Taiwan and Japan have a complicated history, but in SABU’s latest slice of cross-cultural interplay each place becomes a kind of refuge from the other. Working largely in Mandarin and with Taiwanese star Chang Chen, SABU returns to a familiar story – the lonely hitman tempted by a normal family life filled with peace and simplicity only to have his dreams taken from him by the spectre of his past. Only this time it isn’t just his past but that of others too. Despite the melancholy air, Mr. Long (ミスター・ロン) is a testament to the power of simple human kindness but also a condemnation of underworld cruelty and its vicelike grip on all who enter its grasp.
Mr. Long (Chen Chang) is the best hitman in the Taiwanese underground. A part-time cook, he’s known for his knife skills and fearless action, entering a room full of gangsters and instantly eviscerating them before they can even reach for their weapons. Sent to Japan to take out a prominent yakuza, Mr. Long finds his usual methods ineffective owing to the fact his target is wearing a stab vest. Captured, beaten and driven out into the middle of nowhere, Mr. Long is beginning to think this is the end of his story when the gangsters are attacked by another knife wielding assailant repeatedly asking them to free his girl. Mr. Long escapes in the ensuing chaos but has no money or way back home.
Marooned and bleeding in a rundown area, Mr. Long is saved by quiet little boy who brings him first medical supplies and then some probably stolen vegetables. Mr. Long manages to find an abandoned house which still has running water and cooking facilities and shares his improbably tasty soup with the little boy whose name is Jun. Surprisingly, Jun can speak fluent Mandarin because his mother, Lily, is also from Taiwan. Soon enough, other people in the area start to hear about the mysterious stranger and his wondrous cooking. Before he knows what’s happening, the tiny town has adopted him and built a stall on a cart where he can sell Taiwanese beef noodles.
SABU embraces his absurd sense of humour as Mr. Long’s capture becomes a cartoonish slapstick affair which ultimately sees him running off into the night with a sack on his head before regaining his quintessential cool. Mr. Long is the archetypal movie hitman – the major reason why he doesn’t say much is firstly that he doesn’t know any Japanese but his conversations with the boy are pretty one sided and he doesn’t seem to be the chattiest even in Taiwan. Confused as to why all of this is happening Mr. Long asks Jun for guidance only for him to point out that it’s his own fault for acting so cool and never saying anything.
Yet for all the comedy there’s an underlying sadness as Mr. Long comes to care for this strangely friendly village which has more or less adopted him, providing him with food, clothing, and even an occupation in his brand new beef noodle stand. Even though he’s been in contact with his bosses and is supposed to get a boat to Taiwan in just a few days, Mr. Long doesn’t quite want to go home and let all of these nice people down. Especially as he’s begun to bond with the boy and grow closer to his mother.
Both Mr. Long and Lily are people who’ve had their lives ruined by proximity to the underworld – his by being trapped into a profession of killing with no possibility of escape, and hers by losing the love of her life to men who claimed to own her. Lily’s story is a sad one which eventually sees her fall into prostitution as a means of caring for her son only to be exploited by a duplicitous customer who gets her hooked on heroine as a means of control. Mr. Long frees her from this particular demon and the three begin to look as if they could make a go of things together only for the past to suddenly reappear and ruin everything.
Unexpectedly dark, Mr. Long veers between whimsical comedy and heartbreaking tragedy as its hero begins to long for another life which he knows he will be denied. Filled with SABU’s typically absurd world view mixed with balletic yet horrifying violence as the lonely hitman becomes the dragon spelt out in his name, Mr. Long is a familiar gangland tale in which a man cannot escape his past or his nature and risks rejection from those who’ve come to love him when they discover who he really is, but even if there can be no escape for some there is hope of redemption in human kindness and genuine connection.
Mr. Long was screened at the 17th Nippon Connection Japanese Film Festival.
Original trailer (no subtitles)
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Windows on Worlds 