The New York Asian Film Festival returns for its 17th edition with a packed programme of recent hits from East Asia. This year’s festival will open with Masanori Tominaga’s Dynamite Graffiti and close with the World Premiere of Erik Matti’s BuyBust. Hong Kong’s Dante Lam will receive the Daniel A. Craft Award for Excellence in Action Cinema, while the Star Asia Lifetime Achievement Award goes to Japan’s Masato Harada and the Star Asia Awards will honour actors Kim Yun-seok and Jiang Wu.
The programme in full:
- Dude’s Manual (Kevin Ko, 2018) – the first Mainland film from Taiwanese director Kevin Ko is a ribald sex comedy in which one student attempts to teach another a lesson in love. Q&A with director Kevin Ko
- End of Summer (Zhou Quan, 2017) – coming of age football drama in which a little boy’s obsession with the world cup irritates his headmaster dad.
- The Ex-Files 3: The Return of the Exes (Tian Yusheng, 2017) – final film the Ex-Files series.
- Looking for Lucky (Jiang Jiachen, 2018) – a graduate student loses his professor’s dog and ropes in his dad to help him find it. Director Jiang Jiachen in attendance.
- The Looming Storm (Dong Yue, 2017) – a factory worker tries to solve a serial killing case in 1997. Q&A with director Dong Yue
- Old Beast (Zhou Ziyang, 2017) – an old man spends his final years gambling and womanising.
- Wrath of Silence (Xin Yukun, 2017) – a mute minor searches for his missing son. Review. Q&A with director Xin Yukun and actor Jiang Wu
Hong Kong Panorama
- Beast Stalker (Dante Lam, 2008) – Dante Lam’s 2008 thriller starring Nicholas Tse and Nick Cheung. Director Dante Lam will be in attendance
- The Big Call (Oxide Pang, 2017) – noble policeman Ding goes in hard chasing villainous phone scammers in Oxide Pang’s high octane thriller.
- The Brink (Jonathan Li, 2017) – Jonathan Li makes his feature debut with a metaphorical police procedural in the form of a salty sea shanty. Review.
- The Empty Hands (Chapman To, 2018) – a young woman thinks she’s finally free of her father’s legacy only to realise he’s left half his dojo to a former pupil who says she can only have his share if she wins a fight. Q&A with actress Stephy Tang
- House of the Rising Sons (Antony Chan, 2018) – musical biopic of ’70s Hong Kong band The Wynners directed by the band’s drummer Antony Chan. Preceded by a live performance. Q&A with director Antony Chan.
- Men on the Dragon (Sunny Chan, 2018) – Francis Ng stars as the leader of a team of salarymen forced to join the company dragon boat team. Q&A with director Sunny Chan and actress Jennifer Yu
- Operation Red Sea (Dante Lam, 2018) – a team of elite special forces soldiers handles the extraction of Chinese diplomatic staff caught up in a Middle Eastern coup in Lam’s Operation Mekong followup. Review. Q&A with director Dante Lam and producer Candy Leung
- Paradox (Wilson Yip, 2017) – Louis Koo becomes embroiled in a conspiracy when his daughter goes missing in Thailand. Review.
- Unbeatable (Dante Lam, 2003) – Nick Cheung stars as a down on his luck boxer starting over in Macau. Director Dante Lam will be in attendance
- Buffalo Boys (Mike Wiluan, 2018) – Indonesian Western in which two brothers come back from California to avenge the death of their father. Q&A with director Mike Wiluan
- Blood of Wolves ( Kazuya Shiraishi, 2018) – Kazuya Shiraishi takes jitsuroku into the ’80s as Koji Yakusho’s rogue cop tries to keep the lid on a gang war. Review.
- Dynamite Graffiti (Masanori Tominaga, 2018) – biopic of porn-mag mogul Akira Suei. Q&A with director Masanori Tominaga and actor Tasuku Emoto
- The Hungry Lion (Takaomi Ogata, 2017) – a teenage girl is harassed when she is rumoured to be the girl in a sex tape featuring a high school teacher. Q&A with director Takaomi Ogata
- Inuyashiki (Shinsuke Sato, 2018) – a mild mannered middle-aged man and an angry teen are given mysterious super powers and decide to use them in very different ways. Review.
- Kakekomi (Masato Harada, 2015) – a small temple becomes an Edo era women’s refuge for those seeking escape from abusive marriages in Masato Harada’s light hearted drama. Review. Director Masato Harada will be in attendance
- Kamikaze Taxi (Masato Harada, 1995) – Koji Yakusho plays a taxi driver taken hostage by a rage fuelled yakuza out for revenge on the politician who killed his girlfriend. Q&A with director Masato Harada
- Liverleaf ( Eisuke Naito, 2018) – manga adaptation in which a teenage girl takes revenge on her bullies. Q&A with director Eisuke Naito
- Midnight Bus (Masao Takeshita, 2017) – a bus driver’s second chance at life is ruined when his estranged ex-wife, salaryman son, and engaged daughter all come home. Director Masao Takeshita will be in attendance
- One Cut of the Dead (Shinichiro Ueda, 2018) – real zombies suddenly invade a film set in Shinichiro Ueda’s hilarious madcap horror comedy. Review.
