Since making 2002’s Parco Fiction, directors Shinobu Yaguchi and Takuji Suzuki have both gone on to bigger and better things but for this under seen portmanteau movie, they found themselves uniting to create something which seems to be a strange advert for the Parco department store in Tokyo’s trendy Shibuya district. The film is divided into five different short episodes loosely connected to the department store plus opening, closing and linking segments each filled with the kind of whimsical, absurd humour usually found in these kinds of films.
Opening with a planning meeting for the building of the department store in which its unusual name is decided after the chain smoking consultant finds it written on his scarred lungs after a medical emergency, the story moves on to a young lady who is undergoing an interview for a job at the store. Unfortunately, the young man being interviewed alongside her is an ideal candidate – a Tokyo university graduate who seems to have completely charmed the panel. However, the girl is given a job with the instruction not to open the envelope she’s been given but she can’t resist and finds herself setting off on a strange quest.
This only continues in part two as we come into contact with a soon to be middle school girl who has the misfortune of having a slightly dotty grandma by the name of “Harco”. Every time the Parco ad comes on, grandma gets very excited because she thinks someone’s calling her name even though the last person to call her “Harco” died, years ago. The little girl sets off to solve this problem by stopping grandma seeing the ads, but then something even stranger happens.
Tale three is set during a sale in which a young woman has her heart set on a particular dress and will stop at nothing to get it. This introduces us to the security guard at the Parco who takes us into story five as a shop worker has an unusual medical problem which prevents her from looking up. The security guard has a crush on the shopgirl, but he’s on the taller side so all he can do is stay close by and prepare to catch her every time she’s about to swoon after slightly raising her head. The film then closes with another mini sequence featuring the “standing room only” screening of Parco Fiction at a public cinema.
As is common with these kinds of films, some of the segments are more successful than others. The first perhaps goes on too long and the episode with the little girl and her grandma gets a little too surreal for its own good but the overall tone is zany, quirky humour. Sometimes very off the wall and filled with a good deal of slapstick too, Parco Fiction feels like a fairly low-key, frivolous effort but none the less enjoyable for it. Having said that, the entire duration of the film lasts only 65 minutes, and, truthfully, feels a little long despite the variation of stories involved.
Not a landmark film by any means, Parco Fiction still has plenty to offer particularly as a fairly early effort from these two directors who’ve since gone on to carve out fairly interesting careers. Sure to interest fans of quirky comedies, each of the segments has a zany, studenty humour vibe that often proves extremely funny. The film is undoubtedly low budget (and obviously filled with references to the Parco department store) but earnest enough and filmed in an accomplished and interesting manner.
This is another one you can randomly buy on UK iTunes with English subtitles.