Unidentified Murder (UFO離奇命案, Kwok Ka-Hei & Jack Lee Chun-Kit, 2025)

The line between a prank and a scam maybe be necessarily thin in Kwok Ka-Hei and Jack Lee Chun-Kit farcical comedy Unidentified Murder (UFO離奇命案) in which nothing is quite as it first seems. Unfolding with an almost Rashomon-like structure, the film slowly peels back the layers of reality to reveal that pretty much everyone is playing a trick on someone, sometimes rooted in a childish sense of fun, but equally a desire for attention and the money that can be generated from it in today’s attention-obsessed society.

Twenty-five years ago, Kit (Ronald Lam Tsz-Kit) and Mark (Ling Man-lung) went up the mountain with their friend Ho but returned alone. Ho’s disappearance has apparently become a legendary local mystery with the boys claiming that Ho was abducted by aliens, though some seem to believe that their story is either a trauma-born fiction or a deliberate attempt to disguise their role in whatever may have happened to their friend. In any case, the film opens with an attempt by online content creator Man (Renci Yeung) of the “Prank My Boyfriend” video channel to play a trick on her boyfriend Mark by getting an actor, Kim (Peter Chan Charm-Man), to be the retuned Ho abruptly released by the aliens after 25 years. To begin with, this doesn’t seem like a very funny prank and could be crushingly insensitive. One might assume the now middle-aged men are carrying a degree of trauma about the failure to protect their friend, or else if they really were responsible for his disappearance in someway, it could turn out of be a dangerous situation for everyone. 

Nevertheless, Mark doesn’t seem to be particularly phased by Man’s prank and, on fact, sets out of prank her back by getting Kim onside to pretend that he and Kit kill him while planning to move Ho’s body due to the increased interest generated by the incident’s 25th birthday. This doesn’t seem like a very funny prank either, and it’s difficult to deny that this ultimately farcical situation began with a series of very bad decisions especially as this particular stunt is intended to work up to a marriage proposal. Unfortunately, however, nothing goes to plan and when it looks like Kim might be dead for real, the gang get a mysterious text trying to blackmail them threatening to release Man’s video of them murdering Kim online.

Or course, there’s a possibility that this is another prank too, or, to be frank, more of a scam. In this world, nothing really is certain and no one is really who they seem to be. A good friend might be playing a trick on you that could unwittingly be hurtful or insensitive though they may not mean it, while likewise they may be trying to con you out of a bit money to fight their own desperate circumstances. There’s a kind of childishness that underplays most of the trickery like a lie told by a child to get out of trouble that they then have to commit to for the rest of their lives. In this way a trick can become a shared secret, like an alternate reality that binds people together in ways few other things can. Others my be wilfully deceived by watching things like the Stardust Memories channel that purports to show evidence of aliens but may not be completely on the level. To that extent, at least Man’s channel is honest about its intentions even if it’s not clear to what extent Mark is already in on the joke.

Even if you regard it as harmless fun, these pranks too could wind up having devastating consequences and escalating to levels of death and violence all based on a series of misunderstandings. So confusing do things become while out in the mountain forest that Man even tries to grab the gun from a policeman and points it at her friends certain that they’re pranking her only to be shocked when the gun later goes off. But what could have unraveled a long-time mystery and exposed things best left buried or resulted in deadly consequences instead becomes another bonding exercise in which a group of people generate an unexpected friendship though all being in on the joke, each letting the incident end with good humour and no harm done. Filled with farcical comedy and an ironic cynicism the film seems to say that in this world where everything is grift being in on joke might be the only thing that makes life worth living.


Unidentified Murder screens as part of this year’s New York Asian Film Festival.

Trailer (English subtitles)

Unleashed (地下拳, Kwok Ka-Hei & Ambrose Kwok Yat-Choi, 2020)

Victory lies in letting go in Kwok Ka-Hei & Ambrose Kwok Yat-Choi’s macho boxing drama Unleashed (地下拳). A familiar tale of a gym under threat, a master vulnerable, and a young man indignant, Unleashed isn’t claiming to be original but eventually wanders in an unexpected direction with the entrance of a young aspiring actress who finds herself at the mercy of a predatory industry, taking refuge in the ring as she undergoes research for an upcoming role as a top assassin. 

Fok Kit (Sun Zhen-Feng), the hero, is a champ of the underground boxing circuit living with his master Tak-bo (Ken Lo Wai-Kwong) at a struggling gym. When their landlord, Mr. Ho (Mok Wai-Man), comes calling, Tak-bo assumes he’s putting up the rent but the reality is even worse. Ho wants to sell the property after receiving an offer too good refuse, but he is willing to sell it to Tak-bo first if he can come up with the money. While the bank agree to loan him almost enough, Tak-bo is running a little short when he’s approached by an old pupil, Lok (Sam Lee Chan-Sam), with an offer of his own. He wants Fok Kit to face off against his guy Surat (Zheng Zi-Ping), a Thai boxer with a fearsome reputation. Tak-bo is reluctant, fearing for Fok Kit’s safety after hearing rumours that Surat killed a man in the ring, while it also turns out that there may be bad blood between himself and Lok who has not long got out of prison after being convicted of drug smuggling. Meanwhile, Fok Kit has taken on a new pupil, Effy (Venus Wong Man-Yik), who wants to join the gym to learn all the boxing she needs to know to convince in her role as an assassin in an upcoming movie. 

Left with no other options, Tak-bo gives in and lets Fok Kit fight Surat, but it goes just as badly as it could possibly go and not only does he lose but is rendered paralysed. In true boxing movie fashion, Fok Kit shifts from petulant unwillingness to undergo a risky operation that might allow him to walk again, to a full recovery and the desire for a rematch, but his scars are as much psychological as physical leaving him afraid to fight, seeing Surat’s smug grin in every challenger that swings a punch. He freezes, knocked out by even the weakest of opponents. Effy, meanwhile, is on an emotional rollercoaster of her own. The sleazy director she’s working with takes against her when she rejects his inappropriate advances, having all her scenes reshot and even using them as an excuse to use physical violence against her under the pretext of movie making. He eventually gets his comeuppance when a video of his behaviour is leaked and goes viral, but his drunken act of revenge, from which Fok Kit is unable to protect her because of his unaddressed trauma, may yet cost Effy her big break in leaving her with a prominent facial scar. 

As Tak-bo keeps telling him, however, the most important tool in boxing is not physical strength but passion, just as a good actor needs heart and dedication. “Clench your first too tight you may lose everything” Tak-bo insists gently guiding Fok Kit towards the power of letting go while he himself admits he’s been holding on to an insecurity that kept him out of the ring. A fear of losing, rather than the convenient excuse of his leg injury, had him give up the fight only now deciding that he’s tired of hiding from failure. If they want to save the boxing gym, they’ll have to face their respective fears in the form of the irredeemable big bad that is Surat, a total vacuum of humanity and unstoppable killing machine. The greedy and soulless are eventually made to pay a heavy price for their betrayal of the craft, while those who have true passion eventually prosper. Never quite managing to marry its twin plot strands with Effy’s desire to fight back against a sexist and exploitative industry taking a backseat to Fok Kit’s manly drama as he struggles to regain his confidence by beating his trauma in the ring, Unleashed moves swiftly towards it wholly expected finale but consistently lands its blows even in its willing conventionality.


Unleashed streamed as part of this year’s New York Asian Film Festival.

Original trailer (English/Traditional Chinese subtitles)

Images: © 2020 Orchid Tree Media