Gambling, the ultimate act of faith or the height of anarchic genius? Based on the hit manga which has already been adapted as a popular TV anime, Kakegurui (映画 賭ケグルイ) is the sequel to two seasons of a live action TV drama set in a school where hierarchy is decided not by grades or by fists, but by your prowess at the gaming tables. Those who lose so badly they bankrupt themselves become a kind of subhuman underclass, tied up like dogs and routinely humiliated, while the Student Council becomes a stand in for an oppressive social order ruling over all and enforcing the law with an iron hand.
Into this high stress environment walks Yumeko Jabami (Minami Hamabe), a transfer student to the elite Hyakkaou Private Academy determined to bend its rules to her own advantage. Meanwhile, Student Council President Kirari Momobami (Elaiza Ikeda) is forced to deal with a new and unexpected threat – The Village, a small cult made up of students who have rejected the system, dropped out to live a hippy lifestyle in the grounds, and refuse to participate in “meaningless” games of chance. Their priest-like leader, Amane Murasame (Hio Miyazawa), once beat Kirari at cards becoming something like a god of gambling, but lost his zeal for the game after losing the only thing he ever cared about.
Where he opposes the system passively yet pointedly, Yumeko rebels in her own, fiercely individualistic way by superficially conforming, becoming a top gambler, but only because she is exercising a free choice to do so. She plays for kicks alone, and generally wins because she isn’t stressed enough about losing to let it bother her. This individualist streak makes her a hidden threat against Kirari, but one that might in itself be an interesting gamble for the infinitely bored Student Council President.
While Yumeko’s individualism threatens to unbalance the system, The Village presents a collectivist threat, agitating wholesale revolution and an end to the oppressive rule of the Student Council which renders losers inhuman. Yet there’s an essential irony in The Village’s creepy monotony that stands in stark contrast to Yumeko’s seeming conformity but insistence on her own freedom. Your life’s your own, she later explains, it’s annoying if people try to manipulate it. In this instance she’s talking not about the “life plans” handed out by the Student Council, but the egotistical desire to “save” the lives of others without considering if they want them saved or if you’re merely infringing on their personal freedom in attempting to make choices for them based entirely on your own value system.
Murasame perhaps bet something he shouldn’t have and technically won, but ended up losing anyway which is what has made him turn against gambling. Yumeko, meanwhile, believes that the only way to be truly free to entrust yourself to luck and destiny. That is, however, somewhat disingenuous, because what Yumeko excels at is mind games, essentially manipulating those around her in order to win. Yumeko plays players, not cards, and is rarely played herself. Unlike Murasame’s righthand woman Arukibi (Haruka Fukuhara), she doesn’t care that much what people think. Arukibi, meanwhile, is desperate for approval and is playing her own game just to get someone’s attention which makes her a volatile, if easily manipulated, opponent.
Essentially, Murasame wants freedom outside of the system where Yumeko has found it within, but her philosophy is perhaps the more dangerous in that it proposes total freedom that has no regard for the systems of governance. Then again, maybe this is all a long con to get better cakes in the cafeteria, merely gaming the system rather than actively undermining it. Nevertheless, for Yumeko life is risk, rebelling against an oppressive social order through the anarchic individualism of living by “chance”. Living in a society as highly regimented as this is a high stakes game, but you can’t win if you don’t play, and you need to play smart. That’s the peculiar irony of life at Hyakkaou Private Academy where the Student Council literally owns your future but you can win it back by playing them at their own game. Bet your life, win your freedom Yumeko seems to say but she still makes sure to bring cake for everyone, not just the “winners” or the privileged few.
Screened as part of the Japan Foundation Touring Film Programme 2020.
International trailer (English subtitles)