“Growth comes only through connecting with others” according to a master craftsman in Naruhito Suetsugu’s manga adaptation Haruka’s Pottery (ハルカの陶, Haruka no Sue). Japanese cinema has a long history of showcasing traditional crafts but this may be the first dedicated to Bizen ware, artisanal pottery which allows one lost young woman to find purpose in her life after being deeply moved by an oversize platter displayed in a department store exhibition. What she discovers, however, is that pottery is not an isolationist art and lives only in practical application which is in its own way impossible without interpersonal connection.
A 20-something office worker, Haruka (Nao) laments that nothing exciting is ever going to happen to her. She has no dream or particular passion and sees nothing in her future other than an ordinary job and conventional marriage. Dragged into a department store exhibition by her boss who reminds her that she never has plans so she can’t refuse, Haruka is captivated by a large Bizen ware platter and finds herself heading to the library to find out all about this ancient craft. It’s not long before she’s made the decision to quit her job and try to become a potter herself, determined to train with the artist who made the platter, but when she arrives in the Bizen ware capital of Imbe, Okayama, she finds him cold and unresponsive. Only after bonding with an old man, Toujin (Takashi Sasano), who turns out to be a “national treasure” of traditional pottery does she manage to persuade Osamu (Hiroyuki Hirayama), the aloof and grumpy potter, to allow her to stay.
Talking to Toujin later Haruka reveals that one of the reasons she was so struck by the platter was because her family is small and she’d always dreamed of a big gathering where everyone could eat off the same large plate. Toujin fires the same logic back at Osamu, that subconsciously he made the plate because he’s lonely. It’s not something he would ever use, in fact it’s too big to have much of a practical use at all, it was basically just a kind of beacon to summon someone to him, to express the depths of his solitude. Osamu lost both his parents as a child, his mother to illness and his father (Jun Murakami) to overwork brought on by grief, and has kept himself to himself ever since. He may have become a master potter, but according to Toujin at least he is somewhat lacking as a human which means, in essence, that his art will never progress not to mention that he’ll go on being lonely and resentful all his life if he fails to seize this opportunity to pass on his Bizen ware skills to a willing pupil.
For her part, Haruka is determined to learn and only from Osamu, the man who made the plate. While others in the town which is largely populated by other Bizen ware potters are supportive if somewhat surprised that Osamu has taken on an apprentice, Haruka finds herself at odds with Toujin’s daughter Yoko (Maki Murakami) who, according to her husband, has not exactly had it easy as a female potter. Yoko resents Haruka as an arriviste, unconvinced she’s really serious and assuming she’s another refugee from the city fed up with urban life and looking for something simpler which is to say she’s probably underestimated the commitment required to become a Bizen ware craftsman. Haruka is fond of cheerfully stating that she’ll persevere, but that’s rarely enough for Osamu or for Yoko who’d prefer to see some concrete results. Yet as Toujin had said, it’s as well to connect with as many people as you can and learning something from each of them she begins to grow in confidence, becoming a full part of the Bizen ware community and earning the respect of the other potters.
As an old lady puts it, Bizen ware is designed to be used. Its harsh corners become soft and round through contact, and the same is true for people too. Having pushed himself too far trying to connect with his late father through their shared art, Osamu too softens assuring Haruka that pottery is not an exact science and it’s OK to fail every now and then as long as you learn something when you do. “The potter must have a strong will and be as unbreakable as the pottery itself” in order to “melt people’s hearts on the spot” Toujin had somewhat paradoxically told her, but Haruka perhaps learns that there’s truth in what he says, falling in love not only with traditional craft but with the small community of craftsmen accepted as one of their own in her unbreakable love for Bizen ware.
Original trailer (no subtitles)