2012 in Review – An Extremely Subjective Top Ten!

I kind of hate trying to come up with a top ten list for a huge variety of reasons: 1) I have an extraordinarily loose grip on time – I can never remember what I saw when or what was this year or last year or a decade ago so trying to even list ten films I definitely watched within a specific period of time is not something my brain is set up for 2) I change my mind all the time 3) I’ve almost certainly left something out due to point 1 4) I’m over sensitive and will probably burst into tears when the inevitable trolling begins OMG I CAN’T BELIEVE YOU THINK AI TO MAKOTO IS BETTER FILM THAN AMOUR, WHAT KIND OF IDIOT ARE YOU OH I SEE YOU ALSO LIKE SEVEN PSYCHOPATHS YOU EVIDENTLY HAVE NO EYES OR EARS, I PITY YOU – GOOD EVENING  5)I feel bad making a list when I didn’t see every film released this year, I don’t even think that would be possible but still it feels wrong from a scientific point of view 6)What does ‘best’ mean anyway? Closest to perfect? could we ever agree on the criteria for this? 7) as usual I’ve totally over thought the whole thing and wasted a whole 200 words on neurotic waffle. Oh well, neurotic waffle is what I do ‘best’, after all….

Ahem, all that in mind, I have come up with an extremely subjective, somewhat arbitrary, list of films I quite liked over the last year. As I say it’s a list of the films I liked the most, I’m not going to try and argue the artistic merits (or otherwise) of all the films on the list or debate the positioning – it’s a simply a list of the films that I either enjoyed the most, was most affected by, or impressed me in the most significant way. Are you all wearing your party hats? Right then, trumpets please

 

1 Himizu

I reviewed this over at Uk-anime back in June and was completely blown away by it – raw and tender it’s the story of two damaged children trying to find their way in world that’s all sorts of broken. Devastating yet oddly uplifting.

2 Tabu

A tale of longing, loss and the cinema Miguel Gomes’ Tabu is a beautifully made homage to silent cinema. Memory, the passage of time and the relationship between past and present come together to create one of the best European films from the last year.

3 The Master

To say The Master received a divisive reception is to understate the state of affairs. I don’t claim to have understood all of it, but on a first viewing found it utterly overwhelming.

4 Ai to Makoto

Fun, great ridiculous unrepentant FUN.

5 Holy Motors

Strange and extraordinary – the accordion scene might even make it into my top scenes in cinema history list!

6 Amour

An extremely powerful, and usually warm, film from Michael Haneke about the true nature of love. Undoubtedly difficult to watch but rewarding.

7 Berberian Sound Studio

An homage to Giallo with a strong performance from Toby Jones as the bewildered Gilderoy – an Englishman lost in the foreign world of slasher movies. Does extraordinary things with sound.

8 Dredd

A supreme effort that perfectly captures a genre and a place and time. Gritty, spare and punkish this is my favourite action movie for a very long time. Also excellent use of 3D.

9 Kotoko

A harrowing film about a woman who can no longer distinguish reality from imagined fears and her battle to protect her son. A horrifying experience in which we’re just as unsure as Kotoko is whether or not what we’re watching is actually happening. Truly impressive performance from leading actress Cocco.

10 Seven Psychopaths

Again, just a lot of entertaining meta fun as brilliantly dark and witty as the best of McDonagh’s stage work. Those expecting another In Bruges might be disappointed as this is altogether a lighter exercise but no less entertaining for it.

Life of Pi 3D

LOP-068    Pi Patel takes in the bioluminescent wonders of the sea.

Ever since Yann Martel’s Life of Pi won the Booker prize in 2003 there has been intense interest in translating it to the screen. Considered by many to be unfilmable, it seeks to tell the story of one boy’s journey from an idyllic childhood as the son of a zoo keeper in French India to his present life in Montreal by way of a terrible, life altering ordeal – becoming the victim and only survivor of a shipwreck. Only human survivor that is, the boy, Pi, is alone for his 227 day odyssey across the Pacific save for a Bengal tiger with the incongruous name of Richard Parker that managed to escape the wreck and climb aboard his life boat.

Rafe Spall’s Martel stand in, having  thrown out a recently completed novel, has come to hear Pi’s story after being told that it could ‘make him believe in God’. A bold claim indeed, it seems younger Pi was something of a spiritual enthusiast – collecting religions the way other boys collect heroes, and attempting to practice them all at the same time! It’s mostly down to this pan-spirtituality that Pi attributes his miraculous survival, that and of course the tiger. Having to fend off Richard Parker and find ways the two of them could co-exist together kept his mind focused and prevented him on dwelling on his greater fears or the earthly loneliness that comes from being the only one of your kind for hundreds of miles.