- River’s Edge (Isao Yukisada, 2018) – disaffected teens fight ennui with a studied appreciation of death in Yukisada’s adaptation of the classic ’90s manga. Review.
- The Scythian Lamb (Daihachi Yoshida, 2017) – a rural town opens itself up to a government backed scheme to repopulate through employing ex-cons in Daihachi Yoshida’s thoughtful drama. Review.
- Sekigahara (Masato Harada, 2017) – historical epic starring Junichi Okada and Koji Yakusho dramatising events leading up to the famous battle. Review. Q&A with director Masato Harada
- Smokin’ on the Moon (Kanata Wolf, 2017) – indie slacker drama about two guys who work at a midnight bar and also deal marijuana. Q&A with director Kanata Wolf
- The Third Murder (Hirokazu Koreeda, 2017) – Hirokazu Koreeda puts the law on trial. Review.
- Crossroads: One Two Jaga (Nam Ron, 2018) – corruption drama in which a straight-laced rookie turns out to be the most dangerous destabilising element in a fracturing society. Review. Q&A with director Nam Ron and actor Ario Bayu.
- Dukun (Dain Said, 2018) – shelved for over a decade, Dukun is the controversial tale of a nightclub singer suspected of murdering a politician seeking immortality through ritual sacrifice!
- BuyBust (Erik Matti, 2018) – high octane action thriller from Erik Matti in which a young rookie police officer gets caught up in a bust gone wrong. Q&A with director Erik Matti and actors Anne Curtis & Brandon Vera
- Neomanila (Mikhail Red, 2017) – neo noir in which a young man becomes an apprentice to an older woman taking out drug dealers for the government.
- On the Job (Erik Matti, 2013) – a conspiracy is uncovered when a drug dealer is murdered. Director Erik Matti will be in attendance
- Respeto (Treb Monteras, 2017) – intergenerational hip hop drama in which a young rapper comes into conflict with a Marcos-era poet. Review. Director Treb Monteras, actor Abra, and producer Monster Jimenez will be in attendance
- Sid & Aya: Not a Love Story (Irene Villamor, 2018) – rom-com in which an insomniac stock broker pays a waitress to talk through his troubles. Q&A with actress Anne Curtis
- We Will Not Die Tonight (Richard Somes, 2018) – genre thrills as a former stuntwoman is forced to defend herself against hordes of bad guys.
- 1987: When the Day Comes (Jang Joon-hwan, 2017) – powerful democracy movement drama. Review. Q&A with director Jang Joon-hwan and actor Kim Yoon-seok
- After My Death (Kim Ui-seok, 2017) – a high school girl’s disappearance raises fears of suicide and also puts her best friend in the firing line.
- The Age of Blood (Kim Hong-sun, 2017) – period drama in which a top swordsman is demoted to prison guard.
- Counters (Lee Il-ha, 2017) – documentary centring on anti-racist protest in Japan.
- Hit the Night (Jeong Ga-young, 2017) – Jeong Ga-young once again stars in her Bitch on the Beach followup as a young woman unafraid to ask “inappropriate” questions while researching a screenplay. Q&A with director/actress Jeong Ga-young
- I Can Speak (Kim Hyeon-seok, 2017) – an old woman convinces a young man to teach her English and gives voice to a dark part of her nation’s history.
- Little Forest (Yim Soon-rye, 2018) – gentle tale in which a wounded young woman retreats to her country home to figure things out. Review.
- Microhabitat (Jeon Go-woon, 2017) – a young woman decides rent is an unnecessary expense and commits to couch surfing her way through life. Q&A with director Jeon Go-woon and actor Ahn Jae-hong
- The Return (Malene Choi, 2018) – two Danish-Korean adoptees return to the country where they were born for the first time.
- What a Man Wants (Lee Byeong-hun, 2018) – social satire in which an adulterous husband and his mild-mannered brother-in-law become involved with a sexy dance teacher.
- Gatao 2: Rise of the King (Yen Cheng-kuo, 2018) – gangster drama
- The Last Verse (Tseng Ying-ting, 2017) – romantic drama with a political backdrop.
- Missing Johnny (Huang Xi, 2017) – a missing parrot brings three lost souls together.
- On Happiness Road (Sung Hsin-yin, 2017) – beautifully animated drama telling 40 years of Taiwanese history through the story of one lost young woman. Review.
- The Bold, the Corrupt and the Beautiful (Yang Ya-che, 2017) – three generations of women are forced to confront familial dysfunction when a friend is murdered.
- Premika (Siwakorn Jarupongpa, 2017) – horror comedy in which guests at a resort are terrorised by a karaoke obsessed ghost! Actress Gena Desouza will be in attendance
- Sad Beauty (Bongkod Bencharongkul, 2018) – the friendship between two women is tested by a violent encounter. Q&A with director Bongkod Bencharongkul and producer Kongkiat Khomsiri
- Tears of the Black Tiger (Wisit Sasanatieng, 2000) – cult classic Thai western!
The 17th New York Asian Film Festival runs from 29th June to 15th July. Full details for all the films are available via the official website where you can also find screening times and ticketing information. You can also keep up with all the latest festival news via the official Facebook Page and Twitter account.