Rock Me to the Moon (一首搖滾上月球, Huang Chia-chun, 2013)

“Finally, I understand to be strong is to be gentle” sings the lead vocalist of Sleepy Dads, a rock band comprised entirely of middle-aged men who are each fathers of children with rare medical conditions. Documentarian Huang Chia-Chun first encountered the men while working as a volunteer with Taiwan Foundation for Rare Disorders where he was struck by their intense love for their children continuing to give all for their families while also obviously facing their own difficulties as they try to balance economic support with the emotional. Charting the Sleepy Dads’ quest to play at a high profile rock festival, Rock Me to the Moon (一首搖滾上月球, Yī Shǒu Yáogǔn Shàng Yuèqiú) is not only an exploration of living with disability but also a quiet re-evaluation of notions of masculinity as the fathers find themselves members of a minority when it comes to their children’s care. 

That was in fact one of the motivations which led to the founding of the band, one of the dads remarking that as they looked around at various support groups it was almost all mothers with very few men, lamenting that unfortunately many fathers either reject their children or abandon their families entirely. A news report later in the film, meanwhile, relates the tragic story of a single-father who was pushed towards suicide because of the difficulties of caring for his daughter alone which left him unable to earn the money to support them both and eventually overburdened with debt. Though one of the Sleepy Dads is a school teacher with a steady job, many of the others are in precarious freelance employment struggling to balance the need to earn money with the physical need to be there for their children each of whom has differing needs especially as some of them have more than one child suffering with longterm illness. 

The band provides a place where the men can come together to relax with others in a similar position, finding mutual support and solidarity while investing themselves in mastering a new skill. Guided by Spark, the lead singer of top rock band Quarterback, who offers them the opportunity to open at one of their concerts, the Sleepy Dads do their best to perfect their skills with the hope of eventually playing at a top festival despite their comparatively advanced age and lack of experience. Training hard to achieve their goal, it’s less the end point that matters than the process as they work through their difficulties together with good humour and determination. 

As another of the fathers puts it, however, Taiwanese men are raised to be brave and strong but he’s also under an intense amount of pressure. Poignantly his wife, preparing to undergo medical treatment herself, expresses that she’d just like her husband to give her a hug but he says he doesn’t know how because he wasn’t brought up to show emotion in that way. She also worries that he sometimes doesn’t see that she’s under a lot of pressure too and prefers to think of her as a kind of superwoman with an innate ability to cope with anything life throws at her. Nevertheless, the Sleepy Dads have fierce love for their children and are never afraid to show it, doing everything they can to care for them while knowing in some cases that their kids may not survive them and so their time together is even more precious. As the song says, they’ve learned that true strength lies in being gentle. 

While one of the mothers laments that she feels isolated even within her own family because her in-laws will not accept the children, asking her not to bring them to a family gathering, the Sleepy Dads have formed an extended family of their own coming together to celebrate one of the dad’s moves into a new home he’s had designed to better meet his family’s needs with all the kids playing together happily. They don’t pretend that their lives are easy, but they share their joys and sorrows equally and work out their frustrations through the medium of song. A warm and empathetic tribute to these selfless men and their infinite love for their children, Rock Me to the Moon is also a celebration of friendship and solidarity not to mention the power of music to overcome all hardships. 


Rock Me to the Moon streams in the US Dec. 11 – 13 as part of Asian Pop-Up Cinema & TACCGC’s @Home with Taiwan Cinema: Love & Hope.

Original trailer (English subtitles)

Go! Crazy Gangster (風雲高手, Chang Ching-feng, 2016)

Nothing is impossible, according to the surreal logic of zany sports comedy Go! Crazy Gangster (風雲高手, Fēngyún Gāoshǒu). The only crazy gangsters here are two old men, childhood friends both obsessed with basketball, who work out their gang rivalry through the much more healthy medium of high school tournaments. The hero is not a gangster, but he does admittedly dress like one. In any case, the point is that given the right motivation, even the most hopeless of slackers, and the most rebellious of delinquents, can be reformed by the mutual solidarity of team sports. 

Lai-Fong (Alien Huang) is a reservist on a professional basketball team, a last resort player known chiefly for his laziness. Variously nicknamed “idler”, “benchwarmer”, or “waterboy”, he is not exactly keen to get on the court. Nevertheless, after getting hit by random meteorite the unthinkable happens. He not only gets to play, he becomes his team’s MVP and guides them to an unprecedented victory. Shortly after that, however, he’s seduced and blackmailed by pretty high school teacher Hsaio-Yun (Cyndi Wang) whose gangster father Liao (Liao Jun) then forces him to take a job coaching a losing girls’ high school team. Unbeknownst to Lai-Fong, Hsiao-Yun has become the subject of a bet between Liao and his friend Tseng (Ma Ju-lung) to the effect that her hand in marriage has been promised to his thuggish son Shuai-Nan (Dean Fujioka) if the team loses. 

