki Teruya.
Haruka Ayase and Kentaro Sakaguchi star in a glitzy tribute to the world of golden age cinema! Sakaguchi plays a struggling assistant director failing to make it in the rapidly declining ’60s film industry while dreaming black and white dreams of a more glamorous era. Then, to his surprise, his favourite leading lady steps out of the silver screen and into his technicolor world…
Classic from Heinosuke Gosho centring on a collection of people living in a shared house and attempting to survive in the complicated post-war landscape. Ogata (Ken Uehara) is happily married to Hiroko (Kinuyo Tanaka) but begins to doubt her when he learns that she has secretly taken a job at the bicycle races to supplement the family income while the unexpected arrival of an abandoned baby raises another series of questions. Review.
Midori and Masao are 28 years old and they’ve been a couple for four years. With the fire going out of their relationship they consider breaking up but then Midori discovers she is pregnant. Shotgun wedding in the offing, impending parenthood begins to bring them closer together as they finally take the time to get to know each other in the second feature from Yukiko Sode.
The most recent film from Ryosuke Hashiguchi (Hush!, All Around Us), Three Stories of Love presents a triptych of modern alienation in the stories of a neglected wife, a grief-stricken widower struggling to come to terms with his wife’s murder, and a gay lawyer whose arrogance eventually leads to his downfall and a reunion with a schoolfriend he once loved.
A hyperrational 10-year-old is puzzled by the sudden appearance of a bunch of random penguins in the middle of a hot Japanese summer and tries to solve the mystery all while nursing an adolescent crush on a pretty dental receptionist in Hiroyasu Ishida’s adaptation of the Tomihiko Morimi novel. Review.
Love Hotel’s Hikaru Toda reunites with Fumi and Kazu who run a law firm in Japan specialising in minority issues and particularly those of the LGBT community. Review.
The Japan Foundation Touring Film Programme 2019 runs at London’s ICA from 2nd to 10th February before touring to:
- Belfast (10th February – 23rd March)
- Bristol (2nd – 28th February)
- Chester (3rd – 24th February)
- Colchester (3rd February – 23rd March)
- Derby (8th – 10th February)
- Dundee (23rd February – 3rd March)
- Edinburgh (15th – 24th March)
- Exeter (6th – 27th March)
- Halifax (9th February – 24th March)
- Inverness (7th – 26th February)
- Kendal (14th February – 21st March)
- Leicester (3rd February – 26th March)
- Lewes (18th February – 4th March)
- Manchester (20th – 27th February)
- Newcastle Upon Tyne (12th – 25th March)
- Nottingham (22nd – 28th March)
- Sheffield (4th – 27th February)
- Stirling (4th February – 26th March)
Full details for all the films are available on the official Touring Film Programme website. You can also keep up to date with all the year round events organised by Japan Foundation London via their main site, Facebook page, and Twitter account.