Kung Fu Killer (一個人的武林, AKA Kung Fu Jungle, Teddy Chan, 2014)

kung fu killerKung fu movies –  they don’t make ‘em like they used to, except when they do. Kung Fu Killer (一個人的武林, AKA Kung Fu Jungle) is equal parts homage and farewell as its ageing star, Donnie Yen, prepares to graduate to the role of master rather than rebellious pupil. What it also is, is a battle for the soul of kung fu. Just how “martial” should a martial art be? Is it, as our antagonist tells us, worthless with no death involved or will our hero prove the spiritual and mental benefits which come with its rigorous training and inner centring transcend its original purpose? Of course most of this is just posturing in the background of a lovingly old fashioned fight fest complete with a non-sensical plot structure motivated by increasingly elaborate set pieces.

Yen plays Hahou Mo, a martial arts master and instructor to the HK police who hands himself in one day covered in blood and confesses to having killed someone. Three years later Hahou is a man of peace, paying for the accidental death of an opponent by patiently waiting out his prison time. However, when he sees a news report about a serial killer with martial arts ability targeting fellow martial artists he goes on a violent rampage trying to get the attention of the police. If they’re going to solve this crime, they’re going to need someone who knows the martial arts world intimately and Hahou spies an opportunity to earn his freedom through helping someone not so unlike himself realise the error of their ways.

In keeping with the genre, its not so much of a whodunnit as a whydunnit and so the crazed murderer is unmasked fairly quickly. Fung Yusau (Wang Baoqiang) is determined to be number one in each and every discipline, taking on the accepted masters and besting them every time, even going to far as to leave a sarcastic trophy on every body. Hahou once shared his ambition, his reckless need to prove his skill is the reason his life has gone the way it has after all, but the two men share fundamentally different beliefs about the nature of their art. Fung Yusau believes martial arts exist for the reason of killing people – fights in which both challengers live are, to him, pointless and incomplete.

Even if Hahou once harboured the same desire to prove his skills superior to all others, his was a more internal quest. For him, at least now, kung fu is a sacred art of self improvement which can be used for self defence but is essentially about learning to live a harmonious life. Having learned from his own misfortune, he knows the folly of being no. 1 – in that it’s an essentially lonely and insecure place to be. Martial arts should be used to kick down walls and build bridges, his desire is to move forward in togetherness teaching people how to be happy rather than working against each other in an unnecessary and artificial kind of competition.

The police need Hahou’s help because the martial arts world is so essentially alien to them. Despite a shared culture, this insular universe is something which they know nothing about and is so dependent on interpersonal knowledge that no degree of wikipediaing is likely to help them understand it. Only by learning from those with direct knowledge and able to guide them through the particular thought processes of the killer will they stand any chance of being able to catch him. However, the strangely alternative nature of the martial arts universe also makes trusting Hahou and the veracity of his information a big ask for hardheaded cops.

Yen wisely cedes most of the action to Wang Baoqiang other than in the early prison riot sequence and final showdown. The fight scenes are innovatively choreographed and always exciting, except perhaps for going overboard with CGI especially during the motorway set finale during which the additional speeding cars become an unwelcome reminder of just how much less is at stake than during the heady Hong Kong heyday of death defying stunts. Still, the relative quality of the action goes a long way to covering for the otherwise under developed story elements.

A nice fusion of the classic and the modern, Kung Fu Killer wears its love on its sleeve with a final credits sequence celebrating the various Hong Kong greats who’ve all contributed to the film in some way even if in more of a spiritual capacity. Necessarily an exercise in genre, Kung Fu Killer makes no claims to breaking new ground or doing anything particularly interesting, but does provide ample scope for a celebration of Hong Kong action cinema as well as the handing of the baton from Yen to Wang as each showcases their respective martial arts prowess.


Original trailer (English Subtitles)

Cold War 2 (寒戰II, Longman Leung & Sunny Luk, 2016)

coldwar 2Cold War 2 (寒戰II) arrives a whole four years after the original Cold War rocked Hong Kong with police corruption scandals and fantastically convoluted internal plotting. Heroic policeman Sean Lau (Aaron Kwok) may have won the day, even if he ultimately had to compromise himself to do it, but the police van is still missing and MB Lee (Tony Leung Ka-fei) is still lurking in the background. As is his son, Joe (Eddie Peng) – languishing in prison but apparently still with the resources to cause trouble whilst behind bars.

Joe Lee has Lau’s wife kidnapped, forcing Lau to compromise himself by giving in to his demands all of which culminates in an intense subway set piece in which Lau inadvertently ends up handcuffed to an exploding smoke bomb while Joe Lee escapes. Embarrassing is not the word. Lau now looks bad, and old rivals have their eyes on the police chief’s chair. An enquiry is currently underway into goings on at police HQ lead by top lawyer Oswald Kan (Chow Yun-fat) but his impartiality is severely damaged when one of his own is caught in the crossfire whilst investigating Joe Lee’s nefarious activities.

Like the first film, Cold War 2 is an intense interpersonal thriller though this time the enemies are even closer as the old boys network becomes the means by which commissioners are unseated and installed. Service records are everything – Lau is unpopular with his colleagues because he started out at ICAC and has never served as a rank and file policemen. From one point of view, this makes him an ideal candidate because he has no personal ties to the body of serving officers but his rivals despise him for this very reason. He isn’t one of them, does not have first hand understanding of front line policing, and most importantly is not a part of their interconnected layers of military style brother-in-arms loyalties.

Lau’s predictable miscalculation regarding Joe Lee creates an opportunity to get rid of him and take back the force. “Save the police” is a message which is repeated over and over as the plotters attempt to win others over to their cause, insisting that Lau has lost the media battle for the hearts and minds of a public now trained to be afraid of their police force. Lau is the continuity candidate – mistakes have been made, but his stately manner and apparently steady hands may yet win the day. Those same hands are getting dirtier by the second, but they’ve been brushing the morally grey, not (yet, at least) immersed in the red of innocent blood like those of the corrupt top brass at police HQ.

If the plotting is intricate and filled with double crosses and betrayals, directors Luk and Leung have ensured a steady stream of explosive action sequences to accompany the ongoing cerebral games. Cold War also had its share of action packed spectacular set pieces but Cold War 2 may surpass them with the surprise factor alone including one shocking multi-car pileup inside a tunnel in which cars, buses and bikes go flying before an all out fire fight ensues. Lau’s constant gazing at the “Asia’s Safest City” signs which adorn police headquarters (right next to the metal detectors you need to pass through to get in) has never looked so melancholic and drenched in irony.

It’s a battle for the soul of the police service, but it’s being fought as a dirty war. Lau is the decent and honest man forced to behave in a slightly less honest and decent way, even if for the best of reasons. His rivals are running on pure ambition and pettiness. Despite their claims they do not have the interests of the people of Hong Kong as their foremost concern. The corruption stems far further back than anyone might have previously guessed and is more or less coded into the system. The police van and equipment are still missing and the central plotters are still in place. This is a partial victory at best but then what kind of action fest wouldn’t leave a door open for a sequel. The cold war maybe about to turn hot, but you can rely on the steely eyed Police Commissioner Sean Lau to be there, ready and waiting, when the first shots are fired.


Original trailer (English Subtitles)