That said, for all the film’s constant talk about gods and the universe some of its philosophising can’t help but feel a little trite. As for the tale’s claim that it will make you ‘believe in God’, it’s difficult to see how this could be the case. Yes, the boy’s survival is, literally, incredible – miraculous even, as is the way the universe functions as a whole but this story isn’t necessarily any deeper than any other meditations of a wandering soul about why the world is as it is, or indeed how one chooses to view it. Ultimately the film suffers from never being as quite profound as it would like to be and perhaps feels it is.

The real strength of this film is in its visuals which are extremely impressive. There’s no arguing that what Lee has created is revelatory, a series of beautiful, digital vistas more akin to a moving work of art than we are used to seeing from mainstream cinema. The use of 3D might well be the first that justifies its use as a valid artistic tool that is part and parcel of a film’s artistic vision rather than something that can be tacked onto a movie’s name in order to add a few pounds onto the ticket price.

This artistic vision is what makes Life of Pi such an interesting film. Though many will find its storytelling banal or unconvincing, its technical and artistic proficiency cannot be denied. The weaknesses of the central narrative and its slightly saccharine tone mean that Life of Pi may not stand up to repeated viewings, however resisting a first viewing on these grounds would be a mistake as it represents a true evolution in the art of filmmaking.

Weekly rundown 17-23 December 2012

Goodness, I’m late already and this is only the second time I’ve done this! Must do better! Oh well, not so many films this week what with Christmas fast approaching – not sure how many I’ll get to see over the festive period as I’m staying with family so it’ll probably be mostly old favourites. My family don’t really share my taste in films so much but I’ve bought my mother some Scandinavian thrillers which she really likes at the moment (unfortunately we seem to have exhausted the available French policiers which are her favourite!) so hopefully we’ll be able to fit some of those in.

Yakuza Graveyard

Yakuza no hakaba: Kuchinashi no hana

やくざの墓場 くちなしの花

Eureka DVD

The second film in Eureka’s first Fukasaku box set, now OOP, and another genre classic from the prolific director. Police Corruption and Yakuza honour play out as mirror images as a complicated policeman ends up caught between two worlds.

Smuggler

HK Blu Ray

Slightly disappointing film from Katsuhito Ishii, director of The Taste of Tea, which sees Satoshi Tsumabuki’s failed actor being unwittingly forced into the criminal underworld. Unfortunately this is a film that might have benefitted from being more absurd as the darkness of the story and the humour of the script/direction never really gel. Still, the action scenes are entertaining and the performances are universally good it’s just a shame it never quite comes together.

The Silent War

Ting feng zhe 聽風者

HK Blu Ray

Chinese late ’40s war film about radio telephonists and code breaking – lacking in tension and high on propaganda it’s never quite as exciting as it promises to be.

Joyeux Noel

Film4

Maudlin film about the 1914 Christmas truce. Excellent performances from the international (and often multi-lingual) cast can’t quite enliven the uneven, unsubtle scripting.

Babycall

Soda Pictures DVD

Odd Norwegian psychological thriller with Noomi Rapace where a brutalised woman trying to protect her son becomes increasingly paranoid and believes she overhears a murder on her baby monitor. The ‘twist’ can be seen a mile off but at the same time nothing is actually explained adequately at the end making this quite a frustrating experience despite Rapace’s excellent performance.

Third Window Announce 2013 Acquisitions

Ladies and Gentlemen, take a moment to prepare yourselves for I am about to tell you the best news you will ever hear. What’s that you say, they’ve finally finished The Grandmasters? No, unfortunately not but an even more exciting development has come to pass. Third Window announced via Twitch today that they will be releasing …..*drumroll please*…. AI TO MAKOTO on Blu Ray and DVD on 29th of April 2013. As you might remember I, and a few others of us here, were greatly impressed when this was screened at the LFF and it’s safe to say this is indeed very welcome, if totally unexpected, news!

If that wasn’t enough they’ll also be following up their recent Tetsuo release with another Tsukamoto double bill of Bullet Ballet and Tokyo Fist. Bullet Ballet is probably my favourite Tsukamoto film and I can’t wait to see it in HD!

