“What’s so romantic about eternity?” asks the heroine of Gavin Lin’s remake of the 2009 Korean film More than Blue (比悲伤更悲伤的故事, Bǐ Bēishāng gèng Bēishāng de Gùshì). As the title, which literally translates as “a sadder than sad story”, implies More than Blue is another addition to Taiwanese cinema’s growing roster of melancholy romantic melodramas though this time one which rips a page from the “jun-ai” notebook as its selfless pair of lonely lovers engage in acts of mutual self sacrifice in an attempt to make each other “happy” while remaining quietly miserable as they contemplate a future which may not actually exist.
The hero, nicknamed K (Jasper Liu), lost his father to leukaemia when he was 16. His mother left shortly afterwards on learning that he too had the same disease, unable to cope with the pain of watching her son fade in the same way her husband had. Resigning himself to a life of loneliness, K eventually met “Cream” (Ivy Chen Yi-han), a cheerful and outgoing girl who lost her entire family in a traffic accident. The pair become friends, go to the same university, and eventually move in together but despite a brief fumble and innocent kiss their relationship remains entirely platonic. 10 years later, they’re working for the same record company where Cream is a lyricist and K in promotion. K’s illness is worsening and there’s no sign of a transplant. He has never told Cream about his medical history and now fearing that the end is near, he decides that the best thing to do is to push her towards a nice guy who can look after her after he is gone.
As someone else later points out, K’s decision is a little chauvinistic. Not only has he made it entirely alone, but he’s done so on fairly mercenary terms which imply Cream is not capable of looking after herself rather than solely of hoping to cushion the blow for the time when she must eventually lose him. After all, all relationships end one way or another and it’s impossible to live a life without loss without isolating yourself entirely from the rest of the human race. Then again, that had been K’s original reaction to his mother’s abandonment. Only Cream was able to bring him back into the world again through her goodhearted cheerfulness. K wants to spare her the pain of losing him and of being left behind alone, but perhaps that isn’t his decision to make.
Echoing the title of the movie, K affirms that it’s getting used to loneliness that is “sadder than sad” while also insisting that if anyone could understand the nature of love then no one in the world would suffer because of it. What K has is the wounded nobility of the jun-ai hero who has decided that it is his duty alone to suffer and that by suffering himself he can prevent his loved one from feeling the pain, but of course his emotional aloofness only makes things worse for everyone. Determined to make a brighter future for Cream, he smiles through the tears but neglects to consider that she may prefer a shorter present with him than a long life without. All his pointless romantic engineering amounts to is a silly waste of time during which they might both have been happy if only someone had found the courage for emotional honesty in the face of eventual heartbreak.
Lin wastes no time in letting us know this will be a tragic story through the slight disconnect of a framing sequence which casts the central romance as a lengthy flashback narrated by a peripheral figure to a frustrated music producer and her A-list idol star (played by real life singer A-Lin) who have fallen in love with an unrecorded track, “A Kind of Sorrow”, penned by Cream and performed by K. The song itself references the “darkness” within the pair born of their mutual losses, but also the light that love has brought into their lives. Cream gets into an argument with a poppy idol (who proves more astute than she at first seems) over the use of the world “eternity” within a love song. She doesn’t believe in the idea of eternity because love only lasts until one of the lovers is gone. Eternity, as we later discover, is found in the moment or more precisely in the moment of togetherness which is something both K and Cream have rejected in their escalating attempts at selfless nobility which have made them both individually miserable.
The lesson seems clear – just make the most of the time you have without worrying about the future and live honestly in the moment without regrets. Sadly, it’s a lesson the lovers of More than Blue fail to learn until it’s too late. Melodrama to the max it may be, and the strangely comic tone somewhat out of sync with the eventual destination, but there is real dark heart in More than Blue’s belief in the eternity of love even if also in its inherent tragedy.
Currently on limited release in UK cinemas courtesy of China Lion.
Original trailer (English subtitles)
A Kind of Sorrow as performed by A-Lin