Vampire Cleanup Department (救殭清道夫, Chiu Sin-Hang & Yan Pak-Wing, 2017)

There are strange things going on all around you that you have no idea about. The life of the average man on the street can be far more mysterious than you could ever imagine. Or so the hero of Chiu Sin-Hang and Yan Pak-Wing’s nostalgic comedy Vampire Cleanup Department (救殭清道夫) realises on being co-opted into a top secret government anti-vampire squad after embarrassingly getting bitten on the bum by a creature of the night.

Tim (Babyjohn Choi) is a down-on-his-luck young man who was raised by his eccentric grandmother after his parents’ death and now assumes she has dementia because she continues to call him by his father’s name. All of his family members seem to have some association with rubbish, his grandmother collecting cardboard to alleviate their poverty, and Tim seems to have internalised a sense of himself being the same. Tim thinks his parents were regular street cleaners who were killed in an accident, only later finding out that they were part of the cleanup squad and everyone has been keeping this from him to keep him safe from vampires. Realising that he’s immune, however, after being bitten on the bum and feeling no ill effects beyond embarrassment, they decide he’s a prime candidate for injecting new blood into the team.

Though most obviously paying homage to classic hopping vampire movies such the Mr Vampire series several of the alumni of which are featured in the film, it also seems to have some spy movie influences with its small cell of operatives and Bond-esque vampire fighting gadgets while in some ways seeking to move on from the central Taoist mythology. Master Ginger (Yuen Cheung-yan) is apparently the only Maoshan Taoist left in Hong Kong. Part of Tim’s early training involves learning all of the various seals he uses to trap vampires but photoing them instead, while otherwise basically acting as a general dogsbody doing the team’s washing and other miscellaneous tasks.

Meanwhile, the gang is seemingly targeted by a shady rival organisation run within the local police force. Slimy policeman Chu (Jiro Lee Sheung-ching) is working with a foreign scientist who says that vampires are real, they’re just dead bodies infected with a virus that makes them move. He needs more samples to come up with a vaccine, and Chu seems willing to do whatever it takes to get them to him. A vaccine is eventually developed, but it is it seems homegrown in being taken from Tim’s blood which is immune to the toxin and developed through his parents’ sacrifice, which is perhaps a subversive hint of a grassroots organisation run by ordinary people like street cleaners standing up to an authoritarian external force that wants to stamp out their history and take away their power.

But at the same time, as all this has been kept from Tim, he has a hard time separating the “vampires” from the people they used to be, convinced that some of them can be rehabilitated and go back to being more like people. On his first case, he comes across a beautiful young woman (Lin Min Chen) who was apparently buried alive as a sacrifice to the landlord vampire, another hint at lingering feudalism and land profiteering in the contemporary era. Tim is moved by seeing what he thinks are tears, but turn out to be droplets leaking from the air conditioner. Nevertheless, he can’t bring himself to burn her as he’s been being taught to do so takes her home and starts looking after her until she eventually bonds with him and fights back against her former master.

Shedding his nerdy image by removing his glasses so he can see “properly”, the conclusion that Tim comes to is that vampires and human beings are much the same in that there’s good and bad everywhere. Sometimes it’s possible to turn an enemy into a friend and aim for peaceful co-existence, but at the same time a lot more youngsters have joined the apparently secret organisation to defend their streets from an evil external threat. Though a little more cute and cuddly than the films that inspired it, Vampire Cleanup Department does at least succeed in resurrecting the hopping vampire tradition for a new generation.


Trailer (Traditional Chinese / English subtitles)

Full Strike (全力扣殺, Derek Kwok & Henri Wong, 2015)

A former badminton champ begins to rediscover herself after being permanently banned for bullying behaviour when charged with coaching a bunch of former bank robbers in Derek Kwok & Henri Wong’s zany sports comedy Full Strike (全力扣殺). Dedicated to “all the beautiful losers”, the film is less about literal winning as it is about learning to turn one’s life around in moments of profound despair and draw strength from even non-literal victories in simply refusing to be looked down or belittled.

It’s ironic in a sense that Dan (Ekin Cheng Yee-Kin), Kun (Wilfred Lau Ho-Lung), and Chiu (Edmond Leung Hon-Man) became bank robbers because they didn’t want to be bullied having grown up as friendless orphans. Former badminton champ Kau Sau (Josie Ho Chiu-Yee), meanwhile, was such as tyrannical diva that she gained the nickname “The Beast” before being banned because of her unsportsmanlike behaviour and treatment of her long-suffering assistant. But cast out of the sports world, she’s become a dejected layabout not quite working in her brother’s restaurant and otherwise hiding out from the world. Her life changes when she’s publicly mocked after running into her former assistant who has since gone to take her position as a reigning champion. Running out into the night, she spots a shuttle-cock-shaped meteor and is chased to a badminton club by what she assumes is an “alien” but might have just been a frightened homeless man.

In any case, she takes it as a sign she should pick up a racket once again which as Dan later points out she probably wanted to do anyway and was just waiting for an excuse. He can’t explain why he chose the unlikely path of becoming a badminton player to help him turn over a new leaf after leaving prison but reflects that perhaps you don’t really need a reason only the desire to change. Dan, Kun, and Chiu all developed disabilities as a result of their life of crime but slowly discover that they can actually help them on the court in a literal process of making the most of their life experiences no matter how negative they might have assumed them to be while Kau Sau similarly regains her self esteem while acknowledging the destructive patterns of her previous behaviour careful never to bully her new teammates as they all square off against her bullying cousin “nipple sucking Cheung” (Ronald Cheng Chung-Kei) who tries to use his newfound wealth to cover up a lack of skill by hiring Kau Sau’s old teammate. 

Cheung is also trying to overcome low self-esteem and is later forced to realise that becoming a champion won’t really change that much about how he sees himself, though apparently still relying on an ever capable middle-aged woman to fight (literally) his battles for him. Meanwhile, the gang are coopted by a media mogul hoping to make an inspirational documentary about them but also manipulating their lives and hyper fixating on their criminal pasts to the point of staging a fake arrest as they enter the stadium for a competition. Doubting the chances of success in setting up new lives for themselves as badminton players, Chiu is drawn back towards a life of crime while feeling somewhat distanced from the team as a tentative romance between Kau Sau and Dan seems to fall otherwise flat.

A throwback to classic mou lei tau nonsense comedy, the zany gags come thick and fast but are at times over reliant on low humour while the central premise of staking everything on an “unexciting” game like badminton perhaps wears a little thin by the time it gets to the high stakes finale with the heroes fighting twin battles squaring off against their traumatic pasts rather than the literal opponents in front of them. Winning becomes a kind of irrelevance when the contest was within the self. Each rediscovering the spark of life, the players rediscover the will to live while bonding as a team and sticking to their training in pursuit of their goal. Kwok and Wong lay it on a little thick with the martial arts parody in the uphill battle to master badminton but otherwise lend a poignant sense of warmth and genuine goodwill in sympathy with the underdogs’ quest if not quite to win then to own their loserdom on their on terms in reclaiming their self-respect and dignity. 


Full Strike is available to stream in the UK until 30th June as part of this year’s Odyssey: A Chinese Cinema Season.

Original trailer (Traditional Chinese / English subtitles)