They’ll also be releasing their ‘film of the year’ The Story of Yonosuke and the upcoming See you Tomorrow alongside the already announced Woodsman in the Rain, Vulgaria and the long over due Eyes of the Spider/Serpents Path from Kiyoshi Kurosawa! All in all these are a fantastic set of upcoming releases and Third Window continues to go from strength to strength!

Weekly Rundown 10-16th December

Seeing as I never have time to write about half the films I’d like, I thought I’d try keeping a weekly list of all the films I’ve watched during the week – mostly first time views with the occasional old favourite, plus anything else that crops up. I’ll just write a few words about each of them and expand some into full reviews.

Pickpocket

BFI – Passport to Cinema screening

I haven’t made things easy for myself have I? Bresson’s tale of redemption through love reads like a mid twentieth century French Crime & Punishment but is full of Bresson’s usual spiritual complexity. The pickpocketing scenes take on a sort of balletic quality and almost glamourise the crime being committed but leave the audience in no doubt that it is also a violation. Elusive but essential.

The Family Friend

L’amico di famiglia

Curzon on Demand

Not as beguiling as The Consequences of Love or as studied as Il Divo, Sorrentino’s The Family Friend is a modern day fairy tale with a central character so loathsome it’s difficult to see how the audience is expected to endure a whole film in his company. Certainly a very strange film but very Sorrentino and all the more welcome for it.

Battles Without Honour and Humanity

Jingi naki tatakai 仁義なき戦い

MOC DVD

An out and out classic, Fukasaku’s Battles Without Honour and Humanity is a landmark Yakuza movie that shows the gangster lifestyle for what it really really is – senseless violence fuelled by pride and greed. It was so successful it spawned FOUR sequels (and I can’t wait to watch them all)!

!I’m sorry about the weird aspect ratio and the German subs but it seems like there’s no other footage around!)

The Hobbit

Odeon Leicester Sq, HFR 3D

Full review already up, short story – eh, it was OK.

Life of Pi

Odeon Covent Garden

I’d heard really mixed things about Ang Lee’s latest but actually I was pleasantly surprised. Nowhere near as profound as it seems to want to be but the visuals are truly astounding. Look out for a full review soon.

Magic Mike

Mubi

Came up as Mubi’s film of the day and having heard quite positive things about it I decided to give it a go despite my misgivings – unfortunately my I should listened to my intuition, this film did nothing for me and I’m baffled by some of the critical praise.

Thermae Romae

HK Blu Ray

Hilarious movie about a Roman bath architect who accidentally time travels to modern Japan, steals all their modern bath technology and so ends up having to design baths for Hadrian and some of his cronies. Full review coming soon but this is so much fun!

35 Shots of Rum

35 Rhums

Channel 4 HD

Claire Denis’ homage to Ozu’s Late Spring set in a French lower class tower block – to quite as moving as Ozu’s film but brings its own lyrical sense of transience with perhaps more of a political component than you would generally find in an Ozu film.

Midnight Express

Film4

An oscar winner much trumpeted in its time that helped to jump start Alan Parker’s career but more than thirty years on it’s starting to feel its age and its extremely harsh view of the Turkish people is quite difficult to take.

The Keep

Film 4

Apparently the full version of this film was close to three hours long but studio execs were so unhappy with it they hacked it down to 90 minutes! It’s quite obvious a lot of material is missing and the film doesn’t really make that much sense but then how much sense do you really expect a movie about a strange rubbery monster accidentally let out of its cage by a bunch of greedy nazis to make?

The Hobbit: An Unexpected Journey

the-hobbit-movie-e1343383853962

There’s no denying Peter Jackson’s return to Middle Earth has had its fair share of problems. Indeed, Jackson himself did not intend to direct, but following the high profile departure of (the extraordinary) Guillermo Del Toro reportedly unwilling to waste his talent waiting for the project to finally get going Jackson took up the reigns again. The Hobbit though is not Lord of the Rings and its now de facto position as a movie prequel is an awkward one. A comparatively slim volume aimed at a younger audience it obviously lacks the epic nature and imposing grandeur of the trilogy; it’s whimsical, playful even with its bumbling hobbit and perpetually singing dwarves where LOTR is heavy and melancholic – a world in danger of collapse. Jackson has, however, made the incongruous decision that The Hobbit will also be a trilogy of films and so has bulked out the Hobbit’s more meagre storyline with supplementary material which often foreshadows its bleaker successor. This first instalment, The Hobbit: An Unexpected Journey, alone runs to a whopping 169 minutes. Can such small and comparatively simple book really fill almost nine hours of screen time?