The problem is that the high school basketball team is made up of delinquent girls because the school have been using it in lieu of detention. Predicatably, they don’t want to actually have to participate in sports and so they do everything they can to get rid of Lai-Fong before having a change of heart in realising the extent to which he actually does care for them in an admittedly fast turnaround from his “idler” persona. Thanks to his newfound sense of compassion and desire to assume his responsibility as a coach, he begins figuring out the girls’ problems from the ringleader’s difficult home life with her mother’s struggling business, to the demands of a showbiz dream. Meanwhile he’s apparently always been kind, Hsiao-Yun recalling that they have a childhood connection which has long given her strength seeing as she was herself lonely in her youth, the other kids unwilling to befriend the daughter of a scary gangster. 

Chang neatly subverts a number of conventional stereotypes, recasting his scary gangsters as childish old men who play video games and exercise their rivalry on the basketball courts rather than in the streets, the hint of violence lingering somewhere off screen. The women are tenacious and mature, the men feckless and ineffectual, but then there is the mild unpleasantness that Hsiao-Yun has been wagered by her father as part of the friendly rivalry he has with Tseng who also resents that he’s already “lost” in the child stakes because Hsaio-Yun is just much “better” than his son Shuai-Nan who despite studying abroad at Harvard seems none too bright and is little more than a vain thug. 

Nevetheless, what everyone learns is that it’s not really about winning or losing but gaining confidence in being yourself while drawing strength from mutual solidarity. Hsiao-Yun begins to stand up to her gangster dad, perhaps realising that he had no right to bet her in the first place so she doesn’t necessarily have to go along with it even if the team loses while Lai-Fong declares himself proud of the team whatever happens knowing how hard they’ve worked to come this far. His attitude may be defeatist, resigned to an inevitable loss, but he’s willing to chalk this up to experience, a valuable lesson for the road ahead. Hsiao-Yun, however, reminds him that they’ve come this far precisely because they were together and they’re still together now so as long as they stay that way there’s always a chance. 

To put it bluntly, Go! Crazy Gangster makes very little sense, a Taiwanese take on Hong Kong mo lei tau nonsense comedy it rattles absurdly from one unexpected plot development to the next. Nevertheless it hardly matters as the gang get their game on through sorting out their personal problems thanks to the love and support of their teammates, gaining the confidence to fight for their dreams on the court and off.


Go! Crazy Gangster streams in the US Nov. 27 – 29 as part of Asian Pop-Up Cinema & TACCGC’s @Home with Taiwan Cinema: Love & Hope

Original trailer (English subtitles)

Asian Pop-Up Cinema & TACCGC Announce Free Streaming Series @Home with Taiwan Cinema: Love & Hope

Asian Pop-Up Cinema is back with another free streaming series to take you through the winter months in collaboration with the Taiwanese American Chamber of Commerce of Greater Chicago (TACCGC) to present five Mandarin-language films showcasing the rich culture of the island nation streaming across the US for free at regular intervals until late December.

Sept. 11 – 13: My Egg Boy

A young woman decides to freeze some of her eggs to take the pressure off finding the right guy to start a family with in Fu Tien-yu’s unconventional rom-com starring Ariel Lin and Rhydian Vaughan.

Oct. 2 – 4: Pakeriran

A young man returns to his tribal community on vacation and is persuaded to take part in the sea festival as a replacement for his grandfather in order to impress a local woman.

Oct. 23 – 25: Isvara the Art and Life of Yu-Yu Yang

Documentary in which the daughter of legendary artist Yang Yu-Yu who was known for his stainless steel sculptures guides us through her father’s lifelong artistic journey.

Nov. 27 – 29: Go! Crazy Gangster

A down his luck professional basketball player is placed in charge of a failing girls’ high school team in this zany sports comedy.

Dec. 18 – 20: Rock Me to the Moon

Heartwarming dad rock drama in which six middle-aged men who are each fathers to children with chronic health conditions decide to start a band.

The movies will be available to stream within the US during the above dates via Asian Pop Up Cinema’s Vimeo on Demand. Simply register before or during streaming time to be emailed a special single-use code with promo link up-to 12 hours before streaming starts which will allow you to bypass the rental fee. Once you press play you will have 72 hours to finish watching.

Full details for all the films as well as registration links are available via the official website and you can also keep up with all the latest news by following Asian Pop-up Cinema on FacebookTwitterInstagram, and Vimeo.