Suffice to say, if someone innocently asks you about your hobbies and you exclaim in an excited manner “blackmail is my life!”, things might not be going well for you. Kinji Fukasaku is mostly closely associated with his hard hitting yakuza epics which aim for a more realistic look at the gangster life such as in the Battles Without Honour and Humanity series or his bloody tale of high school warfare, Battle Royale but he also made a few comedies too and often has his tongue firmly in his cheek. Blackmail is My Life (恐喝こそわが人生, Kyokatsu Koso Waga Jinsei) is nominally a crime film, it follows the adventures of a group of young people having a lot of fun doing crime and crime related activities, but the whole thing’s so flippant and ironic that it threatens to drown itself in late ‘60s cool. It doesn’t, of course, it swims around in it whilst looking cool at the same time.
Shun starts the film with a slightly melancholy voiceover (a technique much borrowed in the ‘90s). He was young, he was ambitious but the best thing was he had friends who were more like family. He breaks up with his girlfriend and mopes about his awful job cleaning toilets at a cabaret bar but one day he overhears something about a scam going on with the whiskey they’ve been selling. Shun spots a business opportunity to get his own back on the cabaret owners and get some dough in the process. So begins his life as a petty blackmailer and it’s not long before he’s got his three best mates trapping businessmen into compromising situations so they can film it and blackmail them. The gang carry out petty crime and everything would probably be OK for them if they had stuck to shallower waters, not tried to get revenge for a family member’s death and, crucially, known when they were in way over their heads. Could it really ever be any other way for a self confessed small time punk?
Shun is a bit of an odd duck really. As a girlfriend points out, he’s always thinking about the past like an old man rather than the future, like a young one. He has an irreverent attitude to everything and a vague sense of entitlement mixed with resentment at having missed out in Japan’s post-war boom town. The blackmailing not only allows him to feel smugly superior to everyone else as if he’s some kind of mastermind trickster, but of course also allows him to live the highlife on the proceeds with far less time spent working himself to the bone like the average salaryman.
However, he also has this unexplained sadness, almost as if he’s narrating the film from the point of view of its ending despite being smack in the middle of it. When thinking of happy things he always comes back to his gang of friends enjoying a joyful, innocent day on the beach but later he starts having flashes of rats drowned in the river. Somehow or other he fears he’ll end here, dead among the detritus of a world which found no place for him. He tries to convince himself he’s bucking the system, trying to start a revolution for all the other young punks out there but at the end of the day he’s just another hungry scrapper terrified he’s going to land up on the trash heap.
Like a lot of Fukasaku’s other work, Blackmail is My Life is bright and flashy and cool. Full of late ‘60s pop aesthetics, the film seems to have a deep affinity with the near contemporary work of Seijun Suzuki, in fact one of the characters is always whistling Tokyo Nageremono, the theme tune to Suzuki’s pop art masterpiece Tokyo Drifter. Having said that Fukasaku swaps nihilistic apathy for a sort of flippant glibness which proves a much lighter experience right through until the film’s fairly shocking (yet inevitable?) ending.
Not quite as strong as some of his later efforts, Blackmail is My Life nevertheless brings out Fukasaku’s gift for dynamic direction though the comparatively more mellow scenes at the sea are the film’s stand out. Pulling out all the stops for his crazed, POV style ending with whirling cameras and unbalanced vision Fukasaku rarely lets the tension drop for a second as Shun and co. get hooked on crime before realising its often heavy tarrifs. Another bleak and cynical (though darkly comic) look at the unfairness of the post-war world, Blackmail is My Life may not rank amongst Fukasaku’s greatest achievements but it wouldn’t have it any other way.
Blackmail is My Life is available with English subtitles on R1 US DVD from Homevision and was previously released as part of the Fukasaku Trilogy (alongside Black Rose Mansion and If You Were Young: Rage) by Tartan in the UK.