On the basis of part one, the answer has to be almost certainly not. Of the many things that could be said of An Unexpected Journey, the least disputable is that it’s too long. It isn’t just a little bit too long either, to paraphrase (if you’ll forgive me) – it feels thin, like butter scraped over too much bread. There are obvious set pieces and then there are the great gaping gaps between them. The pace is undoubtedly slow with occasional dead stretches which only seem to exist only to offer some clumsily delivered exposition more relevant to the opus as a whole rather than the film, or even films, themselves.

However, the parts that are good are very good. The encounter with the trolls is every bit as frightening as it seemed in childhood while the escape from the orcs and stone giants are undoubtedly exciting; the stand out scene though is of course the ‘first’ encounter with Gollum. Technology has moved on significantly even since LOTR was completed and Andy Serkis’ motion captured/CGI rendered Gollum is ever more convincing. The interplay between Freeman and Serkis sparkles along with a real sense of danger interspersed with wit.

When it comes to the film as a whole the unevenness of the tone is not so well managed. There’s still a kind of childlike simplicity to the telling of the tale – the dwarfs are kind of idiots, constantly messing everything up and falling into certain death situations only for Gandalf to show up at the last minute and and do something flashy with his wand to sort it all out for them. Despite this, and you’ll forgive me the slight spoiler, they all seem to inconceivably survive completely intact like some kind of invincible cartoon character. Yet we have this tone of seriousness and melancholy which seems to have one eye on later events – yes it’s funny now but everything’s going to go bad in sixty years time so you’d better not laugh too much. Ultimately it can’t quite decide what it wants to be  – whimsical farce about a group of displaced people trying to get home or weighty precursor to a dark tale that tries to prove that the seeds of the present are sown in the past. Jackson’s (understandable) attempts to tie The Hobbit more closely with the celebrated trilogy in terms of sensibility only serve to undermine the the original tales biggest selling point – its lighthearted questing.

There is, of course, the question of the technical sides of this film – the decision to film in 48fps 3D. There have been varying opinions as regards how well this has worked for this particular film and how it might work in general but, having seen an HFR 3D presentation the overriding impression was something like that of watching a Hallmark Movie. Suddenly everything looks cheap or artificial, a higher frame rate might more accurately represent reality but is reality what we really want from cinema? For extreme close ups and shallow static shots it seems to work very well, but anything with extensive background action ends up looking curiously amateurish. Perhaps some will prefer a harsher, less cinematic aesthetic that more closely resembles TV but audience members more accustomed to a traditional film look will likely find The Hobbit, at least, visually less palatable. It would be wrong to write off 48fps filming on the basis of how it’s been used in one film (and it isn’t as if other filmmakers haven’t experimented with frame rates before) but hopefully this experimentation is something that can be learned from and, perhaps, improved in years to come.

The Hobbit: An Unexpected Journey is, therefore, something of a disappointment. It isn’t a bad film but neither is it the film many people were looking forward to. Bloated and confused it falls between two stools attempting to stay true to both its literary roots and cinematic brethren. Hopefully the next two instalments will have a little more to offer us.

Secret Cinema, 4th November 2012 – The Shawshank Redemption

2012-11-04 13.48.23

First off, apologies for the lack of decent photographs (not that my previous efforts were even approaching ‘decent’). The specificities of this event meant I couldn’t figure out a way of taking my camera – though no one seemed to mind people snapping away on mobiles so I managed to sneak two or three of those in during lapses of security (the phone I did have to secrete about my person though).

To begin at the beginning – I had a harder time guessing this title than previous Secret Cinema events I’d been to. The clues leading up to the event were more general and didn’t really connect with the way I see the film, or at least I was expecting something more heavyweight. References to truth and justice seemed to point to a crime and punishment theme but the more philosophical offerings  seemed to place this on a grander scale, as if it were to be about the nature of such ideas possibly related to one person’s spiritual journey. The references to ‘hope’ and ‘storms’ should probably have been more of a clue but both were more literal when I’d been thinking metaphorical and I failed to connect them completely to Shawshank. I did consider the film a few times but each new clue seemed to rule it out. However, when the dress codes and identities came through – all male identities from different ethnicities, home towns and occupations – a prison theme presented itself and along with the folksy American tone one of the messages and time frame Shawshank was looking probable.

