Christmas is a time for romance, at least in Japan, but thanks to the magic of the season it can also be confusing. For one nerdy aspiring mangaka at the centre of Isshin Inudo’s Miracle: Devil Claus’ Love and Magic (MIRACLE デビクロくんの恋と魔法, Miracle Devil Claus-kun no Koi to Maho) it’s about to become very confusing indeed as he becomes convinced a prophecy he himself made up when he was a child is actually coming true. Cross-cultural love, lifelong longing, frustrated dreams, and misconstrued realities threaten to derail fated romance but never fear – it is Christmas after all, and even evil Santa has his heart in the right in place as long as anyone is prepared to really listen to him.
Hikaru (Masaki Aiba) and Anna (Nana Eikura) have lived across the street from one another all their lives and been friends as long as either of them can remember. These days, Hikaru is chasing dreams of manga success while working in a bookstore, and Anna is an aspiring artist specialising in large scale metal work. 20 years ago, Hikaru made up the figure of Devil Claus who is the embodiment of Santa’s emotional pain on being forgotten and abandoned for 364 days of the year. Seeing as no darkness can be permitted in the heart of Santa, Devil Claus evolved into his own pixie-like creature and now mostly stars in the cute, inspirational posters Hikaru illegally pastes all over town.
Devil Claus is also a big part of a prophecy Hikaru revealed to himself in which he believed Devil Claus would eventually lead him to the “Goddess of Destiny” who will appear dressed in red with the moon at her back, carrying knowledge of the future and accompanied by a leopard! It is quite a list and so when Hikaru bumps into an extraordinarily beautiful woman wearing a red coat, carrying a wooden leopard in one hand, and a collection of books about “the future” in the other, he comes to the obvious conclusion. In a coincidence worthy of the movies, it just so happens that the woman is Seo-yon (Han Hyo-Joo), a Korean artist in charge of organising a large scale Christmas display which is also the project Anna has been working on.
Predictably enough, Anna has long been in love with the completely clueless yet pure hearted Hikaru. Ironically, Hikaru thinks of Anna as a big sister who has always protected him when he is so obviously unable to stand up for himself, but though she berates him for his lack of backbone she is the one too embarrassed to confess her real feelings and has been patiently waiting for him to finally notice her all her life.
Nevertheless, this particular plot strand takes a strange turn when Anna figures out that Hikaru’s “Goddess of Destiny” is almost certainly Seo-yon. Despite her own feelings she does her best to fulfil Hikaru’s dreams but Inudo frames her behaviour strangely – Anna acts coldly towards Hikaru, while gazing somewhat longingly at Seo-yon who seems to literally sparkle as the sun shines ever behind her. It would be easy to come to the seemingly obvious conclusion that Anna has a different reason for being irritated with Hikaru and his current romantic pre-occupation (why exactly does she already have the book Seo-yon has been wanting before she decides to give it Hikaru to give her?), but the dilemma is later reframed as an inner conflict about her lack of traditional femininity. Yes, Anna’s “manly” dungarees and love of welding might easily play into a stereotype supporting the first conclusion but are actually offered as reasons for feeling underconfident in romance. Just as Hikaru thinks he isn’t good enough for someone so glamorous and accomplished, Anna thinks she isn’t good enough for Hikaru because she can’t measure up to a woman like Seo-yon.
All of that aside, the refreshing message behind Devil Claus is less one of conforming to a social ideal than of learning to regain your self confidence in order to open yourself up to the vulnerability of exposing your true feelings. Hikaru’s romantic and professional rival (not that Hikaru would ever really think of anyone else as an enemy), Kitayama (Toma Ikuta), was one a top rated city trader and now apparently successful mangaka but in a depressive slump over a conflict of artistic integrity. Only by remembering the importance of sincerity and emotional connection can he unlock his creative block by remembering what it is that’s really important. Frothy fun and proud of it, Devil Claus mixes infinitely cute if slightly subversive animation with innocent and pure hearted romance in which the main messages are embracing your authentic self and accepting other people’s. In other words, a perfect Christmas story.
Original trailer (no subtitles)