Yusaku Matsuda became a household name and all round cool guy hero thanks to his role as a maverick private eye in the hit TV show Detective Story, however despite sharing the same name, Kichitaro Negishi’s Detective Story movie from 1983 (探偵物語, Tantei Monogatari) has absolutely nothing to with the identically titled drama series. In fact, Matsuda is not even the star attraction here as the film is clearly built around top idol of the day Hiroko Yakushimaru as it adapts a novel which is also published by the agency that represents her and even works some of her music into the soundtrack.
As far as plot goes, Detective Story is the kind of good natured, innocent crime thriller that has all but disappeared since the 1980s. Yakushimaru plays teenage student Naomi who is due to move to America to be with her father in the very near future. However, Naomi is an inquisitive, mildly rebellious sort with a habit of sneaking out of her room through the window despite the fact that no one is preventing her simply leaving through the front door. Consequently someone or other has hired a detective, Tsujiyama (Matsuda), to keep an eye on her. This he does pretty well until he puts a stop to Hiroko making a huge mistake with a fellow student in a love hotel. Though Naomi is very not happy about a creepy old guy following her about everywhere, she gradually gets used to it and when Tsujiyama’s ex-wife gets caught up in a hotel room murder case, Naomi gets the inspiration to embark on some detective work of her own.
Despite the shadiness of the world that rich girl Naomi is about to get embroiled in, the film maintains a bright and cheerful tone – perhaps because of Naomi’s own straightforward innocence. Even if she very nearly falls for the advances of an obvious creep (seriously, the guy actually borrows money from his “girlfriend” ? right in front of Naomi to take her out on a date, after which he tries to persuade her to join him in a love hotel), Naomi’s teenage spunkiness largely keeps her out of trouble for the rest of the movie which sees her getting mixed up with nightclubs, showgirls and yakuza. Somehow there is very little feeling of actual danger in the film leaving this all feeling like the kind of thing that happens to Naomi all the time and is simply just one last adventure before she heads off to America.
It must have been something of a coup to get arguably the biggest movie star of the day, Yusaku Matsuda, to play second fiddle in a mainstream teen idol movie especially as his other film choices of the time seem to indicate a desire to get away from his tough guy persona into more dramatic roles. Tsujiyama is cool presence in his stylish brown suit, smoking away in the shadows content to simply keep watch. He’s the omniscient type who always seem to have a plan in motion yet it’s Naomi herself who takes the lead here, solving the case whilst saving Tsuijiyama and his damaged show girl of an ex-wife in the process.
As is common with these kinds of stories there is a light romantic subplot which is a little unseemly when you consider Yakushimaru was only 19 at the time and her character around the same age whereas Matsuda was already in his 30s. This plot strand is played a little strangely throughout the film with a tacked on airport gate conclusion which dissolves itself almost straightway but does play into the film’s coming of age themes as Naomi develops greater sense of herself as an adult woman rather than a reckless teenager.
Detective Story is no lost classic, it’s very much of its time and has perhaps faded a little as has the fame of its tentpole star. That said it’s a perfectly enjoyable cute teen idol detective story which overall succeeds in doing exactly what it sets out to do even if it proves a little dull in the execution. An interesting watch for fans of its two stars Hiroko Yakushimaru and Yusaku Matsuda and even for its director Kichitaro Negishi who has gone on to win some later critical acclaim particularly with the prestige drama Villon’s Wife in 2009, Detective Story is perhaps not worth an all night stakeout but at least warrants a cursory investigation.
and here’s a video of Hiroko Yakushimaru singing the (very catchy) title song at a concert celebrating the 35th anniversay of her film debut (video has a bit about the concert at the beginning, fastfoward to 1:13 for the song only)