Donning the required long-johns and man’s suit, and with my valuables discretely about my person, I made my way to Bethnal Green Library. After waiting some time after the start time it transpired there’d been some kind of technical hitch – the doors to ‘the court’ were locked and we couldn’t get in. I’m not sure what exactly happened, I presume the people who’d been allocated the following time slot began to arrive and the queue got too long but at any rate those of us at the front of the queue were denied our due process and marched straight onto the prison bus without any kind of hearing at all. From other people’s reports I gather that we were meant to be sentenced by the judge and given our papers with the identities the online system had set up for us with our various crimes and sentences laid out. Therefore when we got to the prison we had no such papers.

Whilst on the ’50s style minibus we were briefed about our new lives – in short, that we were damned and condemned to hell and it was all our own fault for having committed such terrible crimes against the State of Oak Hampton. As the bus approached the prison we were heckled by inmates already lurking in wait for fresh bait. We then were made to run through them and up steps to a higher floor where we assembled in three groups according to height/shape. Being distinctly on the smaller side I was a few places back in the leftmost queue. The leading guard then barked at as that we had 15 seconds to grab a bag and get back in line or there’d be trouble. After we’d verified that the numbers on the clothes matched the bag and the suit was complete we were ordered to remove our shoes and socks. After this we inevitably had to strip down to the undergarments we’d been instructed to wear as part of our outfit. Some poor people had neglected this instruction and therefore had less to guard their modesty. More running again, with the suit, bag of old clothes and our shoes we had to run down through the yard again (yes, it was cold, the ground was wet under our bare feet and I almost slipped a few times) heckled by inmates and eventually passing through the showers and a man unconscious and bleeding on their floor.

Having handed in my old clothes I was ushered into a cell, alone, except for the crazed psychopath who already occupied it. He made various lewd remarks and assured me that everyone would treat me nicely once they knew I was his guy. Yes, he wanted to make me his bitch – I ignored him and pretended not to know what he meant. All those hours watching OZ finally paid off obviously*. Once I’d gotten into my new attire there seemed to be some commotion outside. Due to the position of my cell I couldn’t see anything but I could hear a guard shouting, someone screaming and the sound of something being hit very hard. The occupant of the opposite cell informed his charges that that’s what happens if you don’t shut up when they tell you.

Next was the canteen where we were treated to a delightful meal of a tiny portion of cold baked beans. Two inmates then came rushing in shouting about a terrible incident which caused our guard to go off and investigate while the two enterprising gentlemen took the opportunity to sell us all sorts of contraband like beer and whiskey. When the guard finally came back we were on laundry detail and had to haul up the fresh bags of outfits for the next batch unfortunates. After that we began to explore.

In the library we could listen to records and write letters to political prisoners (for real, this seemed to be part of the PEN scheme to write to foreign embassies on behalf of those incarcerated on political grounds). There was a choral group singing in the chapel and later Brooks’ letter was read out. I was roped in to do some embroidery at one point which was apparently going to be sold for charity. After that I ended up making Potpourri in a shed outside. Re-entering the main building I found myself up for parole where despite vowing never to commit my heinous crimes again and avowing my acceptance of Jesus Christ in my heart (but slightly embarrassingly having sworn to reading my bible every night I had to answer ‘no’ to the question can you quote me something from the bible – perhaps I should have had a go? Would he have known if I made it up?) my parole was shockingly rejected! Oh well. I then ended up in the nurses office, which was secretly a bar, where I had to have my picture taken (why?) and then an examination room where I was evidently used as some kind of test subject without my knowledge or consent!  Honestly this prison malarky’s not all it’s cracked up to be!

A while later there seemed to be some commotion; I couldn’t get very close because some people were blocking the way but then someone ran past shouting ‘Tommy, they got Tommy’ and the whole place went into lockdown. ushered back up to the cells where I’d originally been we waited until an announcement was made that Tommy had been killed due his own poor behaviour. There was much rattling of the railings and for a minute it seemed like a riot might break out. However a man then stepped forward and began to sing a hymn which everyone then joined in. Things didn’t completely calm down however as sounds of a storm could be heard and a guard rushed up and pinned my erstwhile cellmate to the wall demanding to know where Andy was. The prisoners then began to exclaim ‘Andy got out?’ and we were ordered to proceed to the assembly point for counting with hands on our heads. Once sitting in the screening room we were told we were about to see footage of everything that had happened so far in order to jog our memories and aid the officers in their investigation of the escape! The film was, of course, Shawshank Redemption but our surprises weren’t over yet as we were each handed a free beer during the film’s rooftop scene!

