Fight Against Evil 3 (东北警察故事3, Yang Bingjia, 2026)

Top cop Li Hongqi (returns for another holiday gone wrong in the third instalment of the Fight Against Evil series, and there is indeed some serious evil to be thought. Directed this time by Yang Bingjia rather than Qin Pengfei, Fight Against Evil 3 (东北警察故事3, Dōngběi jǐngchá gùshi)received a theatrical release in Mainland China rather than premiering on IQYI’s streaming service and so benefits from slightly higher production values and features a mild tonal shift that sends the film into action comedy territory.

In fact the first “fight” takes place off-screen as Honqi casually takes down a man who’s taken his wife hostage so that he can finish a telephone call with the rather demanding mother-in-law (Diama Lin Xiaojie) he hasn’t actually me though he and his wife Touzi have already been married for two years. Having become estranged from her birthmother, Touzi tells him not to bother with her because she’s a handful, though Hongqi is keen to be a good son-in-law and hopes to broker a reconciliation by agreeing to his mother-in-law’s madcap plan to stage a second wedding in her hometown without actually telling Touzi until she gets there. 

In any case, Hongqi is immediately distracted when Xinxin (Ma Qianyi) , a cheerful teenage girl he met on the plane, is reported missing, suspected of having fallen victim to traffickers after failing to reach her grandfather’s house. Hongqi feels personally responsible because he said he’d take her, but had to leave after hearing that his mother-in-law had been arrested for causing trouble in a cafe. Nevertheless, the mother-in-law proves to be unusually well connected and helps him track down the local crime kingpin whom she apparently knew when he was a snivelling child getting beaten up for his lunch money. 

On his arrival in the town, Hong’s old friend Sun Biao (Cui Zhijia) tells him that times are different now and they have to do law enforcement in a more “civilised” way, which might suggest that things work differently here compared to the city, though as it turns out Hong’s skills are still in demand as he finds himself repeatedly getting into brawls with the local bad guys. Even Baio also gets into the swing of things wanting to prove that his fighting skills are still as good as Hongqi’s. This is, however, violence very much in the service as justice as everyone involved in the fights is already an active participant in the world of crime and the violence is being used to subdue rather than interrogate them.

Meanwhile, the trafficking gang seems to be an offshoot of some kind of cult that attracts people who’ve encountered financial ruin due to contemporary social issues from being scammed to failing in business or developing a gambling problem. Most of the lower-ranking members are doing this more out of desperation and have abandoned their humanity as a means of survival, not that it excuses what they’ve done. The leader, meanwhile, experienced a tragedy of her own which seems to have affected her mind and has made her especially attached to young Xinxin who otherwise proves plucky and resourceful with her repeated attempts to escape from the gang.

Despite the grimness of the subject matter, the film finds plenty of opportunities for comedy not least in the zany antics of Hongqi’s mother-in-law who also has a justice-loving heart and at one point takes off to catch the kidnappers herself on her moped. There’s a fundamental absurdity to Hong’s existence in which he’s been yet again drawn into a case while supposedly on holiday while attempting to keep his demanding mother-in-law happy and keeping the whole thing secret from wife in the hope he can either bamboozle her into taking part or she will arrive and talk her mother out of it. This sense of absurdity also carries over into some of the fight scenes in which Hongqi has to fight off an entire gang while his mother-in-law hides under a table in a pool hall or has to go undercover in a club, despite looking the most like a policeman it’s possible to look without actually wearing a uniform.

It is not, however, all slapstick and still features some seriously impressive action sequences. The film also makes some attempt to mine humour in the decidedly unfunny customary series of title cards explaining that the nation is taking measures to combat human trafficking and explaining that everyone was caught and punished in accordance of law before finishing on a note that explains China has over two million police officers, which is intended to be reassuring but perhaps is also the exact opposite. Nevertheless, the film is a great deal fun as Hongqi and his mother-in-law fight off bad guys while simultaneously planning a wedding.


Fight Against Evil 3 screens 23rd August as part of Big Bad Film Fest.

Trailer (Simplified Chinese subtitles only)

Endless Journey (三大队, Dai Mo, 2023)

The police officers at the centre of Dai Mo’s Endless Journey (三大队, Sān Dàduì) are soon stripped of their badges, accused of excessive force contravening laws existing since the medieval era to prevent vigilante justice. Yet in someways that’s essentially what they end up doing, extra-judicial investigators with a personal vendetta rather than a pure-hearted interest in justice even if the victim of the crime weighs heavily on their conscience. 

Though the film plays into the recent trend in Sino-noir and popularity of mystery thrillers at the Chinese box office, it is surprising that a film that is at least subtly critical of the justice system, featuring police who break the rules and are sent to prison, was approved by the censors board even if the central message is one of heroism as Captain Cheng (Zhang Yi) doggedly chases his suspect all over China for several years. Then again, the hero of this true life case turns out to be China itself as Cheng is reminded that his search is unnecessary given that the fugitive, Eryong (Zheng Benyu), is sure to be captured by the burgeoning surveillance network of CCTV cameras then being rolled out across the country. Years later, it’s the system that allows Cheng to identify Eryong as his DNA and fingerprints throw up positive matches within seconds of samples being taken thanks to the nation’s DNA database. 

Even so, as the veteran officer, Zhang (Yang Xinming), reminds the rookie behind every major case there’s a ruined family broken by their loss which is one reason why he doesn’t relish the prospect of investigating one so late in his career. This particular crime is so heinous that it’s become front page news which means that they’ve also got their boss breathing down their necks to get it solved as soon as possible with the existence of Division 3 itself on the line. Cheng pops home for a matter of minutes to check on his wife and daughter, shutting down his wife’s suggestion that they get a security system for their windows on the grounds that it would be an embarrassing thing for a detective’s home to have. The reason she wants one is that the victim in this case had been a little girl of around their daughter’s age unexpectedly home alone when thieves broke in by climbing over their aircon unit and smashing a window. Finding nothing of value they raped and killed the daughter. 

After a police officer dies as a result of the investigation, the squad take things too far questioning the first suspect leading to his death which is how they end up disgraced and sent to prison. After his release, Cheng has lost his family, his home, his job and identity as a protector of justice yet his determination to catch Eryong is born more of his desire to avenge a friend than it is to prevent further crime. His fellow officers join him in the beginning, but during the endless searching each make the decision to move on for easily understandable reasons such as their marriages, children, and illness but Cheng cannot let go even when prompted by an old friend from the force who tells him they have this in hand though there is perhaps a subtle implication that the police force isn’t really doing enough otherwise Cheng wouldn’t have to be chasing Eryong all over the country. 

But haunted by reflections of his own face, ageing, at times dishevelled and hopeless, Cheng is also searching for himself and a means to reclaim the self he once was by vindicating himself as a policeman along with Division 3 in finally completing their mission. The ominous score by Peng Fei with its stinging strings adds to the noirish feel as does the perpetual inevitability of Cheng’s forward motion in the dogged pursuit of his prey, unable to rest until Eryong has been brought to ground. His quest robs him of his life, but there is an undeniable poignancy to it in Cheng’s inability to find himself outside of the chase only to be left with a moment of uncertainty no longer sure who he is or where he goes now, left alone and with no sense of direction in the absence of his quarry.


Endless Journey is in UK cinemas now courtesy of CMC.

International trailer (English subtitles)