After the film there was a bit of a queue to get our belongings back and the process seemed quite chaotic. After we’d re-dressed we had to get our parole documents before exiting, however, I now had no idea where I was! Fortunately there was a small map on the back of my parole book but it really was very small and difficult to read in the dark. I was in Hackney and the thing to do seemed to be to find the bus stop that would take me to Mile End tube – something which I failed spectacularly to do! Luckily I managed to spot a taxi and I was free at last!

Battle of Algiers is still my favourite Secret Cinema event for its sheer power and audacity and although I enjoyed Shawshank Redemption it didn’t quite live up to the other events I’ve attended. It might be partly that we skipped the opening procedures or that I part missed the beginning of the climactic events but I feel both as if I didn’t find as much to do but also that I missed too much! Perhaps I was just unlucky and in the wrong places at the wrong times but this one didn’t feel quite as exciting somehow. Still it was another stellar effort from SC and I can’t wait to start the guessing games all over again (no costume changes though please, and let me bring my bag!)

*oh how I loved OZ, best show HBO ever made. Except that last series though, it went downhill there, should have ended a series earlier.

The Good News or the Bad News? Stoker, the Grandmasters and Show Box Media

I’m an efficient sort of person generally (not that you could tell from this blog), so I like to start with good news – after all good news doesn’t usually require any further action than being pleased, does it?

With that in mind, it seems there’s a new UK specific poster for Park Chan-wook’s upcoming English language movie Stoker

Stoker UK poster

 

We’ve still got the pencil work from the earlier poster, which I loved, plus a strangely creepy headshot of Wasikowka. What is that reflected in her eyes? someone standing in front of window/doorway/unexplained bright lights? I’m really looking forward to seeing this film – I’d be looking forward to the new Park Chan-wook anyway but this seems very promising to me especially as it’s inspired by one of my favourite Hitchcock movies – Shadow of a Doubt.

If you’ve never seen Shadow of a Doubt I’d really recommend you check it out; it seems to fall into the lesser known Hitchcocks for some reason – well the middle group, it’s much better known than something like MR& Mrs Smith but it’s not quite up there with Vertigo and Psycho when people think of his films. Joseph Cotten is really fantastic in it and it’s kind of an early look and the evils lurking in suburbia. Here’s a trailer for those still unconvinced

 

Now, I warned you, there are some clouds on the horizon. I leave the bad news until last so that I can figure out what to do about it right away but all I can do now is feel sad, it’s a zero sum game this time round. As I speculated here Wong Kar-wai’s The Grandmasters is indeed delayed once more and will now move its opening date to 8th January from 18th December. Oh well, it wouldn’t be a Wong Kar-wai movie without several thousand delays – we all just have to prove how worthy we are by being willing to wait, yes?

and your final bit of bad news? It appears Showbox media, who own CineAsia – primary distributor for Asian action cinema in the UK, have gone into administration. The warning signs were there, they seemed to have stopped communicating and updating their websites and had yet to announce any future release plans for the next few months/next year; they’d also apparently dispensed with Bey Logan whose commentaries on CineAsia’s releases had been a big selling point for UK fans. This has happened before and a solution was found, so maybe it’s not quite over yet but it certainly doesn’t look good. From the above report it seems their strategy of throwing everything they had at the supermarket buyers, licensing films which were likely to appeal to that market at those prices, was not as sustainable as some people had believed. Here’s a trailer for one of my favourite CineAsia releases – Detective Dee and the Mystery of the Phantom Flame. Whatever happens let’s just hope films such as this can still find their way over to the UK market!

The Grandmasters – Full length trailer!

 

Ladies and Gentlemen! Today is a miraculous day for it seems Wong Kar Wai may actually have  finished a film. Wong has been working on The Grandmasters for some years during in which time we’ve had two films starring Donnie Yen among others to have dealt with the life of Ip Man – the man who taught Bruce Lee. Numerous problems and delays have seen the production of this film constantly in flux with release dates slipping over a period of years yet the film now seems to have a fairly solid date for its Chinese release – 18th December 2012. Assuming all goes well (and the film really, actually is finished) Chinese viewers at least will finally get to see Wong Kar Wai’s latest collaboration with frequent leading actor Tony Leung. Of course even if this date is kept to there’s no predicting when we will finally be able to see this in the West (well, the Anglophone world) but happily it is a matter of when rather than if Wong’s version of this now familiar tale will finally hit our shores. The trailer at least looks spectacular so if that’s anything to go on The Grandmasters could be something very special indeed.